Cards in Magic & Conjuring: page 53

An examination of the classic "Cards Across" effect which discusses and explains many methods and presentations from "thought of" cards traveling to "signed cards" or those with different colored backs. If you've used this effect, want to use it or need a great routine for your show, this is essential reading.

Contents

• Introduction
• Early Cards That Travel: Detailing and comments on methods by Robert-Houdin, Devant and Ponsin.
• Cards Being 'Thought Of' Travel: Detailing Zen's method and variants, Paul Curry's variant, Henry Hardin's Kings Kards and Jacob Daley and Annemann's Acme Thought Card Pass.
• Some Thought on Plot Variations
• Selected Selections:...

"ACAAN with a mental shake"

Gerard likes the ACAAN plot. Whether it is impromptu or formal, closeup or on stage, it always has a strong impact. There have been loads of methods since Mr. Berglas presented this effect in the mid 70's. For this manuscript, Gerard wanted a 100% hands off solution, direct, practical, with NO sleight of hands and doable on stage or closeup and, if possible without knowing the card nor the number. The result is not a card trick but more of a mentalism effect.

EFFECT:

The performer places a boxed deck of cards in full view. He won't touch it again. Four presentations...

These are detailed explanations of sleights and subtleties with cards used in many tricks and routines. They come with tips, history, applications, etc.

CONTENTS:

• GEMINI COUNT (Bro. John Hamman)
• FLUSTERED (Eddy Taytelbaum)
• VARIATION ELMSLEY (Jonathan Townsend)
• ROLLING FLUSHTRATION (Keith Bloomfield)
• HABACK COUNT (Max Maven)
• SPIRIT COUNT (Gene Castillon)
• CUT FORCE (Robin Robertson)
• CATO (Bob Hummer)
• BLOW AWAY CHANGE (J.K. Hartman)
• FALSE CUT (Jean Pierre Vallarino)
• CROSS COUNT FORCE (J.K. Hartman)
• RIFFLE FORCE (Arthur Finley)

These are detailed explanations of sleights and subtleties with cards used in many tricks and routines. They come with tips, history, applications, etc.

CONTENTS:

• FULL DECK FALSE SHUFFLE (G. W. Hunter)
• MIRAGE COUNT (Larry West)
• CHARLIER SHUFFLE (Charlier)
• CUT-DEEPER FORCE (Ed Balducci)
• DIMINISHING COUNT (Daryl-Maddison-Biet)
• HAMMAN COUNT (Bro. John Hamman)
• THE LAUGHING COUNT (Aldo Colombini)
• CRISS-CROSS FORCE (Max Holden)
• BACK SPREAD (anon)
• BRAUE ADDITION (Fred Braue)
• SMALL-PACKET FALSE SHUFFLE (Bro. John Hamman)
• RUMBA COUNT (Jean-Pierre Vallarino)

These are detailed explanations of sleights and subtleties with cards used in many tricks and routines. They come with tips, history, applications, etc.

CONTENTS:

• ELMSLEY COUNT (Alex Elmsley)
• JORDAN COUNT (Charles T. Jordan)
• SIVA COUNT (Jack Avis)
• OLRAM SUBTLETY (Ed Marlo)
• DOUBLE UNDERCUT (L. L. Ireland)
• REVERSE DOUBLE UNDERCUT (Bob Haskell)
• BRAUE REVERSAL (Fred Braue)
• FLIP-FLOP FORCE AND CONTROL (Bro. John Hamman)
• PROPHECY FORCE (Bill Simon)
• FLUSHTRATION COUNT (Bro. John Hamman)
• OMEGA COUNT (Jeff Busby-Karl Fulves)
• ASCANIO SPREAD (Arturo de Ascanio)

Two effects are described, both with a 'Queen gets penetrated by another card' plot. The first effect can live inside a regular deck. The second effect is a small packet trick. Both effects require some preparation, but all you need is a knife and tape. The gaffed cards are very clever allowing for beautifully visual effects.

1st edition 1984, 1st digital edition 2012, 10 pages.

New fun and commercial card effects. Get both volumes of Just Cards for one reduced price.

Volume 2 of John Gelasi's Just Cards series is here, featuring more commercial, workable crowd-pleasing effects using regular cards.

Just Cards: Volume 2 contains 5 new card effects, covering a wide variety of plots. All of the routines are effective and hard-hitting, yet relatively easy to do. You're sure to find something that you'll love performing.

Contents:

F Sharp: Four kings disappear one by one from a packet of red cards and appear all together on the table. For the second phase, the kings are used for a killer elevator-style routine that leaves you totally clean; lots of magic...

Effect created by Raphael Czaja. A novel piece of magic which will bring you a new 'twist' on a classic theme! Four cards are selected and placed on the table. You show four face-down cards and one at a time one card turns over and it reveals one of the selected cards. At the end, each chosen card is revealed. Then you reveal that the four cards have backs on both sides!

Requires three double-backed cards and two double-faced cards.

This effect is straightforward and powerful. A most unusual routine. A gem of intimate close-up magic. A card is selected from a deck of cards, say it is the 5-of-Spades. A packet of three Jokers is introduced. The 5-of-Spades is placed among the Jokers whereupon it instantly turns face down. It is replaced and turns face up. You then draw an X on the back of the 5-of-Spades which is placed face down in the packet. The cards are counted and now the 5-of-Spades is face up with an X on its face. The X visibly disappears off the face of the 5-of-Spades and now all the Jokers have an X on their...

Revolutionary card technique, chapter one:

Table of Contents

5. Miracle Change No. 1
8. - Method No. 1
9. - Method No. 2
10. - Method No. 3
11. - Method No. 4
12. - A Variation With Effect
14. Miracle Change No. 2
16. Miracle Change No. 3
20. A Multiple Effect
22. Follow The Ace
24. Climax Sleeving

1st edition 1954, 24 pages; PDF 26 pages.

