Mentalism & Spiritism in Magic & Conjuring: page 60

Dunninger performed his mentalism on the radio in 1929 and from 1943-1944. This is one such episode from April 12th 1944. Dunninger starts with divining the number 3150 and the names 'Cobin' and 'Forman'. The guests are Betty Smith author of "A Tree Grows in Brooklyn", Richard Rodgers songwriter and Bea Wayne singer.

The MP3 format allows you to listen to it with your iPod, any other MP3 player or on your computer.

Dunninger performed his mentalism on the radio in 1929 and from 1943-1944. This is one such episode from 26th April 1944. Dunninger starts with divining the name Sallye Kaufman and the birth date May 8th 1902. The guests are congresswoman Ruth Bryan Rhoda, newsman Fred Archibald and musician and movie star Vaughan Monroe.

The MP3 format allows you to listen to it with your iPod, any other MP3 player or on your computer.

Dunninger performed his mentalism on the radio in 1929 and from 1943-1944. This is one such episode from 1944. Dunninger starts with divining the letter number combination SO85999, the state Texas and the name Nora. The guests are senator Ford, Joe Laurie Jr. and Harry Hirschfield.

The MP3 format allows you to listen to it with your iPod, any other MP3 player or on your computer.

A recording, wonderfully introduced by Goodliffe, of Dunninger giving his only lecture ever to a group of magicians in the United States. The recording was taken on June 16th 1965 as a part of the 37th IBM convention in Des Moines Iowa. This is an opportunity to hear what one of the world's most successful magicians has to say about his art to fellow magicians.

This is a digitally re-mastered (MP3) version of the original MagiCassette™ by Martin Breese - now owned by Lybrary.com.

Duplica is a perfectly pure method for reading minds.

Using just an index card, an envelope, a pen and the knowledge in this manuscript, you will be set to create a devilishly deceptive moment of mystery at any time. José has refined this method through many years of performance and in stripping away all the unnecessary movements and illogical elements of some popular techniques, Duplica was born.

• No impression devices
• No Flaps
• Two second preparation
• Perform surrounded

This is an extremely clever gimmick which you can construct in a matter of minutes. You will probably have to make a quick trip to your office supply store, but it will be worth it. This is probably one of the most clever duplication principle.

Just look at the massive positive feedback this has already received:

"Very simple, direct and organic... This could be done in your birthday suit,with nothing more than a marker and one business card and you never peek the card. Got some ideas brewing on this one for double divinations, but for one assistant, nothing more than a good presentation...

These two techniques are amazing, pack small, play huge mentalism effects that are reputation makers. These two effects are shot live in Chicago and teach expert handling of two miracles.

X and A - An instant close up or stage question and answer.

"This is the best Q and A I've ever seen!" - Magician Mark Bond

"This fills a gap in the mentalism q and a market! Truly Awesome." - Kevin Viner

1 to 100 spectators are asked to write down questions covertly. Even though these questions are sealed inside an opaque security lined envelope, the mentalist can access whats written on...

This is a 15-minute one-man routine with no props or gimmicks, an act that can baffle and stun your audiences because they can't have the faintest idea of how it's done. No questions are written down, nothing is said by the spectator, and yet you answer the question or problem of which he's thinking. You do it without any obvious "fishing" of any kind. And you do this not with just one person but with as many as ten, as time allows, regardless of the makeup of any particular audience.

George Anderson developed a unique "no questions written" approach to the Q&A act which he developed to...

This is a magic square effect where spectators freely enter numbers in the main diagonal and you quickly fill out the rest of the numbers producing a perfect magic square.

Alternatively you could perform this the classic way that a spectator calls out a number and you fill in all the numbers to form a magic square. But the effect is stronger if your audience can freely choose not just the sum but several numbers in the square. In a variation Werner shows you how spectators can even select the squares where you should next enter a number during your fill-out sequence.

The method is so simple...

Here Werner Miller attacks the 4x4 square. (E-Z Square 1 deals with the 5x5 square.). You will learn a new and easy method to construct a 4x4 magic square starting with two or four given numbers.

The real gem in this manuscript is the bonus routine. It is a unique presentation which makes your work simpler and allows you to predict the sum of the square. The effect is as follows:

Take out a soft measuring tape of the kind tailors use (which has centimeters or inches marked on both sides), and a prediction. Give the prediction to a spectator for safekeeping. You will never touch it again. Have two...

How to complete a 4x4 grid to get a magic square, when the four center numbers or the four corner numbers are given? You will learn two methods, applications and an interesting take on the birthday square based on an idea by Nico Reuter.

1st edition 2011; 21 pages.

"The hallmark of all the E-Z Square is their clarity of magic square instruction, as well as a selection of variations that's enough to start your mind racing with presentational possibilities." - Scott Cram

Giving a performance the appearance of difficulty and effort sometimes adds to the success of an artistic feat. Even if you are only constructing a magic square you can benefit from this phenomenon...

1st edition 2011; 16 pages.

