ACAAN

Part One of this finale jumps in at the deep end with some stunning and clever contributions. Novel ideas including making an “X” appear on the back of any “thought-of card” (a card generated by having the spectator create a card in his head via the SR process) or applying the SR principle to gospel magic or Ten...

Ionic is a ranging force, applied with the fingers, in order to arrive at an apparently random (or unknown number). Such forces—performed on the fingers—have been used for decades. Karrel Fox and Max Maven are both famous for their applications of the approach. For the record, Ray Hyman is credited with FIRST applying the idea to the use of the fingers. (See The Linking Ring, October, 1953). Ray’s application was for a book test called “It’s In The Book.”

Here’s how it usually works: Imagine asking a spectator to hold...

What the audience sees and hears:

The Performer brings out a deck of cards and points to a person asking him to think of any card but not the Ace (as its common for people to go for it) and another person to think of a number between 1 and 48. He then proceeds to pull out the Aces meanwhile handing out small packets of cards to 4 different audience members and asks them to shuffle the cards thoroughly. While they are busy shuffling, the two audience members are asked to name their thought of card and the number for the first time.

Once the shuffling...

AMBIENCE CONTROL : A single card control from the middle of the deck to the top. Originally put out in The Blind Faith Collection (2015). It can also be used as a phase in an Ambitious Card Routine.

SAY STOP : A Selected Card At Any Number where you don't really need to know the number before hand. Originally put out in Audacious (2013) and as a bonus in C.I.A (2015).

Notes and Credits: Do not confuse Ambience Control to be same as Bizau Christian's Blind Square. They both are different. Say Stop was inspired from Paul Wilson's Yamfacaan. However...

This is what happens: You introduce 3 cards with 3 simple questions:

• Q1. Name a number
• Q2. Name a suit
• Q3. Name a value

Features:

• no forces
• no pre-show
• no dual reality ...

What’s great is that 70% of the times you'll have a hands-off / clean ACAAN and for the rest 30% you have to do something logical which is covered by the presentation to make it look like a hands-off...

The problem is that Card At Any Number when presented as a one-time feat can be mistaken as a co-incidence or the skill of the performer which takes away the feeling of it being pure magic. Caantastic counters just that by creating a mother of all co-incidences moment for the audience. Card At Any Number not just once or twice but thrice and when it happens the third time it dilutes any skepticism and evokes the...

A virtually self-working ACAAN with plenty of audience involvement.

We all know whenever the audience tries to reverse engineer or recreate a trick and fail at it; they conclude with a common statement - He must have done something sneaky.

The Fortuitous ACAAN works to counter just that. It brings wonder out of the hands of the performer at the same time ensures that the control always rests with him. Here is how it goes:

A deck gets shuffled by 4 people while 3 other people decide on the Number, Value and Suit. The shuffled deck gets collected and the cards get dealt face-up and the...

An ACAAN for stage and parlor performers.

In short: The performer asks 3 participants to name a suit, a number and a value. Next invites one of the participants to deal down the cards. And like it should be, the named card lies at the named number.

Here are the details:

1. The performer asks an audience member (1st participant) to name a suit. The participant does so.

2. Next, the performer moves towards the 2nd participant to name a number (value) between 1 and 10 he unboxes the deck. But then he suddenly remembers that he needs to give out a notepad and pen to record the choices...

An effortless ACAAN that the audience performs for themselves.

Features:

• Completely self-working
• Can be done Close-up, Parlour or On-Stage
• Uses a regular pack of cards
• No memorisation, mathematics or improvisation

Participant 1 deals down one of the halves and stops anywhere he/she desires, the card gets turned over. To make things random, the participant again deals down to the value of the turned over card. Now that...

An effortless CAAN that the audience performs for themselves.

Features:

• You never touch the deck of cards.
• Can be done Close-up, Parlour or on Stage

Honest Note: While you don't touch...

A card gets named. You do a quick check for their card in the deck. Ensuring it's presence you hand the deck to the participant. The participant decides on a number (range forced) and deals down to that number, finds a card and deals the value of that card, and then finds their named card.

Features:

• 100% free choice of the card, except three which you have to steer the spectator away from should they choose it.
• 100% free choice of the number, but in some cases the number has to...

