Cards in Magic & Conjuring: page 11

This is a tremendously visual effect developed by Dai Vernon using the Elmsley Count. The aces one by one turn face-up while the four aces are merely shown and counted. For the climax the black aces change place with the red aces while they are resting in the spectator's hand.

If you want an even more visual twisting effect, then take a look at Waving the Aces by Guy Hollingworth.

runtime: 4min 14s

This is a 'princess' style mental effect. Spectator receives a few cards, remembers one of them and then these cards are shuffled back into the rest of the deck. The performer shows groups of cards to the spectator until a group is identified that holds the spectator thought of card. The card magically travels from one packet to another packet exactly to the position that a second spectator cut to.

runtime: 5min 21s

The deck is shuffled. Spectator cuts off a small packet and sets it aside. The performer selects one card from the remaining cards. It turns out that this is the mate card to the card on the bottom of the spectator cut packet. The same procedure is repeated and again the performer is able to pick the mate card. In ever more impossible ways the spectator selects cards which turn out to be located next to their mates.

This routine was first published in Faro Control Miracles. It uses the stay stack principle.

runtime: 16min 52s...

This is an effect by Francis Carlyle. It is an unusual revelation of a peeked at card. The Ace of Spades, also known among gamblers as 'the bullet', is used to shoot out the spectator's card.

runtime: 2min 22s

This is one of Ed Marlo's best routines also sometimes called "Miracle Ace Cutting" and was first published in Faro Control Miracles. The patter Allan uses is from Dai Vernon and tells the story of a one handed gambler who miraculously can cut to the aces.

runtime: 6min 52s

This is another classic of card magic, a routine first published in Paul LePaul's book. The four aces are put back into the deck at different locations. The deck is shuffled and one half is half-way stuck into the other half. A few flicks and one ace at a time flies out of the deck.

runtime: 1min 58s

A deck is riffle shuffled. Spectator cuts off a portion and performer can tell by the weight of the packet how many cards were cut. Performer quickly glances through the deck. Spectator calls out a number and performer knows immediately the card at that position in the deck. Then a poker hand is dealt with the magician dealing himself a straight flush. And the routine ends with a game of bridge where the performer receives all 13 spades, the best hand you can have in a game of bridge.

This is a routine Ed Marlo published in the 1940s in his book Spades - that is where the name of the routine comes...

This is an all time classic routine first published in Stars of Magic developed by Dai Vernon. A card is selected, lost in the deck, and then cards are shuffled together face-up and face-down mixing them into a big mess. Magically all cards turn back face-down except the one chosen by the spectator which is found to be face-up in the center of the deck.

runtime: 5min 5s

This is a nice opening effect for a routine where you need aces and kings. Performer shuffles and cuts to produce two kings. He does that another time to produce the other two kings and repeats the sequence to produce the four aces.

runtime: 2min 8s

Face-up and face-down cards are shuffled together and then dealt for a five handed game of poker. Some cards will be face-up and some will be face-down. However, the performer is able to deal himself mostly face-down cards whereas everybody else receives all face-up cards. The four face-down cards the magician received turn out to be the four aces. On top of it the backs of these four aces have a different color than the rest of the cards.

runtime: 4min 50s...

This is a routine by Carmen D'Amico. The effect is exactly what the title says. The performer passes a freely selected and ungimmicked card three times right through the table.

runtime: 3min 4s

This is a fun routine that first appeared in Allan's Magic Mafia book. It is based on a Dai Vernon plot from the 60s. However, a typical 'all backs' routine requires many moves - half passes and double lifts. Here Allan has engineered a routine with a lot less moves. You could even do this routine while maintaining a stacked deck.

You show a deck that consists of cards that have backs printed on the front and back. This changes then to faces on both sides of the cards until everything goes back to normal.

runtime: 6min 30s...

The performer fans a deck of cards which are all blank. Spectator merely thinks of a card. Performer removes the thought of card, which is naturally again a blank card. Magically the blank card turns into the thought of card and as a climax the whole blank deck turns into a regular deck.

runtime: 3min 31s

Performer repeatedly riffle shuffles the deck and still cuts to all four aces one at a time. This is an Ed Marlo routine.

runtime: 2min 25s

This is a Roy Walton's effect where Allan has slightly changed the method. A spectator selected card ends up between the two red kings.

runtime: 3min 56s

A spectator peeks at a card and performer knows which card was peeked at. This is done twice in a row and both times the performer is correct.

runtime: 3min 9s

This is a neat ambitious type card routine where it appears that the deck consists of all the same cards because the same card can be found on the top, center and bottom.

It is assumed that you know the Ultra Move, Double Deal and a double lift.

runtime: 2min 13s

This is a routine Roger Klause and Allan Ackerman worked out in the 70s. The effect is the classic find the black lady. The classic effect is to throw three cards on the table face-down. Here the cards are simply displayed and counted to the table to achieve the same basic effect: the spectator never finds the black lady. The three card monte is expanded to a four card monte and the climax is that the cards change to the four aces.

runtime: 9min 36s...

This trick can be found in Charlie Miller's book An Evening with Charlie Miller. The performer deals cards face-up on the table until a spectator says stop. The deck is ribbon spread face-down and one card has a different colored back. It turns out the only one card with the differently colored back is the one card the spectator stopped at.

runtime: 2min 20s

This is Jack Merlin's Order trick from And a Pack of Cards. The performer and spectator each give the deck a legitimate riffle shuffle. Then all the Spades are removed from the deck, shown in a ribbon spread, counted to be 13, and magically end up in order from ace to king.

runtime: 4min 16s

This is a neat little ace revelation using three bottom deals. Performer deals cards to the table until spectator says: "Stop." Another packet is dealt until spectator says: "Stop." This is done for another two times until a total of four packets are on the table. The bottom most card of all those four packets is an ace.

runtime: 1min 23s

Spectator selects and remembers a card that is lost back into the deck. Another spectator deals cards into the performer's hand and stops anytime they want. The card stopped at is the first spectator's chosen card.

This version uses the Havana Bottom Deal. This video does not include a detailed explanation of the Havana bottom deal.

runtime: 3min 1s

The roles are reversed. The performer selects a card and the spectator finds the card by selecting a number, dealing to the number and indeed finding the selected card there.

You will need to know the Pip Bottom Deal to perform this effect.

runtime: 3min 28s

This was a favorite effect of Ed Marlo. The performer looks through the cards and selects four random cards which he puts face-down in front of the spectator. However, once the spectator turns those cards over they are now all aces.

runtime: 2min 15s