Video clips (download) in Magic & Conjuring: page 29

A deck is riffle shuffled. Spectator cuts off a portion and performer can tell by the weight of the packet how many cards were cut. Performer quickly glances through the deck. Spectator calls out a number and performer knows immediately the card at that position in the deck. Then a poker hand is dealt with the magician dealing himself a straight flush. And the routine ends with a game of bridge where the performer receives all 13 spades, the best hand you can have in a game of bridge.

This is a routine Ed Marlo published in the 1940s in his book Spades - that is where the name of the routine comes...

This is another classic of card magic, a routine first published in Paul LePaul's book. The four aces are put back into the deck at different locations. The deck is shuffled and one half is half-way stuck into the other half. A few flicks and one ace at a time flies out of the deck.

runtime: 1min 58s

This is one of Ed Marlo's best routines also sometimes called "Miracle Ace Cutting" and was first published in Faro Control Miracles. The patter Allan uses is from Dai Vernon and tells the story of a one handed gambler who miraculously can cut to the aces.

runtime: 6min 52s

This is an effect by Francis Carlyle. It is an unusual revelation of a peeked at card. The Ace of Spades, also known among gamblers as 'the bullet', is used to shoot out the spectator's card.

runtime: 2min 22s

The deck is shuffled. Spectator cuts off a small packet and sets it aside. The performer selects one card from the remaining cards. It turns out that this is the mate card to the card on the bottom of the spectator cut packet. The same procedure is repeated and again the performer is able to pick the mate card. In ever more impossible ways the spectator selects cards which turn out to be located next to their mates.

This routine was first published in Faro Control Miracles. It uses the stay stack principle.

runtime: 16min 52s...

This is a 'princess' style mental effect. Spectator receives a few cards, remembers one of them and then these cards are shuffled back into the rest of the deck. The performer shows groups of cards to the spectator until a group is identified that holds the spectator thought of card. The card magically travels from one packet to another packet exactly to the position that a second spectator cut to.

runtime: 5min 21s

This is a tremendously visual effect developed by Dai Vernon using the Elmsley Count. The aces one by one turn face-up while the four aces are merely shown and counted. For the climax the black aces change place with the red aces while they are resting in the spectator's hand.

If you want an even more visual twisting effect, then take a look at Waving the Aces by Guy Hollingworth.

runtime: 4min 14s

The four aces are shown. When they are counted and they reduce to three, then two, one and finally none. A few cuts and the aces are found again in the deck.

runtime: 3min 34s

This is Allan's handling of a famous Brother John Hamman effect. Black queens transform into red queens and black kings transform into red kings, all tied together in a fun story of a double date going to a bar.

runtime: 5min 28s

This routine was first published in Allan's Moose Notes. The subject of the performance is shuffle tracking. Spectators are signing the four kings, which are lost in the pack. Nevertheless, the magician finds them. But then they magically change to the four aces and the kings are found in various pockets of the magician's suit.

runtime: 16min 3s

This is an updated handling of a Le Paul effect. A blue and a red-backed deck are used. The spectator selects a card from the blue-backed deck. This card is mixed into a small packet of red-backed cards. Magically the back colors change and suddenly the selected card has a red back and the other cards are now all blue-backed.

runtime: 5min 8s

This is Allan's variation of the famous Eleven Card Trick. That reads like a joke, but it ain't. The spectator counts ten cards and hands them to the performer who double checks counting them aloud. However often he counts, adds and removes cards, they never really are ten cards. (Requires knowledge of Carly's False Count.)

runtime: 6min 40s

A deck rests on the table. The spectator is asked to cut it into four roughly equal packets. The top card on each packet turns out to be an ace.

You will need to be familiar with the Veeser Concept to perform this effect.

runtime: 2min 3s

You deal four hands of cards. The first card for each hand is an ace followed by four indifferent cards. However, magically all the aces assemble in the performer's packet.

You will need to be familiar with the Veeser Concept to perform this effect.

runtime: 4min 1s

This routine was first published in Allan's book Here is my Card. The four kings are shown. A deuce is placed under the top king of the four king packet. Magically the deuce rises to the top. Then the deuce is placed third from the top but it still manages to rise to the top. Then it is placed fourth and finally fifth but it always rises to the top. In the end the deuce changes to a king and the four kings change to the four deuces.

runtime: 4min 53s...

Two cards are peeked at. Performer selects a few cards from the pack an shows them. One spectator notes that his card is among the ones shown. When the cards are shown again, the spectator card is missing and reappears in the other portion of the deck whereas the other spectator's card has magically appeared face down in the first packet.

This is a plot by Carmen D'Amico and Ed Marlo.

runtime: 6min 27s

Deck is shuffled and spectator cuts to a card. Performer removes one pip at a time from the card until it is entirely blank and as a final climax the card vanishes completely.

runtime: 3min 11s

A card is selected and returned to the deck. The performer cuts to a random position to show an indicator card. The value of the indicator card is used to count to another card which the performer thinks is the chosen card. However, the indicator card was already the spectator chosen card. So it appears as the performer messed up. Nevertheless, everything straightens out magically and the card counted to is the spectator card and the card counted off are the aces.

runtime: 3min 31s...

The four kings are shown and pronounced to be cannibals. A random card is pushed between the four kings and vanishes. The kings have eaten the card. This happens a few more times until the kings ate too much and change to the four Eights.

runtime: 9min 22s

This is a wonderfully deceptive way to steal a card from the deck into a longitudinal palm - a Tenkai palm but with the card rotated by 90 degree - and then reproduce it super clean from the pants pocket or inside jacket pocket.

runtime: 1min 54s

This is a full deck false shuffle that is based on the Hindu Shuffle. Very easy to do and very deceptive looking.

runtime: 2min 41s

This is Rafael's combination of Marlo's Spread Change with the Slippery Drop. It is a very visual and surprising reveal of a card that was controlled to the top.

runtime: 2min 13s

This is a move for tabling a double. Rafael carefully describes the principles and details involved in this deception. Everything looks fair. Nobody would suspect that you tabled two cards.

runtime: 4min 59s

This is a subtlety to facilitate - or make it easier - to perform the pull-out or strip-out shuffle.

runtime: 7min 9s