Did Jan van Eyck go to Italy? This is an old question about Van Eyck, and raises a number of important issues about his art. I do not intend to settle it here. Rather, I ask it because it casts into high relief a central issue in the ways we think about responses to art, and, more specifically, about the relations between observation and action imitation... [This is a chapter excerpted from "Medieval Renaissance Baroque: A Cat's Cradle for Marilyn Aronberg Lavin," edited by David A. Levine and Jack Freiberg (Italica Press, New York, 2010).]
To view this DRM protected ebook on your desktop or laptop you will need to have Adobe Digital Editions installed. It is a free software. We also strongly recommend that you sign up for an AdobeID at the Adobe website. For more details please see FAQ 1&2. To view this ebook on an iPhone, iPad or Android mobile device you will need the Adobe Digital Editions app, or BlueFire Reader or Txtr app. These are free, too. For more details see this article.
|Size: ||382 KB|
|Publisher: ||Italica Press, Inc.|
|Date published: ||Jan 2010|
|ISBN: ||9781599101774 (DRM-PDF)|
|Read Aloud: ||not allowed|