CONTENTS AND CONTRIBUTORS:

• COLORS CAN’T MIX (Karl Fulves)
• THOT CARD TO POCKET (Martin Gardner)
• CRISS-CROSS COINCIDENCE (Ian Adair)
• PACKED BAGS (Aldo Colombini)
• TURN BLUE (Ken Krenzel)
• DOUBLE CLOCK DECEPTION (John Yeager) ...

Contents:

• MINI-TURBULENCE: Three freely selected cards placed between the four Aces disappear and re-appear between the four face-up Queens.
• COME TOGETHER 2: Two packets: Four Queens and four Kings. One packet changes into four Ten of Spades, and the other changes into a Royal Flush.
• CANNIBAL CARDS: The classic theme, where selected cards (missionaries) are placed...

[Note: The method is deceptively simple. It will probably not fool most magicians, but it will fool the vast majority of laypeople. The advantage of this method is that it requires no preparation and no forcing of any kind.]

1st edition 2013, runtime 10 minutes....

"Convergence is the best card to number I have ever seen. Its so easy to do yet so deceptive. Great job, Cameron." - Bob Tucker

"Love it! It totally lives up to the description on your site." - Tim Eden

Cameron Francis brings you an amazing card at number effect that plays huge and is extremely practical.

Effect:

The magician proposes an experiment in fate as he introduces two decks of cards; one red and one blue. The blue deck is placed in front of a spectator and the magician never touches it again. The red deck is removed from its...

A killer predicted card at any number effect.

Effect:

A deck of cards is introduced. The magician claims that there is a prediction in the deck which he will reveal in a moment. The spectator then names any number between 1 and 52. Say the number is 34. The magician deals down to that number and out-jogs the card. As the magician points out that any number could have been named, other cards are shown with totally normal backs. The selected card is then removed from the deck and turned over. Drawn on the back of the card is the number 34.

Simple. Direct. Powerful.

This is a knockout...

Blinded
The performer and participant each have a different colored deck. Each deal four cards face down randomly from...

The Advocate is by far Daniel's most favorite discovery and deceptive tool and was for many years his best kept secret, and it has been a monster of a reputation maker for him. This is his 4th edition of this book; where the predecessors were written with the magician and the effects in mind, this edition keeps due focus on the device itself for deceptive use. Although 'tricks' have not been removed from this edition they have been simplified and reduced to suggestions as opposed to focal points of the book. Much deserved extra attention...

The Thinking Mind
This is all theory, which means half of you won't be interested. No tricks. It's about believability, logic, structure and so on. Well worth a read for the aspiring mentalist, or anyone who might be interested in Daniel's thoughts on the subject of mentalism.

The Sharp Mind
It's...

• Memoria: This is what it looks like to the audience: Someone shuffles the pack; you let them peek at one card and shuffle it again. The deck is then spread face up on the table. You engage in the memorization process, and after a few moments you claim that you've memorized the whole deck. You gather up the cards and turn them face up, and then you ask them to name their card. You straightaway say that's twenty-three cards down. They count down to twenty-three and deal that card...

At the beginning of your card set you display a blue backed deck and place it into your pocket for later. You then remove a red deck and blow everyone away with all your hottest stuff. Just before you end you suggest an experiment, a long shot if you will. Something that, should it work will guarantee many a sleepless night. You ask a spectator to just think of any card. Then you ask them to just think of any number between 1 and 52. The choices are written on the back of a Joker and left in plain view for all to see. You propose that you will, through shuffling and...

Here is the effect as the audience sees it: The deck is shuffled by a spectator. The performer has any spectator think of any number between one and fifty-two, but not to reveal it to anyone until asked by the performer. Nothing is written down. The number is simply thought...

Each effect is supplemented with a presentation script, multiple detailed photos and many additional tips,...

Imagine removing a prediction card and placing it in your pocket. You then bring out two decks, one with numbered cards and one standard deck. The spectator makes an actual free choice from each deck, selecting one number and one playing card. The performer removes his prediction to show it not only matches the freely selected card, but it also has the chosen number boldly drawn on it. A double prediction and ACAAN combined.

The 50-minute video download covers multiple...

A deck of cards is displayed as the performer mentions he made a prediction in the deck. The spectator cuts to a card, remembers it, then returns it anywhere in the deck. The participant then thoroughly shuffles the cards so their selection is genuinely lost in the deck. Any number from 1 to 52 is...

