Cards: page 16

Based on a Bob Hummer and Karl Fulves principle. A spectator is handed seven playing-cards. He shuffles them, then places one of them aside face-down without looking at it. Now squares of cardboard are shown with cut-out windows. Spectator follows the magician's instructions and, at the end, looking through the cut-out windows in the cards, an index of a card appears. The chosen card is turned over and has been correctly revealed.

You will have to make up the squares of cardboard for this. The trick itself is self-working, the real work having been put into the evolution of the effect, but they are useful for...

A new series in Magic and Mentalism, here comes the Loudmouth. A short and direct ebook series striving to give you not only quality and tested material, but thoughtful pondering's on issues and subjects involving the magic world.

CODE-BLACK 52-RED LEFT ON 3 (Trick)
A demonstration of either incredible memory ability or a "remote viewing" act. You can accurately take a shuffled deck (by you and your spectator if desired) and either memorize, or remote view any suit called for over and over again to the decks completion. (Can even be done blindfolded.)

THE ZIMMERMAN EFFECT (Trick)
There...

The highlight in this collection of sleight-less magic, is the Point Reflections principle, which is a new mathematical principle Werner Miller has introduced to magic. So far nobody has made use of it, except Miller. This ebook will likely change that. This principle opens new doors for new ideas, a fertile ground for trick creators. Miller's point reflection routines come with beautiful print templates. You can go from printing to performing in literally seconds. You will also get some bonus ideas by Chris Wasshuber.

• 5 Symbols, 1 Question
• Trias
• Twinnie Clue I
• Twinnie Clue II
• Pairade
• ESPadrilles ...

A perennial favorite in card magic: A chosen card is lost in the deck and the performer, showing the Ace, Two and Three of one suit, offers to change whichever is picked into the selection. That is exactly what happens, with Baxter’s smooth method making good use of The Ascanio Spread, achieving just that. Full instructions given, straightforward and easy to learn.

This revision of the Vernon classic not only underlines the all-important simplicity angle by using a shortcut display move, but dispenses with Vernon's need for Palming. Bruce Elliott briefly touched on this in the concluding lines...

Here is a collection of Open Prediction methods, for the working mentalist or magician. Each method is clean, using no gimmicks.

These methods employ unorthodox techniques, and will take some practice. Since only sleight-of-hand is required, you no longer need to carry extra gimmicks or special decks to perform this type of effect. A spectator makes a free selection, the selection is replaced, and is then shown to match your prediction.

Four methods are included. Each one is 100% clean. You can use a borrowed, shuffled deck. There are no gimmicks, no R/S, no SF, and no sticky stuff. These...

Problem: To divine or locate two cards that are merely thought of by two persons.

This effect has intrigued me for many years. I've published several approaches in the past ("Think Stop" in Automatic Placements, "Talons of the Hawk" and "Talons of the Bat" in Potpourri 2, to cite a few) but these tricks smack openly of mathematics. They lack the directness of selection and revelation I would deem ideal.

Two classic but widely divergent approaches are Ed Marlo's "Double Thought, Single Deck" and Simon Aronson's "Simon-Eyes." Recently, I combined Marlo's basic premise with a concept of Aronson's and a hitherto unpublished key card...

Love it or hate it but most of the numerous versions of ACAAN out there end up in the same ball park -- look what I can do or I manipulated your choices without your knowledge or simply as a coincidence. The Empirical ACAAN drifts from all of that, here is an ACAAN that makes people connect to each other. An ACAAN that is not about you but about the audience with virtually no sleight involved.

What’s great is that 70% of the times you'll have a hands-off / clean ACAAN and for the rest 30% you have to do something logical which is covered by the presentation to make it look like a hands-off...

The best magic happens in the spectator's hands when the magician never touches the cards. Imagine ... The spectator secretly picks any card and shuffles it back into the deck themselves. The magician doesn't even need to be in the room while this happens. The spectator then turns the deck over and the magician gives a custom card reading culminating in the ultimate and surprising reveal of the spectator's card. The magician never needs to touch the cards.

In this 23 page PDF, you are given 6 different selection procedures, 4 different revelation alternatives, and 3 presentation ideas (coincidence,...

A close-up "lay-out" type effect based on a mythical game, "New Zealand Brag".

