Cards in Magic & Conjuring: page 5

Imagine:

The magician introduces a deck of cards. He invites a spectator to thoroughly shuffle the deck. Once the spectator is done shuffling, the magician spreads the deck face up as he asks them to verify that all the cards are in fact different. With this done, he closes the spread and turns the deck back face down, after which he turns his back to the spectator. He then (while turned away) instructs the spectator to cut the deck into 3 piles. Furthermore, he promises never to touch the deck again until the end.

The spectator takes the deck and cuts it into 3 more or less equal piles:...

Imagine:

The magician introduces a deck of cards; he spreads it face up to show that all the cards are different. He then gives it to a spectator and asks them to thoroughly shuffle it. After they are done shuffling, he asks them to cut off about a third of the deck. The spectator does that. The magician then sets aside the remainder of the deck and tells the spectator to just focus on the third they cut off.

The magician tells the spectator that they can shuffle the third if they want (not that it's necessary because moments ago, before cutting off the third, they shuffled the entire...

Imagine:

The magician hands a business card to a spectator as he says to them "My assistant's number and name is on this card. I'm giving this information to you now because if I gave it to you after the selection, you might think I have 52 numbers or 52 names prepared, one for each possible outcome." With this said, he promises never to touch the business card again.

The magician then introduces a deck of cards, spreading it face up in front of the spectator. The spectator can see that all cards are present and that there are no duplicates.

The magician invites the spectator to...

"Pretty sure Moe would have been fooled by this." - Ryan Schlutz

"A clever method for a memory demonstration." - Christian Grace

Note: The effect described below makes up less than half of the entire e-book. The rest of the e-book contains several other methods for the "Move a Card" plot.

Imagine:

The magician asks the spectator for their own deck of cards as he wishes to use a borrowed deck for the routine. He invites them to thoroughly shuffle the cards in any way of their choosing. The spectator does that. (The magician also promises never to touch the cards at any point in...

Imagine:

The magician introduces a special deck of 52 cards, where each card is seen to have a number 1 through 52 printed on it. The spectators (two of them) are asked to verify that all the numbers are indeed different, that there aren't any duplicate numbers. The magician hands one spectator this special deck (in a face-down position) and says, "I want you to select a number 1 through 52. But instead of just thinking of a number 1 through 52, I want you to randomly select one. Like that, even you don't know what number you'd end up with, thereby eliminating any psychological influence....

Imagine:

The magician introduces a deck of cards. The spectator can thoroughly examine it, after which they can freely shuffle it for as long as they want in any way that they want. Once they're done shuffling, the magician invites them to spread through the deck face down and select any two cards that they like. They leave these face down on the table. The magician then instructs them to turn one of them face-up - let's suppose it is the JS. As for the other one, the magician tells the spectator not to look at this card yet - it will be a mystery for the end.

The spectator is then...

Note: For those of you who own ACAAN: A Fresh Approach to an Age-Old Plot, this uses a totally different principle.

Imagine:

The magician introduces a special deck of 52 cards, where each card is seen to have a number 1 through 52 printed on it. The spectators (two of them) are asked to verify that all the numbers are indeed different, that there aren't any duplicate numbers. The magician hands one spectator this special deck (in a face-down position) and says, "I want you to select a number 1 through 52. But instead of just thinking of a number 1 through 52, I want you to randomly select one. Like that, even you don't know...

Price will increase to $20 end of April.

An impromptu, gimmick-free, borrowed deck miracle. A location and divination of a selected card under test conditions. Read on.

Imagine:

The magician introduces a deck of cards. The spectator can thoroughly examine it, after which they can freely shuffle it for as long as they want in any way that they want.

Once they're done shuffling, the magician invites them to look through the deck (faces towards themself, backs towards the magician) and select any two cards that they like. Let's suppose they select the two black A's. They turn these...

This e-book is a challenge / puzzle PDF. You, the buyer, have the opportunity to win $100 USD.

Note: If no one finds the correct solution and wins the competition, then at the end of the competition (which is exactly a month after the start date) you will get another PDF that contains the method. Thus no matter what happens you will eventually learn the method. Moreover, the PDF will be sold separately after the competition as well - for those who didn't take part in the competition - but it will be sold at a higher price.

In the PDF you will find a performance video to an effect - a card...

From Val Andrews' introduction:

Excerpt from the Foreword:

Of particular interest is section 3 with several short essays and opinions on...

Excerpt from the introduction:

• Progressive Poker Hands
• Poker Memory
• The Ten Game Challenge
• The Seven Game Stack ...

Variety assortment of card routines of all kinds - self-working, sleight-of-hand, quickies, classics.