During his Princeton years, Russell worked in a nightclub doing close-up magic, and he has frequently entertained in that medium in his busy New York life since. He knows the value of a card trick that "entertains" and this is what he focuses on in Master Palm. Careful, concise thinking written up in clear language helps you to learn the 17 sleights and 15 tricks more easily.

1st edition 1975; PDF 58 pages, photo illustrated.

Table of Contents

6. INTRODUCTION

   Part One

7. CUP SHUFFLE
10. LEFT HAND BOTTOM PALM

    Part Two: THE MASTER PALM

15. (1) Right hand Side-Slip Steal
15. (2) Spread Replacement ...

The magician shows a packet of four cards, say three blue-backed Three of Hearts and one red-backed Joker. The Joker is placed in the magician's pocket but keeps jumping back into the packet several times. For the final kicker, all of the cards turn blank. Totally examinable. Easy to do.

Requires four blank faced cards.

A great presentation for the standard Lie Detector theme where you reveal, using four cards, if the spectator tells the truth or lies and at the end the four cards change into four duplicates of the selections. You will love it! Can be done in any language.

Requires blank faced cards.

Jon Racherbaumer steps forward with a very keen Introduction to this Baxter treatment of the classic Three Jacks Deal. “…celebrate and perform Baxter’s latest, evolutionary entry.” It has been around since 1928, but this version guides it well into the 21st century.

Ian Baxter has accomplished something remarkable. He has taken a wonderful classic self-working effect, that has been described and worked on by such luminaries as Walter Gibson, John Scarne, Rufus Steele, Harry Lorayne, Ed Marlo and made it even better, more direct, less dealing procedures while preserving the effect, the sleight-less feature as well as adding an additional climax....

An absolute expert in card manipulation, Ireland brings you here authoritative instructions on bottom and second dealing, a gambling routine, and instructions on the false count. This is ideal material because it is fully illustrated with line drawings by Steranko, plus a series of photographs taken from life. Belongs in the library of every card man.

1st edition 1938, revised in 1963, 24 pages; 1st digital edition 2012, 25 pages.

You show four blue-backed jokers. One after the other, the Jokers become red-backed. Finally, they change back to blue! An amazingly visual routine!

Requires a double backed card.

Ten more routines with two decks of cards.

Contents:

• TWO-DECK CARD TRICK (U.F. Grant): A spectator shuffles a deck and picks a card. You count to the value of this card in a second deck and find the matching card.
• MIRACLE REVERSE (Francis Haxton): A red card is placed in a blue deck. A blue card is placed in a red deck. These two cards reverse themselves and they are shown to be the cards removed from the opposite colored decks.
• PACKED BAGS (Aldo Colombini): A spectator touches a card which is reversed in the deck. You remove another deck and you reveal the same card in a spectacular way. ...

The effect is as folows: A member of the audience is asked to join you. A deck of cards is shown wrapped in elastic bands and placed inside the box. The Magician then puts the volunteer into a trance like state to open up their 3rd eye. When they open their eyes the spectator, holding the box reveals the name of a card, and a number. The cards are then removed from the box still wrapped in bands and the spectator unwraps them and counts down to the number, at that number they reveal the card they named. The box and cards can be handed out straight away for examination. Or even to be kept. ...

An effect by Ken de Courcy. Performed by Aldo Colombini. A terrific three-phase routine with jumbo cards. Having enticed a spectator up to help, you hand him eight jumbo cards and say, "Please give me any four and keep four yourself." This done, both you and the spectator carry out some simple movements but when the cards are counted again, all your cards are face down while the spectator has one face up. This process is repeated with exactly the same result. There is obviously only one answer; the spectator will have to do the actions with both packets. He does so, yet your cards finish up all face down...

A stunning version of the 'wild card' theme.

An effect by Peter Duffie. Performed and explained by Aldo Colombini. A tremendous novelty and a big hit for your close-up act. A spectator cuts the deck and deals off four random cards. You now show a packet of seven cards - six of the cards have blank faces, the seventh is blank on both sides. The latter card is the special "image copier." The six blank-facers are laid out in pairs on the table. One by one, the image copier causes a selection to appear on each of the blank pairs. But that's only three of the selections - what about the fourth? In a dramatic...

This is a great magician's fooler:

Borrow a Deck of cards. Have it freely shuffled by your spectator. Ask him to spread the deck on the table and to have a card selected. The card is placed back into the deck. And the deck is cut several times.

Note: At no point have you touched the deck or the card that has been selected. At least that is what the spectators will remember. In fact you will have to touch one card briefly, but it is so well hidden in plain sight that it will not be noted.

You ask the spectator to start dealing face down card by card, you ask him to stop when you feel...

A routine by André Robert, performed by Aldo Colombini. Visual magic with several climaxes! The final climax will 'kill' your audiences! Eight blue-backed cards are split into two packets. In one packet all the cards turn face up. Then the eight cards alternate face up and face down. Finally, all the cards are red-backed and with crosses on their backs!

Requires four double-backed cards.

[This effect previously appeared in the Mindvention 2009 lecture notes. If you have these notes you don't need to buy this.

You invite two spectators to help in this experiment. You remove a deck of cards casually show them face up while you remove the joker. They are placed face down on the table. You ask one of the spectators to cut off a block and look at a card. Not to remove it, just THINK of it. You really don't know what card the person is thinking about! The selection is made in the spectator's hands. The magician isn't touching the cards. The person doesn't write the card down, he merely thinks of it.

The deck is then picked up by you and mixed...