You deal out the shuffled Aces, Kings and Queens, yet miraculously when the hands are turned over they have separated into suits and, what is more, each hand is in their right order, Queen, King, Ace! Something very different in card magic.

1st edition 2018, 5 pages.

If you are searching for a visual 'packet style' card trick with normal (even borrowed) cards, then this is the trick for you. Three red numbered cards are removed from a regular deck of cards and all simultaneously shown to be normal cards. One at a time, each card changes into a Joker. The last change is the most visual of them all. The cards are clearly all shown to be jokers and instantly they change back into the original three normal red numbered cards.

A packet card trick with normal cards. Can be done impromptu with a borrowed deck.

The video instructions include:

• Two full performances...

This e-book has four beautiful routines with patter, by some of the masters of magic, brought up to date by Paul, and presented to the magic community. Do not pass this up. These are professional routines that will make you smile. 3 videos included!

THAT'S IMPOSSIBLE! - The "title cut" from a Jack Avis effect. Marlo marveled at the genius of this effect...he loved it. This full routine features an impossible transposition of selections. The cards may be borrowed and signed by the spectators. This is devious. Wait until you see the ingenious method employed.

CHANGES - Al Leech (creator of Red Hot Mama), presents...

"The sleight ... is to my knowledge new and is certainly a lovely maneuver promising wide applicability. If anything can shine through the welter of material being published today, I should think this sleight deserves to. It is quite simply, very, very good ... your applications ... [are] ... excellent in their construction." - Stephen Minch

"... [Turnantula] ... is quite excellent and I have never seen anything like it before." - Roy Walton

"The venomous bite of the Turnantula caused me to see outstanding close-up card magic that may not have been possible otherwise. Buy it now before an antidote is discovered and spoils...

"I LOVE the plot, Michał! A truly intriguing proposition, where the performer engages in a progressive game of "one-upmanship" that's easy for any audience to grasp; leaving no doubt as to the performer's consummate skill with a pack of playing cards." - Jack Carpenter

"Michał Kociołek's 'Double Duke' is a terrific addition to your repertoire. Great thinking and a demonstration of inexplicable skill that will impress any audience." - Andrew Wimhurst

"Michał's thinking and construction is top notch and sophisticated. It's the kind of card magic I love." - David Malek

Unfortunately, some of our magical effects have something of a "who cares?" stigma: pick a card, lose the card, find the card . . . and our audience is thinking, who cares? Couples gives spectators a "stake" on the effect, creating audience involvement and interest.

You're performing walk-around at a party and a couple, sitting at a small table, catches your attention. They ask to see some magic. You introduce yourself and they introduce themselves as Jim and Mary. They laugh and enjoy your magic, and are thrilled when you say, "I'm going to do something really special for you. This is a...

EFFECT: The performer shows five playing cards that are cut in half width-wise, making a total of ten half cards. He shows that there is a matching card half within the small packet of cards. The performer invites two spectators to help. We’ll refer to as Spectator A and Spectator B. He gives the packet to Spectator A and has him shuffle the cards thoroughly so no one knows the order of the cards.

The performer turns his back and says to Spectator A, “While my back is turned, please deal to the other person; face down, as many or as few cards as you wish. What cards you get is unimportant....

This incredible visual card effect was originated in the 80's and has been adapted, fine-tuned, up-dated and changed to what could easily be considered to be one of the most visual and surprising card tricks ever.

The magician admits he has a special set of trick cards and shows 8 regular blue backed cards each with a huge black cross drawn on the back. However, nobody one can see the crosses, even as each is clearly shown. In fact the cards magically turn face up too. Eventually all the cards change to different color back cards with a huge black cross drawn across each back.

Incredibly...

Kevin Parker has created a prediction effect that is too impossible to be true: you predict where their card will land in a shuffled deck (*this many* cards down in the deck), mixed in someone's hat to eliminate false shuffling in the hands.

This uses no gimmicks and no trick decks. Use your hat or their's, no specific type. Very practical.

• Spectator can assist the shuffle in hat.
• Use anyone's hat, even your's, no specific type.
• Easy, a complete beginner could do it.

