Theory, Articles & Reviews in Magic & Conjuring: page 1

Magicians are exposed to all kinds of magic. Illusions, card, coin, close-up, and other types of magic pass through our hands/eyes almost on a daily basis. There is no way a magician can remember them all. But with a good backup system, bringing them back into your performance can be easy as read/follow instructions.

• Preface
• What is backup and purpose?
• Where do I start?
• Time to input information
• Cross reference sheets
• Keep it up
• Wrapping it up

1st edition 2020, PDF 16 pages.

This work compares the contents of Jean Hugard's Encyclopedia of Card Tricks, Encyclopedia of Self-Working Card Tricks, and The Second Encyclopedia of Card Tricks by Glenn G. Gravatt, to see which effects and discussions were kept, altered, or deleted by Hugard. It will also identify those effects added by Hugard.

1st edition 2020, PDF 19 pages.

This article makes an effort to analyze the different processes by which sleight-of-hand illusions are produced in the mind of spectators. Different causes are identified by studying various illusions and observing performing magicians in the lab.

1st edition 1894, 17 pages; PDF 15 pages.

This study identifies deep lying instincts and impulses of the psychic life are the basic elements in conjuring. Its aim is to show the psychological reasons of deception of a magic effect. It also provides an extensive classification of magic tricks.

Contents:

1. Origin of Conjuring.
2. Classification and Typical Examples of Modern Conjuring Tricks.
3. The Training of the Conjurer.
4. Psychological Justification of the Rules and Practices of the Conjurer, treated under
   1. Attention
   2. Perception
   3. Suggestion and Association
   4. Suggestion and the Law of Economy
5. Sociological and Pedagogical Observations. ...

Jastrow wondered if the pursuit of sleight-of-hand conjuring develops any special motor or mental powers. He invited Alexander Hermann and Harry Kellar and put them through a range of tests comparing them to average folks. In this article you will find out how these two giants of conjuring compare to the average.

From the introduction:

The oldest, most pernicious, and insoluble problem in the history of magic was stated best by Henning Nelms, in his 1969 Magic and Showmanship: A Handbook for Conjurers ...

"No matter how astonishing a trick may be, it suffers from one major fault - it has no point."

This ebook is the long-sought-after answer to that statement.

[Please note that access to appendix 11 and 12 requires registration at the author's website.]

• Acknowledgements
• Foreword by Eric Evans
• Preface
• A Long Time Ago
• A Lot of Simple Tricks and Nonsense
• Best Star Pilot in the Galaxy
• Scum and Villainy
• Hokey Religions and Ancient Weapons
• What Are You Trying To Push on Us
• Tremor in the Force ...

Everyone has creativity. When you select the color to paint a room, pick out an outfit to wear or the wrapping on a present you are exercising a form of creativity. One only has to recognize that, and learn to develop it. New magic is the result of someone coming up with an idea and developing it into a trick/routine. This ebook identifies creativity and the creative process. I have included a step by step narration of one of my signature tricks "the magical egg tray". The process begins with an initial idea and works through sequential steps to bring the routine to the finish. Creativity, like...

If you suffer from any kind of performance anxiety (and Kellar, Thurston, Houdini, and many prominent present-day performers have had to deal with it, too), this could be the best purchase you'll ever make.

There's nothing like the healthy satisfaction or "natural high" that comes from giving a great performance. Yet if you suffer from performance anxiety (commonly known as stage fright), then you're missing out on one of the best feelings that entertainers can experience. When you're ready to rid yourself of these demons, this manuscript contains 40 proven ideas that have helped others like you to put aside...

The difference between an average and great magician is the audience connection. Audience members text, talk with their neighbors and do other things because they are not tuned in, connected, with the performance. This ebook identifies the connection, points out the importance, and covers a few tools magicians can use to capture and strengthen that connection.

• The Audience Connection
• Capturing the Audience
• Different Connection Tools
• Working the Connection
• Wrapping it Up

1st edition 2021; PDF 17 pages.

Learn some "real secrets of magic" - not the stuff that comes in the box. Gleaned from 60+ years of performing under various conditions. Dozens of quotes, ideas, ponderings and quips about performing magic that will change the way you perform, deal with audiences, create routines, select volunteers, practice and more.

No magic effects are taught here, just exciting ways to be better at what you do - and to appreciate being a magician.

1st edition 2018, 16 pages.

Out with your friends just to enjoy the evening. The manager comes up to you and says one of the acts did not show up. He asks you to do a 20-minute set. You didn't bring anything with you. All you can work with is what you can find on hand. Could you do it? This ebook offers some ideas you could use.

• Real events
• Don't panic
• Relax, take your time
• Audience must believe this is natural
• Look around
• Wrapping it up

1st edition 2021, PDF 16 pages.

Is she part of the show? Or is she eye candy for the audience? There is a difference between a cosmetic and functional assistant. This text identifies the difference and helps you get started searching for, and working with an assistant.

• Assistant Profile
• Business Considerations
• Assistant Functionality
• Team Profile
• Finding an Assistant
• Assistant/Magician Relationship
• Production with Assistant
• Wrapping it Up

1st edition 2021, PDF 25 pages.

