Patter, Plots & Scripts in Magic & Conjuring: page 2

This is a complete script and revised handling for the COUNTING ON LOTHAR trick, perhaps one of the strangest and mystifying card tricks around. It allows the magician to predict the past, the present, and even the future.

One of the more difficult tasks facing magicians is coming up with scripts – of any sort. Especially a script that has to account for dealing and counting processes, unusual display processes, and a trick that has no climax. This is a complete script and revised handling for the COUNTING ON LOTHAR trick, perhaps one of the strangest and mystifying card tricks around....

As magicians we do the same range of magic over and over again. What makes it different is our character, presentation and patter. We all put our own twist on the routines. Patter is the glue that identifies the magic to us personally. It is our personal signature. If we don't take time to create new or updated patter then our performance begins to sound routine or "follow the motions". This ebook identifies different types of patter, offers some suggestions and provides a few examples.

• What's in the box
• Purpose of patter
• Story patter
• Instructional patter
• Narration patter
• Situation patter ...

A reworking of the 6 Card Repeat like none other. Using no gimmicked cards, the trick has a funny and visual plot, and for once a true climax.

Are you looking for a methodology and script for the 6 Card Repeat that steps outside the usual plot of "I saw a guy count 1,2,3,4,5,6 cards, throw away 1,2,3 and he still had 6 cards"?

Because let's face it, the story is silly, doesn't have any spectator 'hook' nor does it have a recognizable climax beyond the weak ending of "And I still don't know how he did it."

Well, the author of How To Write A Script shows you how he used his methodology to adapt a script...

Imagine a self working trick that uses 4 objects and only three questions that allows you to determine which object or objects the spectator(s) are thinking of. Now add fun, misdirection, and a performance video.

One of the more difficult tasks facing magicians is coming up with scripts - of any sort. Especially a routine where you have 1 or more audience members mentally select any of 4 objects and then answer 3 questions with either lies or the truth. And you identify the truthtellers -vs- the liars, and you discern which object they were thinking of.

How do you explain to an audience,...

This is the complete dialog for the presentation of PUNCH and JUDY.

The figures used in this dialog and in order of their appearance are as follows: Punch — Dog Toby — Judy — Baby — Beadle or Policeman — Joey the Clown — Crocodile — Ghost — Doctor.

In addition to the above, the following properties are used: Punch's stick — Sausages — Frying Pan — Gallows — Coffin — The Pall.

1st digital edition 2016, 10 pages.

Nick Trost's Automatic Lie Speller turned into two different scripts complete with by-play, jokes, and mystery.

One of the more difficult tasks facing magicians is coming up with scripts - of any sort. How do you explain to an audience in a reasonable manner how and why a deck of cards can detect and correct lies? Well, the author of How To Write a Script shows you how he used his methodology to write a script that successfully explains the power of Nick Trost's Automatic Lie Speller.

There are actually two scripts given. One is for groups where you want to involve more than one person, and whispering would...

Old long-forgotten classics can be a real novelty for your audience. This is the case of the two very easy-to-do comical "sketches" or so-called chalk talks. Learning to draw the simple figures described in this hard-to-find manuscript, and you are always ready to entertain your audience.

From the introduction

A free e-Manuscript that illustrates how scripting, routining and analysis can turn even the oldest and most well known trick into a true performance piece.

Who doesn't know the 21 card trick?

Nobody, that's who. And that unfortunately includes many laymen. So, the author of "HOW TO WRITE A SCRIPT" decided to tackle this trick - in it's classical format - as a challenge to create a script and handling that disguises the mathematical method while entertaining the onlookers.

This ebook supplies the script and simple moves that resulted from that challenge. The script has audience involvement,...

A fairly forgotten classic turned into a beautiful performance piece for any group. Includes the script, full instructions, and a performance video.

One of the more difficult tasks facing magicians is coming up with scripts - of any sort. How do you explain to an audience in a reasonable manner how and why this fabulous magic is happening?

Well, the author of How To Write A Script shows you how he used his methodology to write a script that successfully explains...in a bare minimum of script...the Sympathetic Silks.

Part of the scripts' charm is that the audience sees a trick performed in just FOUR words. ...

Music is an element that can take a simple show and make it fantastic. This text will identify the various uses of music. I will go into detail on a simple "start up" system you can use. Sources for music will be identified as well as editing materials. A system you can control while on stage, using music that has been edited to fit your performance might already be near your fingertips.

• Uses of Music
• Legal Issues
• Emotion
• Getting Started
• Background
• Choreographed
• Looping and Editing
• Back Up
• Wrapping it Up

1st edition 2016, 22 pages.

This is a funny patter and presentation routine, with which the author has been bringing down the house. You patter along with magical solutions of all the problems confronting the U. S. Government, war, peace, employment, hunger, G.I.'s, housing, ...

It is flexible enough for you to use the tricks that you already own, or add almost anything you like.

Paul Fleming wrote:

A script, analysis, and performance video showing how entertaining and mystifying a trick the Egg Bag can be. And without using the "Hide the egg under my arm" type gags.

