Moves in Cards: page 10

This is technique from Trapdoor Magazine, a variation of the Incomplete Faro Control, and it allows you to control a selected card to the top or bottom.

runtime: 1min 17s

This technique allows you to place a selected card inbetween two other cards with one faro shuffle. For example, two face up kings catch a face down selection between them. You will need to know the Incomplete Faro Control to successfully perform this move.

runtime: 1min 30s

The faro shuffle allows you to place a certain card at a certain location. You will learn how to mix in-faros with out-faros in the right way to achieve this effect.

runtime: 4min 5s

Use the faro shuffle to quickly without counting get to two equally sized packages.

runtime: 1min

This is a neat technique to split a deck into four packets of exactly 13 cards each without counting.

runtime: 1min 18s

You will encounter the term 'Reverse Faro' quite frequently in card literature. In this little video Allan will explain and demonstrate what is meant by it.

runtime: 1min 7s

Four Aces that are spread throughout the deck are being 'culled' to the top by two faro shuffles.

runtime: 1min 18s

The Elmsley count, developed by Alex Elmsley, is probably the easiest and most deceptive count there is. Allan calls it 'the monster move of the 20th century'. Countless of routines have been devised using this move. The most famous of all is Twisting the Aces by Dai Vernon.

runtime: 2min 43s

If you wonder what the 'Underground Elmsley' is or what a 344 or 345 count is, then you will find out here in this video. Allan also shares a few more fine points on the best way to perform the Elmsley count.

runtime: 2min 32s

OPEC stands for Out of Position Elmsley Count - a variation by Ed Marlo.

runtime: 1min 25s

The Jordan Count, developed by Charles Jordan, interfaces nicely with the Elmsley Count, because after the Jordan Count you are setup to do an Elmsley Count and vice versa, after an Elmsley Count you can do a Jordan Count without any adjustment, always hiding one card.

runtim: 1min 34s

Show three cards as four while actually having three cards.

runtime: 52s

Count three cards as five while actually holding four cards.

runtime: 2min 8s

Count two cards as many cards as you like.

runtime: 54s

Count two cards as four while holding four cards.

runtime: 1min 1s

This is a very deceptive and visual 3-4-4 count, hiding one card, developed by Ed Marlo. In case you wonder who or what 'Olram' is, that is Marlo spelled backwards.

runtime: 1min 32s

OPOS stands for Out of Position Olram Subtlety. It is a 3-4-4 count.

runtime: 1min 8s

This 2-4-4 count was developed by Brother John.

runtime: 1min 48s

This is a 2-4-4 count and it can be used as replacement wherever a Gemini Count is needed. It is a beautifully flowing and deceptive count. By some accounts, the best card count developed to this date.

runtime: 1min 40s

Here Allan Ackerman combines Dai Vernon's Optical Move with Larry Jennings' Rhythm Count to achieve an even more visual deceptive rhythm count variety.

runtime: 2min 1s

This is a Jack Carpenter variation of Larry Jennings' Rhythm Count.

runtime: 1min 29s

This is a 2-4-4 count developed by Ed Marlo. You show two cards at the same time, table them and then show the remaining two cards, all while you hide two of the four cards.

runtime: 49s

This is a 1-x-x count developed by Canadian magician Norman Houghton around 1955 and popularized by Brother John Hamman. You repeatedly show the same card while tabling the others one by one. Very easy to do, but perhaps not that deceptive. Allan shares a nice touch to make this count quite a bit more deceptive.

runtime: 1min 40s

The rumba count is designed to apparently show all cards from the front and back, but in reality one hides the backs of all cards but one.

runtime: 1min 23s