Cards in Magic & Conjuring: page 9

10 new card magic effects, semi-automatic and hands-off, thought to be performed at distance, remotely in a video call (like Zoom, Skype, Google Meet...) or just on phone. Some mathematical principles alternate with others less known in card magic, to create easy but amazing new effects that can pleasantly fool all your viewers.

Here are the effects, all executable at a distance:

FIVE CARDS MIRACLE - One card thought of in five, so simple and straightforward that it will fool anyone.

E-SANDWICH - Two special cards will be able to capture the card the spectator is thinking about. ...

If you are interested in mentalism and/or impossible card locations and/or the Sunken Key, you will enjoy this manuscript. If you enjoy fooling other members of the conjuring demi-monde, you will enjoy this manuscript. If you know who Bob Hummer is, you will really enjoy this manuscript.

If you like tricks that involve the Seven Deadly Sins, astrological signs, lucky cards and H.P. Lovecraft, you will enjoy this manuscript.

It's twenty bucks, about what you'd pay for a Starbucks coffee on Rodeo Drive in L.A. Unlike the coffee, you won't need to talk to a sycophantic barista with a Chinese ideogram...

S.H.I.EL.D. (SelfWorking Honestly Impromptu Effect: card Location in the Deck) is a collection of four of my latest automatic card magic effects, never previously published, characterized by the fact that they can be performed with extreme ease, requiring no technique or manipulation by the magician, and being completely impromptu, performable even with a deck borrowed and shuffled by the audience.

The first and last effects, "Say My Name!" and "The Final Countdown", in addition to being fully automatic, can be performed entirely in "contactless mode": the magician, after handing the deck...

Here are six card magic routines, plus variations on two of them. All are truly impromptu, meaning they can be done with a borrowed, shuffled deck of ordinary cards. Some sleight-of-hand is required.

Synaptic - you reveal their thought-of card by "tuning in" to their senses

Maybe - an in-the-hands Open Prediction

Sweep - they choose a card through a visualisation process, but you knew their choice beforehand

Little Sympathy - impromptu sympathetic cards

Royal - a variation of Little Sympathy

Silver - they choose every card for two hands of poker, and you reveal a photographic...

Have you ever wanted to perform a card linking with a card signed by the spectator? With this method, it is possible to link a signed card with itself, and in the end, give it away as a souvenir. The preparation of one card takes about 7-8 minutes.

1st edition 2023, video 1h 6 min.

The Helicopter Card was one of Slydini's feature routines and is one of the most fascinating card routines of all time. A freely selected card mysteriously travels from the fan to the table, even though the spectator can check the cards on the table without finding his until the card invisibly flies like a helicopter to the table.

Dennis Barlotta, aka D. Angelo Ferri, studied for 8 years under Slydini. After several years of apprenticeship, Slydini was willing to teach Dennis this wonderful routine. Dennis will not only explain the mechanics and sleights but also the psychology, choreographed...

In this PDF of about 60 pages plus performance videos and some explanatory videos, you will find numerous effects and ideas that come from the creativity of Joseph B. All effects are simple to do and semi-automatic.

• Who is Joseph
• Foreword
• Glass Predictions
• Sayonara
• Drama
• Insomnia
• Impromptu Acaan
• Bite the bullet
• French Prediction
• Opening Aces
• A gift from Laura
• Paradox Location
• The Joker Know
• Fooling on the phone

1st edition 2023, PDF 67 pages.

Imagine:

A prediction deck is removed from its box by the magician. The magician spreads out the faces of the cards towards two spectators as he tells them "I've isolated one card in this deck as my prediction. I won't tell you what it is just yet. I am going to try to signal it to your subconscious for now. Look carefully." After this, he places this deck face down in front of the two spectators and tells them he will return to the prediction at the end. The magician also promises never to touch that deck again.

Now the first spectator is given another deck and the second spectator...

Imagine:

The magician and the spectator are seated together at a table. The magician hands the spectator a deck of cards and asks them to examine all of the cards (making sure that they're all different, etc.) and to shuffle them thoroughly. After this is done, the spectator is asked to cut the deck into two approximately equal piles and to keep one for themself and to give the other to the magician.

The magician now says that each of them will bring their respective half under the table and spread through the faces of the cards in order to select (and remove) one, which will then be...

Imagine: The magician and the spectator are seated together at a table. The magician introduces a deck of cards and spreads it face up to show that all the cards are different. After this, he turns his back to the spectator and says "I want you to generate a random number between 1 and 52. Of course, I could have you name one, but then you may think I psychologically influenced you towards a particular number or that I relied on you to think of a popular number. So to eliminate such ideas, I want you to generate a number by cutting off any amount of cards from the top of the deck and then...

Imagine:

The magician introduces a deck of cards. He spreads it face up to show that all the cards are different. Next, he invites a spectator to thoroughly shuffle the deck. Once the spectator is done shuffling, the magician takes the deck to demonstrate what they are to do. He cuts off some cards from the top of the deck as he tells the spectator "I want you to cut the cards from the top of the deck like this in order to make some piles." He then reassembles the deck and hands it back to the spectator as he says "Let's do 3 piles. So cut the deck into 3 piles." Furthermore, he promises...

Imagine:

The magician introduces a deck of cards; he spreads it face up to show that all the cards are different. Next, he places the deck on the table in front of a spectator. He says: "In a moment I am going to turn my back to you, and while I am turned away, I want you to make a free selection of any card. Simply cut off any amount of cards and look at the bottom card of the cut-off portion. Then, bury the cut-off portion somewhere into the middle of the remaining cards in order to lose your selected card. Once that is done, invite me to turn back around to face you."

So the magician...