• The Slow Motion Nudist Pack By John Derris
• Ten Knights In A Card Room By Bill Hendricks
• Color Change Illusion With Cards By Everett Lyda
• New Three Card Monte Move By Victor Comello
• All Fair Card Transposition By Jack Avis
• Cardlepathy By Theo Dore
• All Fair Hallucination By Jack Avis
• The Switchless Switch By Edward Marlo
• The Utility Prediction By Victor Comello
• Sympathetic Card Miracle By Roy E. Smith
• Super Do As I Do By Geoffrey Buckingham
• A Double Change By Al Leech
• Kings On The Loose By Al Leech
• Preface To Out Of This World By Harry Riser ...

This is the first volume in a five volume series from which only two have been published.

Verrall Wass takes us through his card tricks from manipulation to mechanical stage/platform effects. The ebook is split into two sections, one describing effects with regular sized cards, the other with giant cards.

The last chapter espouses some of his personal ideas as to magical presentation and psychic phenomenon. Robert Harbin even donated an effect to this collection - "The Card in a Lemon." Many of the ideas in this ebook have been hibernating since 1936 and need to be performed for the public.

1st...

Unavailable for 70 years - not anymore

A practical treatise on little-known card sleights, including numerous new card problems.

"You already know it, of course, but I would be amiss if I did not state for the record that putting Farelli parts I & II into standard format, transforming it, in the process, from 50 pages into 140, much improves it as a reference and it now looks really great. Thanks for a job well done." - 'M'

This is an exceptional book on card moves and tricks. A publication that has been long forgotten. It is filled with notes and advice by Victor Farelli - a professional...

The performer borrows a pack of cards, which, if desired, may be thoroughly shuffled either by the lender or by another spectator. Without arranging the cards in any special order, and without "sighting" any of them, the magician deals four packets, of five cards each, face down on the table. The entire procedure is exactly as if a game of poker or nap were about to be played.

Any member of the audience selects one of the four hands. No force, direct or indirect, is employed. The three packets not chosen are returned to the pack. The person holding the selected hand is requested to choose...

In this ebook a detailed explanation of Nate Leipzig's original method of performing the Card Stab will be found.

From the foreword:

The cleanest method of passing three freely selected cards from one packet to another, with a borrowed pack and without preparation and a convincing mental effect. Including bibliographical and historical notes on the thirty card trick and a treatise on false counting.

"... a fairly brilliant effect, executed with borrowed cards, will prove ten times more convincing to a modern audience than the most elaborate and astounding feat imaginable, performed with a pack belonging to the conjurer himself..." - Farelli's Card Magic (Chapter VIII.)

"... The conditions under which I constantly perform, impromptu, and...

A subtle system for card workers. Four card miracles.

Excerpt from the introduction:

Novel experiments with borrowed cards.

Excerpt from the foreword by Edward Bagshawe:

A version of a strike-second deal that the author calls the "shutter" method, referring to the shutter of a camera.

This version could be easier for some to perform than a classic strike-second because the coordination of the thumbs is built into the method itself. While the author claims that his method is practically self-working, there is some amount of practice necessary to acquire the knack. Still, his discovery has earned the praise of top-flight card experts, who have called it perfect in action and imperceptible to the keenest observer.

The second deal is an indispensable sleight...

Natural Scam, by Vittorio Versailles, is an ACAAN effect based on Tommaso (Tommy) Guglielmi's famous Subtle Scam.

Natural Scam represents a significant change to the workings of its predecessor, and will be of great interest to all those interested in the ACAAN plot.

What the new changes do best is they allow you to perform this ACAAN routine in a way that is so completely natural that members of your audience will think they just witnessed a miracle.

Natural Scam is completely impromptu, totally hands off, requires no prior set-up, and it is 100% natural.

Is this the holy grail? You will have to find out for yourself! ...

Imagine: The performer shuffles a deck of cards. He hands them to a spectator, who shuffles them once more. The magician turns away, and the spectator fans half the deck before him and selects any card from the fanned cards. He remembers the card and puts it back into the deck face-up - anywhere. He now makes a total mess of the cards: half of them face-up, the other half face-down. He shuffles the cards again, and again, and again - as often as he likes. Furthermore, he flips the deck so frequently that he has no idea which way his card is facing.

The performer, who could not have seen...

This recording gives all the secrets of grafting or pitching. Walt reveals the secrets that enabled him to earn a handsome living pitching such items as Svengali decks, the coin and glass, three card trick, and other tricks of the grafter's trade. You will find everything from the grafter's own language and terminology, to the pitches, and how to make the products.

Walt Lees is a born pitchman. His voice draws you in. It plays with your mind, you are getting interested, intrigued, fascinated, excited, until you can't hold it anymore - you must have this trick - you buy it, and the pitchman...