Let's face it, once you step in front of an audience you not only have to be seen, but you have to be heard. And just like the sleight of hand in your show has to be the best it can be, the sound has to be the best it can be as well. Your audiences deserve better than 'it's good enough'.

Sound Advice For Magicians was written out of a lecture I do for magic clubs and clown alleys because I saw too many talented performers bomb in front of audiences because their sound system failed or the people running them were incompetent. In addition to performing full-time for over 40 years (with many...

Do not stall and draw out your magic waiting for the end of your music. Do not rush your magic cutting corners and hurrying to fit the music. This text introduces you to the basic functions of music editing. Using music as background, or choreographing a routine to music is possible through editing. Take your show up to the next level using music you edit, to fit your manipulations and performance.

• Types of music
• Create your own music
• Advantages of editing
• Music editing software
• Basic overview
• Cuts, copies, and other editing
• Wrapping it up

1st edition 2021, PDF

Tips and tricks from a Vaudeville professional including openers, audience appeal, costume, make-up, and a lot more. The ideal is to have a director who pays attention to these areas, but most magicians are performers and directors rolled up into one person. It is therefore important to read and study showmanship and presentation.

From the introduction by Park Shackleton:

A collection of stories, poems, and reflections about magic - inexplicable phenomena in life that impact our audience, or you as the performer. This can be inspirational or focusing for novices, amateurs, collectors, or professionals. I wrote this a decade ago as a Christmas gift for magic friends around the world, but it could be an ideal gift to others or self at any time.

"This book is written for those who have chosen to make of performance magic something more than an onlooker or student - those called magicians, conjurors, mentalists, illusionists, and magical entertainers (and their...

A practical guide to creating a basic professional virtual studio.

Times have changed and virtual magic shows have become commonplace all around the world. Do you have a virtual studio in your home and do your Internet broadcasts come across as professional? Or do you shy away from the technology and not sure where to start? Here is a great booklet aimed at the beginner in the virtual space who has a limited budget. A few options are shared, from basic to advanced, including how to make the best of what you currently have, and how to add to your studio with various simple, professional, yet...

Overture - Prelude - Scaffold as alternative presentation modes for crafting a magic routine (conjuring or mentalism).

What to do with a mixed or new live audience where little is known about their experience with live magic, conjuring or mentalism? (might apply to Zoom type presentations as well)

How can you discover their interest and expectations for what you can offer without wasting your best routines or risking interruptions?

This ebook will guide you through an exploration of three alternative presentation modes with a 'mixed audience' where little is known of their expectations,...

In March 2022 there was a unique gathering of professional magicians in Sydney Australia. Joel Howlett was one of the lecturers on the bill and he discussed performing exciting visual magic that caters to modern audiences who have shortening attention spans.

Participants were invited to take an honest look at the effects they were using before the COVID pandemic and reassess if they might be a little slow-moving for today's audiences. This PDF is a brief outline of the points discussed.

1st edition 2022, PDF 7 pages.

If you think you have no creativity in you, you should read this article. Gregg describes concrete examples of his own creative process and development and how you can start with baby steps to ease yourself into becoming more creative. Progressively you take bigger and bigger challenges to ultimately create your own tricks.

Gregg Webb encourages magicians to create some original magic tricks, even though there is plenty of good material out there, for several reasons. It is a good exercise for the part of the brain that thinks creatively, and that part gets stronger by use. Also, even though...

A dictionary for the language of horse racing, dice and cards, bookmakers and runners, touts and tote boards, a colorful but expensive language to learn first-hand from the natives.

Excerpt from the preface:

This is an all-mentalism issue, and the first essay is about the various kinds of mentalism, to help you describe your "powers" to your audience. These include Thought Reading, Remote Viewing, Precognition, Drawing Duplication, Clairvoyance, Psychometry, Living and Dead Tests, and also Metal Bending, and Psychic Healing (Faith Healing) and unusual "powers" such as Handwriting Analysis. Calling your feats by the correct type of power will go a long way in establishing yourself as an expert.

The next essay is about presentations that may be new to you so that your act will have more thought...

This issue will begin with an essay called "What a Place for a Mission Statement!" by Gregg Webb. Indeed, 9 issues in and a Mission Statement? Anyway, it should make Gregg's position on magic even more clear for any newcomers.

The next section is about ideas for mentalists. Here is how to revamp your entire lifestyle to make it easier to convince others that you are a mentalist ... before you even begin. You don't even have to change your name (although in some cases it may help). Other ideas include having your business card re-printed differently. And, looking through your wardrobe....

This volume, Volume 10, will be the last issue of Triplets. It will include Magic News including some new contacts and various pieces of magic news. Following this will be many "Thank you's" to all the people who helped me over the years.

The next essay will be a retrospective of the theories that have guided my movements of minimalism and streamlining. These go back to the 60's and 70's when every trick in every magazine ended with "lap the extra item", to end. Many other trends began with ideas that were ahead of their time. While there have been great thinkers along the way, my magic...