TAROT FOLD TOLD

An ungimmicked Tarot Deck is shown and given to anyone to shuffle. Four people are invited to come forward. They remove the top five cards from the shuffled Tarot Deck and arrange them face up on a table in any order. They do this while you are across the room and CAN NOT SEE THE CARDS. Each person is asked to just think of one of the cards. They say nothing and write nothing down. Everyone could be thinking of the same card or each person could be thinking of...

You invite two spectators to help in this experiment. You remove a deck of cards casually show them face up while you remove the joker. They are placed face down on the table. You ask one of the spectators to cut off a block and look at a card. Not to remove it, just THINK of it. You really don't know what card the person is thinking about! The selection is made in the spectator's hands. The magician isn't touching the cards. The person doesn't write the card down, he merely thinks of it.

The deck is then picked up by you and mixed...

Effect: The performer shows a blue deck of cards and shuffles it until he feels psychically inclined to stop. He really does not know the order of the cards. The deck is returned to its case and given to a participant to hold. The performer never touches the blue deck again. A red deck is now shown and shuffled by the performer. He has a second participant freely select a card from the red deck. The participant may change his mind, as there is no force. Next, a number is obtained by chance. No mathematics are involved and there is no force of...

"Most mentalists know Don Theo knocked it out of the ballpark with his introductory book Teardrop. However, Theo's 'Broken' makes his first treatise now seem like a bunt. 'Broken' is a beautiful, artistic work that forces the actor in each mentalist to rise to the surface and make some very necessary waves within our art." - Mick Ayres

Gerard likes the ACAAN plot. Whether it is impromptu or formal, closeup or on stage, it always has a strong impact. There have been loads of methods since Mr. Berglas presented this effect in the mid 70's. For this manuscript, Gerard wanted a 100% hands off solution, direct, practical, with NO sleight of hands and doable on stage or closeup and, if possible without knowing the card nor the number. The result is not a card trick but more of a mentalism effect.

EFFECT:

The performer places a boxed deck of cards in full view. He won't touch it again. Four presentations...

• 100% impromptu and examinable
• deck is normal - it can be borrowed and shuffled by the participant
• ideal for close up and table hopping
• Very direct
• Very practical in live performance
• Strong impact on the audience
• Very simple to perform (from beginner to advanced but requires sleight-of-hand)
• Can be done with different sleights for the card control and for the counting. This allows you to repeat the effect.

• it is actually an 'Any Selected Card At Any Number', or what...

• Some are original, some are based on combinations of old principles, with some 'twists' or new ideas.
• Most are card tricks, some are not.
• Some are impromptu or even improvised, some need some preparation.
• Some are hands off, some need some (easy) sleight of hand.
• Some are direct, some are more convoluted. ...

It needs a one-time preparation that you can keep in your wallet or jacket, and can be used as an opener or a closer, for strolling, close up, parlor or stage.

1st edition 2017, 15 pages.

Five approaches to the popular 'Any Card At Any Number' problem that rely more on subtlety than sleight of hand. As the title implies, the approaches are uncomplicated and well within reach of the beginner in card magic. One of Baxter's most popular titles.

From the Preface:

The evergreen Any Card At Any Number equation continues to attract new and novel approaches from card experts of all levels.

This modest manuscript unleashes five techniques of my own devising, each the result of reading Ken Krenzel's inspiring book Relaxed Impossibilities. With a careful text by Stephen Minch, the chapters...

This new two-packet “B’wave” effect called Making Waves combines all of the best elements of countless variations into one stunning packet trick. Best yet, you end completely clean, and all the cards can be examined immediately at the conclusion of the trick!

Here’s the basic effect:

Two packets of cards are used: one blue, and one red. The audience is asked to imagine that the red cards are the four aces, and that the blue cards are the four Queens. An ace is touched (free choice), say...

In Just Cards: Volume 1 are 5 new card effects, covering a wide variety of plots. All of the routines are effective and hard-hitting, yet relatively easy to do. You're sure to find something that you'll love performing.

Routines included:

Fine Feathered Finks: A no-palm "homing-card"-type routine where a selected card jumps between a packet of jacks and the deck.

Yes We CAAN:...