After seeing a performance of Richard Wiseman's Grid, which shares some commonalities with Chris Wasshuber's The Ultimate Magic Square, Werner Miller was inspired to come up with his take on 'magic squares made from cards' ...

The spectator decides on a number, and you produce instantly a magic square that has the spectator's number as its constant – simply by dealing out 16 or 25 ordinary playing cards.

As an example here is the detailed effect for variation 2: Take out a deck of cards, give it a quick shuffle and then offer the spectator the deck for a cut. The spectator cuts off a portion of the deck and counts the amount...

This will most likely be Werner Miller's last installment in his E-Z Square series. In this ebook he revisits several of the routines he published before, but finds ways to simplify them further or structure them in a cleaner and clearer way. He does that with a Birthday Square, a routine involving a measuring tape, and magic squares using cards.

As a bonus Werner includes several magic square puzzles.

1st edition 2013; 15 pages.

Even more effects with magic squares.

1st edition 2017; 13 pages.

Even more magic squares with playing cards.

1st edition 2017; 12 pages.

This is a physical product which will be shipped to you. The accompanying PDF can be downloaded instantly from your digital shelf.

ESP here stands for Experiments in Synchronism Probability or in other words experiments in correlation studies. These are a set of stunning mind-reading effects couched in a pseudo-scientific presentation.

What You Get: Along with this PDF you also get a postcard-sized gimmick (4 inches x 6 inches approx) which is a high-quality and beautifully produced card that will last you a long time with reasonable care.

You can perform 3 routines using this card. ...

Effect:

The magician spreads a packet of five cards (from Ace to 5 of mixed suits) face up and a spectator thinks of one of them. The magician squares the packet, telling the spectator that among these cards, there is one card with a different back. The spectator says the name of his card out loud. For example, the 3 of Diamonds. The magician shows that any of the other cards could have been thought of and he deals the selected card on the table. He turns the remaining cards face down and clearly shows only Bicycle backs. The spectator turns over his card revealing the only Tally-Ho backed...

Two rare and long forgotten secrets are revealed again. You do not have to be a medium to produce spirit raps. Devin Knight has compiled two of the easiest ways to produce spirit raps ever devised. If you do any type of question and answer act, then the spirits can rap out the answers. This is unnerving to those watching. Imagine walking into any place there is a table. You sit at the table and have two people on both sides hold your hands or wrists so you can't use them. They can also put their shoes on your shoes so you can't use your feet. Under these conditions you manifest spooky raps that...

The Echo Force is a beautiful force but way under utilized. It is powerful, effective and highly deceptive. And it can be applied in a multitude of ways. In book tests, predictions, divinations, drawing duplications and even in propless effects. The only limit is your imagination.

This force is completely self-working and you can focus totally on your presentation. There are no sleights needed, no preshow, no stooges or instant stooges. No equivoque, no dual reality, no memorization. And this works in any language.

The following 7 routines are explained based on the Echo Force.

1. TRILLIONS ...

A masterpiece in the field of psychic entertainment! A brilliant sequel to Geo. DeLawrence's Answers to Questions.

In this advanced course for mentalists and psychic entertainers, Nelson delves further into the psychology of Q&A work, combining essential showmanship with the psychology of the answers. Teaches the reader how to answer questions, the basic principles of combining effectiveness with answers, how to convince your audience, and to attain a higher percentage of correct answers.

PARTIAL CONTENTS:

1. The Introductory Lecture - Its true purpose, what it must convey to the audience, the psychology of a good lecture,...

Imagine you are anywhere but on stage, and you are unprepared. Somebody asks you to do a 'magic trick' (yeah, they know who you are!). You answer you would like to, but you have nothing with you, but a pen and a few business cards. You take out your business card holder or box, and you start amazing your audience.

Now, imagine you would take a deck of cards. It would be all different … Nobody would believe you are unprepared!

This ebook is a compendium of Gerard Zitta's effects, that can be done with business cards. They all 'look' impromptu, and most of them are indeed impromptu...

"It's hard to find a new plot in magic or mentalism but Stefan has cracked it with his EGGstremely Dangerous routine. I can't wait to put this into an act. It will play well with all ages." - Wayne Rogers

"If you are looking to add some great comedy to your mentalism act, then look no further. This is one of the funniest mental routines I have seen. It is sure to please any audience." - Devin Knight

"Really, really nice: Entertaining, easy to do, and direct to the point! The kind of things I like!" - Luca Volpe

"Stefan keeps creating very commercial routines that pack a punch yet are easy to set up...

Eidetic is a collection of four easy to perform yet hard-hitting, commercial routines that will leave your audiences utterly convinced that you have a super human memory skills that you can even share with them!

LOCI Revisited // Originally released as a stand-alone manuscript, LOCI is as close to the real thing as it gets. A deck is openly shuffled by the audience and committed to memory by the performer. First, you spot a card moved in the deck by a participant, and can even put it back in the right place. Then, you are able to recall the random order of any random suit. Finally, an audience...