1st edition 2018, length 10 min

As he shuffles a deck of playing cards, the magician talks about how cards and numbers have been used for centuries to predict the future and how it translates into his art. He writes down two predictions on the face of a random card and tables it face down. He grabs the deck and deals the cards two by two — top and bottom card together. At the stop of the spectator, he removes and tables the two selections.

Then, he reveals what he wrote on the prediction card: "27" and "35". The spectator combines the value of one selection (eg: 5 of Clubs) with the suit of the other one (eg: Queen of...

For all performing venues, the classic monte style trick, scripted in two different ways to allow the trick to be performed at any time in your parlor/stage routines.

Note: The trick is not fully explained. You MUST own the trick to be able to perform this.

For all performing venues. The classic monte style trick, scripted in two different ways to allow the trick to be performed at any time in your parlor/stage routines. The scripts also removes any "sting" for the spectators, simplifies the handling, and fools the spectators while giving the trick an understandable, clear, and amusing...

Unpacking Dai Vernon's Pact

When Vernon's trick appeared, its puzzling aspect centers on the fact that the spectator chooses one of three cards and the one chosen changes into his selection. In other words, the spectator is permitted to make two decisions. He selects any card. Then he selects one-of-three cards, which changes into his selection. It is essentially a quickie.

• Introduction
• 1, 2, 3 Dai Vernon
• RECOUNTING ON 1-2-3 Dai Vernon
• LASSO-DOE-TRE Edward Marlo
• THE PROMISE II Edward Marlo
• STICKY ACE, DEUCE OR THREE Dave Solomon
• STICKING TO THE PROMISE Jon Racherbaumer
• ISOLATED 3-2-1 Jon Racherbaumer
• 1-2-3 INFINITY Jon Racherbaumer ...

A study of Daley's Aces its history and spin-offs.

This treatise is a compilation of methods for performing a simple transposition of pairs of cards - namely the red and black Aces. The basic plot has a checkered history and, despite being associated with Dr. Jacob Daley, there are lots of tangled connective tissue and ancestral than meets the eye.

Besides these aspects, you will discover that this treatise is a rich mixture of memes. That is, there are lots of bits and pieces to play with and, if you are the kind of student that likes to study the history of a trick and then work through...

"Verrrry nice!" - Roberto Giobbi

"This is a gem." - Matt Field

"This looks terrific, in no small part because it addresses three items I've always been fond of: the Christ Aces, Vernon's "Aces to Order" and Semel's Pirandello Cut. ...Your approaches are fascinating ...." - Stephen Minch

Look like a card cheat without years of practice, self-denial, cheap bourbon and wild women. The most impressive thing you can do with their deck - the one they just handed you - is to discover the four aces in a variety of astounding ways. And it's even more impressive if they tell you...

This is one of my dream effects. This takes the card to impossible location theme and stands it on it's head. A signed card is found inside a sealed bottle of liquor, wine, beer, or water. The choice is yours. It leaves the audience with a moment of real magic that they can keep forever. You will create a keepsake that will leave your name on the audience's minds. I have used this method to guarantee repeat performances for Fortune 500 companies from Kellogg to Harley-Davidson. This is a reputation maker!

1st edition 2018, 8 pages.

This ebook describes Marlo's techniques for the Faro Shuffle. It contains methods for executing a faro, such as The First Technique, Faro Riffle Shuffle, and The Butt Shuffle, as well as Faro Aids, such as the Fourth Finger Table and the Rock and Reweave. It also contains more complex variations, like the Off Center Faro, Above Crimp Faro, and 26th Card Faro Check.

• The Faro Shuffle
• - The First Technique
• Faro Aids
• - 26th Card Faro Check
• - The 4th Finger Table
• Faro Riffle Shuffle
• - Variations In Technique On The Faro Riffle Shuffle
• - In The Hands
• The Butt Faro
• Partial Faro Check ...

Henry Hardin's plot has been around for 107 years and his initial three methods are explained in The Art of Magic (1909). Card tricks of this kind were atypical when Hardin devised his trick. During his time, spectators physically picked cards. They seldom, if ever, mentally selected them. Because only five cards are used in "The Princess Card Trick," Hardin strengthened the challenge by finding the mental selection by tactile means while the five "possibilities" were in his pocket.

This is how the his trick appeared to audiences: Five cards are shown to a spectator who is asked to think of one of them....