"Thanks for the amazing response that you had for Wild at Heart! Rachel had her operation in November 2010, and thankfully it went brilliantly. She and Aldo are now having their amazing farewell lecture tour, and all you brilliant people who bought this Ebook helped them lots. So, although this Ebook will not help with Rachel's operation anymore, all the money will still go to Aldo and Rachel, and you will be getting an Ebook full of great magic. Thank you." - Kyle

No complicated props to build or expensive items to buy, but just pure mentalism that is suitable for stage and intimate performances. Also included is a special graphic design which allows you to perform one of the effects that Luca Volpe has never revealed... until now!

• THE "HORUS"...

Vol. 4, No. 2, May 2008; 72 pages.

Cover: Singh

7. Welcome - editor's letter
8. Letters
9. News
10. She's Got The X-Factor - Ning (Part 2)
12. News
16. Joshua's [Jay] Balancing Act - Owen Packard - article
20. In Search Of The Holy Grail - ACAAN - Mark Leveridge - article
24. ACAAN Reviews
    • Autobahn - Dave Forrest
    • ACAAN - Stephen Tucker
    • Route 01 - Dave Forrest
    • Number At Card - in Some Tricks - Anthony Owen
    • Meant To Be ... - John Born
27. ACAAN Masterclass
    • EZ ACAAN - Marc Paul
30. South Tyneside Leads The Way - convention review by Graham Hey
36. Amardeep Singh Dahnjal: Dubai Yellowbrick Road!...

"When I first read 'Scribble' I had a huge smile on my face for the entire time I was reading it. I’ve just spent the past half an hour trying it out and an even bigger smile appeared! So cleverly constructed, it’s a creation of genius!" - Iain Moran

COIN CON
Mat’s ‘take everywhere’ coin effect. Four...

"A lovely card effect. Highly recommended!" - Andrew Loh

"Double Scam by Mike Daniels is one of the best purchases I have made in the past year. Extremely clever and the ingenious methodology makes it simple to perform and will probably fool most magicians. But will absolutely destroy laymen. Worth every penny and then some. Diabolic!" - Doug Canning

• Required tools and skills
• Psychometry Card: a new and different twist on ACAAN that is logical, thematic, and entertaining!
• T minus 1: A no sleight of hand version for close up or stage. You never have to touch the cards, and there are no gimmicks!
• ACAAN OCD: Think outside the box as you learn new ways of routining ACAAN into your set. This comedy presentation might just become your new favorite...

The Catch-All Principle allows you to covertly position a free selection at a predetermined position in the deck. It does this with the help of two key cards. The real strength and novelty of this principle is that at crucial moments the spectator is free to cut the deck, which makes it seem impossible that the selection will end up at a predetermined position - but it does.

Perhaps the best use of this principle...

"That's the best impromptu ACAAN effect I've ever seen!"

Each version of Nick's effect CAAN-Fluence starts from a single premise but uses a different technique each time to place a freely chosen card at a freely chosen location in a borrowed, shuffled, incomplete deck. None of these versions require any sleight-of-hand...

TOCATON, the word, is an acronym for "thought-of card at thought-of number." It's pronounced "talk-a-ton." The word was coined by Nick Conticello to describe his new approach to the classic David Berglas effect "Any Card at Any Number." Nick feels the word is more descriptive of his effects because he does limit the choice of numbers and the choice of cards. But his approach has the virtues of speed of presentation and lack of preparation. Like most of his published work, TOCATON can be performed impromptu, with any reasonably complete pack of cards.

TOCATON, the e-book, contains four...

EFFECT: The magician shuffles a deck of cards and asks a spectator to cut the deck a first time to determine a suit and a second time to determine a value (the suit and the value of the cards he cut to, let's say a Diamond and a 4). Then, the magician asks the spectator to imagine where his card may lie into the deck and thus, to think of any number. The spectator reveals he's thinking...

[Please note that you can also buy all three RnB Project effects together in the RnB Project ebook.

A red backed deck is placed aside for the moment. You and a spectator shuffle a blue backed deck. You take the deck back and show that the cards are numbered on their faces, from 1 to 52 in a random order. Two cards are selected and tabled. The spectator is given a free choice to select one of the two cards placed on the table. The selected card is turned face up. The number written on it is 19. You ask the spectator to pick up the red deck and to deal 19 cards. The 19th card is turned face up. It is the 9 of Spades.The...