One of the more difficult tasks facing magicians is coming up with scripts - of any sort. But it's even harder for tricks that have no preset routine - such as the Egg Bag. How do you explain to an audience in a reasonable manner how and why you're doing this? How do you make this magical? How do you create the climax? And how do you do this without retreading old ideas, such as the "fake hide-theegg-under-the-arm gag"? ...

A script and performance video showing how the Professors Nightmare and Fiber Optics can make a fun and mystifying routine.

One of the more difficult tasks facing magicians is coming up with scripts - of any sort. But it's even harder for tricks that have no preset routine - such as the Professors Nightmare and Fiber Optics. How do you explain to an audience in a reasonable manner how and why this fabulous visual magic is happening?

Well, the author of How To Write A Script shows you how he used his methodology to write a script that successfully blends the Professors Nightmare with the moves from Fiber Optics...

This ebook is a "Panorama of Professional Prose Palaver and Polished Poetical Patter". It is a collection of six previous Abbott publications:

• Practical Patter by Percy Abbot
• Patter Punches by Sol Stone
• Routines In Rhyme by Bill West
• Merrier Magical Chatter by Don Rogers
• 202 Ways To Stop Hecklers by Otis Manning
• Punch And Judy by Sydney de Hempsey

PDF 127 pages

How to write a script that entertains and reaches your audience. Topics include BRAINSTORMING PLOTS as well as ANALYZING THE TRICK FOR WEAKNESSES and many others..

One of the most neglected and misunderstood aspects of performing is: What do I say - how do I say it - and why do I say it? In other words - SCRIPTING!

This ebook is written for the magician who performs for people and wants to have better patter than just "Hey, wanna see a trick?" It's written to be used by a performer who wants to amuse, entertain, and add an extra layer of deception to his magic.

It's for the magician...

Want to make your show different? Can't figure out how? We all do some of the same basic skits in our hypnosis shows and it is time to stop. It is time to take control of your show and make it DIFFERENT! In this skit building workshop you will discover the secrets of making your show Unique and creating a show that uses classic skits but in a different way than everyone else.

Price is Just $7 You cannot go wrong!

[You will receive a PDF workbook and an MP3 audio file. Download both from your digital shelf.]

workbook 10 pages, audio length 18 minutes.

Once a script writer for Jack Paar's show (1962-63) and Red Skelton's show (1964-70), has also written for Dick Gregory (six years), and was a speechwriter for President Gerald Ford in 1973-77.

One-liners, flip lines, gags and patter. Many of these one-lines are still good today. Others just need some updating but still very funny stuff.

The real benefit of having this material available in digital form is to be able to search for particular words and phrases which related to your performance, occasion or venue. This makes it much easier to find suitable comedy lines.

1st edition 1954,...

This ebook contains lots of comedy for any age group with new patter and routines with apparatus, which you may already own. Entertaining children is generally known, to be one of the most lucrative branches of magic - and this contains plenty of kid stuff. Also contained herein are Gospel Lessons, Mental Effects and Escape Ideas. Everything with a novel setting for some of our most popular standard effects - such as: The Milk Pitcher, Egg Bag, Dove Pan, Vanishing Canes, Liquid Appear, Bang Gun, Six Card Repeat and more. All audience tested.

• Introduction
• What Is An Orange Made Of???
• Polluted...

Timothy Hyde, international mentalist and founder of the MagicCoach.com project has a big secret. Over half of his business is actually as an MC at corporate events worldwide. His clients have used him in - South Africa, New Zealand, the USA, and every corner of Australia and he is about to head off to an assignment in Cambodia.

Many magicians have crossed over into this exciting and lucrative market, using the skills they already have to create fun and impact at a huge range of events. The market is vast and expanding. Assignments can include - Corporate, Association, Government, Social...

This manuscript explains the art of "Double Talk" and how to use this to your advantage in magic shows.

PDF 8 pages.

A magical mystery in one act.

From the introduction:

"Sid Lorraine has always been an idol of mine. Oh, I've been through fads like: Ed Marlo, Leo Behnke, Bro. Hamman, Tom Palmer, Don Alan ... even Jay Marshall! But, I always come back to Sid Lorraine. Whenever I've needed an idea or inspiration, my library of Sid Lorraine books or my files of his tricks and variations have provided both and more." - Ron Bauer

This...

The Center Tear Papers is a collection of graphic, plot lines and scripts to help make the classic center more engaging and meaningful.

"In this book TC Tahoe explains his unique approach to the center tear and how he uses it to create strong and memorable routines that empower and help others. TC's empathy for others is visible in everything he writes, and it's hard to imagine anyone who would not be moved and helped by these routines. Highly recommended." - Richard Webster

"Well done TC. The scripting here is amazing. Using any center tear, it's a journey you take with your spectator. It has taken...

Among the most essential but least addressed subjects in Magic's vast literature is how to make you, as a performer, and your magic performances stronger, better appreciated, and more memorable. Far too little has been offered to the magic community beyond largely narrative patter and lame gags, too often juvenile and sadly insulting. Apart from Make Me Care (2003) and Remarkable Ruses & Ruminations (2007), in 2014, Wesley released So Much More (2014). Building on his two earlier books, the original text explained some of what magical performers could do to improve their performances. However, in that 20-page book he could not address...