Imagine:

The magician introduces a deck of cards. He invites a spectator to thoroughly shuffle the deck. Once the spectator is done shuffling, the magician spreads the deck face up as he asks them to verify that all the cards are in fact different. With this done, he closes the spread and turns the deck back face down. He then instructs the spectator to cut the deck into 3 piles. Furthermore, he promises never to touch the deck again until the end.

The spectator takes the deck and cuts it into 3 more or less equal piles: top pile, middle pile and bottom pile respectively. The magician...

Note: For those who own the original Rain Man, you're in for a real treat (see the last condition in the conditions section below).

Imagine:

The magician and the spectator are seated together at a table. The magician introduces a deck of cards and spreads it face up to show that all the cards are different. After this, he turns his back to the spectator and says "I want you to generate a random number between 1 and 52. Of course, I could have you name one, but then you may think I psychologically influenced you towards a particular number or that I relied on you to think of a popular number....

Imagine:

The magician introduces a deck of cards. He invites a spectator to thoroughly shuffle the deck. Once the spectator is done shuffling, the magician spreads the deck face up as he asks them to verify that all the cards are in fact different. With this done, he closes the spread and turns the deck back face down, after which he turns his back to the spectator. He then (while turned away) instructs the spectator to cut the deck into 3 piles. Furthermore, he promises never to touch the deck again until the end.

The spectator takes the deck and cuts it into 3 more or less equal piles:...

The Bammo I Don't Know Wallet Dossier is the manuscript that comes with Tony Miller's IDK Wallet. At over 215 pages, the Dossier is the largest collection of wallet effects published to date. The wallet is expensive ($165) so when contemplating the purchase a reasonable person might want to know what exactly the wallet can do.

As an advanced version of the Himber, the Bendix Bombshell, the Sho-Gun and the Z-Fold wallets, it can do what any of those wallets can do and, conversely, those wallets can be used to accomplish some of the effects of the IDK Wallet. Accordingly, the Dossier is...

Imagine:

The magician introduces a deck of cards; he spreads it face up to show that all the cards are different. He then gives it to a spectator and asks them to thoroughly shuffle it. After they are done shuffling, he asks them to cut off about a third of the deck. The spectator does that. The magician then sets aside the remainder of the deck and tells the spectator to just focus on the third they cut off.

The magician tells the spectator that they can shuffle the third if they want (not that it's necessary because moments ago, before cutting off the third, they shuffled the entire...

Imagine:

The magician hands a business card to a spectator as he says to them "My assistant's number and name is on this card. I'm giving this information to you now because if I gave it to you after the selection, you might think I have 52 numbers or 52 names prepared, one for each possible outcome." With this said, he promises never to touch the business card again.

The magician then introduces a deck of cards, spreading it face up in front of the spectator. The spectator can see that all cards are present and that there are no duplicates.

The magician invites the spectator to...

Imagine:

The magician introduces a special deck of 52 cards, where each card is seen to have a number 1 through 52 printed on it. The spectators (two of them) are asked to verify that all the numbers are indeed different, that there aren't any duplicate numbers. The magician hands one spectator this special deck (in a face-down position) and says, "I want you to select a number 1 through 52. But instead of just thinking of a number 1 through 52, I want you to randomly select one. Like that, even you don't know what number you'd end up with, thereby eliminating any psychological influence....

Imagine:

The magician introduces a deck of cards. The spectator can thoroughly examine it, after which they can freely shuffle it for as long as they want in any way that they want. Once they're done shuffling, the magician invites them to spread through the deck face down and select any two cards that they like. They leave these face down on the table. The magician then instructs them to turn one of them face-up - let's suppose it is the JS. As for the other one, the magician tells the spectator not to look at this card yet - it will be a mystery for the end.

The spectator is then...

Note: For those of you who own ACAAN: A Fresh Approach to an Age-Old Plot, this uses a totally different principle.

Imagine:

The magician introduces a special deck of 52 cards, where each card is seen to have a number 1 through 52 printed on it. The spectators (two of them) are asked to verify that all the numbers are indeed different, that there aren't any duplicate numbers. The magician hands one spectator this special deck (in a face-down position) and says, "I want you to select a number 1 through 52. But instead of just thinking of a number 1 through 52, I want you to randomly select one. Like that, even you don't know...

In this fantastic ebook, you'll find the truly impromptu tricks found in The Encyclopedia of Card Tricks, together with dozens of notes not found in the original. These notes add new and interesting tricks and fresh ideas for presentation and even patter in some instances. But that's not all. We have added many illustrations that help clarify the description of certain tricks. Another thing we have done is adding, in some cases, the original advertisements that were used to sell these tricks when they were put on sale way back then.

Truly impromptu means that you take a normal shuffled deck and immediately, with no preparation...

Daniel teaches four card changes - so called color changes:

• The Fan Change
• The Wheel Change
• The Swing Change
• Delusion

The Fan Change
This is what Daniel considers to be a signature color-change and it is one of his favorites. A card is turned face up on top of the deck. The deck is fanned and before the fan closes the face up card has changed to another card.

The fan change is impromptu, it can be performed with any deck of cards and isn't hard to achieve. To stub a misconception...the top card is not being taken away from...

An Out Of This World variation, streamlined and ready for performing situations without a table.

BASIC EFFECT:

The performer talks about intuition, chance and that little feeling we get when we know something is right, or wrong. A deck of cards is introduced and legitimately shuffled. Half the deck is put away to streamline the demonstration. The other half is then handed to the spectator and the performer offers his/her outstretched palms as a surface to deal on to. The spectator deals the cards into two piles about equal amounts of cards in each, but in no specific order. Once all the...