Baker was a funny and versatile performer who performed and contributed unique routines from mentalism to cards, from stage and parlor to close-up, including a hypnosis show.
Also check out Baker's Bonanza by Hugh Miller.
A kind of early Tarbell Course with its 21 lessons. However, it is obvious that Stanyon didn't put as much thought as Tarbell into it. It appears mostly a somewhat sorted and grouped list of magic tricks which were new back then.
Imagine being able to offer a challenge that you will do a trick with any object, any member of the audience might have on them. Yes, you can do just that and with complete safety and no fear of failure.
The advertising and publicity possibilities with this act are unlimited. Challenge your friends or family to stump you. Advertise that if someone in the audience stumps you, then they don't pay your show fee. This will give you a competitive edge over other magicians in your area.
HOW WAS THIS ACT CREATED: At a meeting of the I.B.M, Grant commented to another magician, "Wouldn't it be...
This ebook includes innovative sleight of hand routines for the modern magician. A familiarity with basic sleights is required. This is book one of a trilogy. The other two titles are The Shade and The Lizard Wizard's Diary.
From the Foreword by Doug MacGeorge:
Gregg is a professional artist and teaches very high-level courses on drawing and animation, always coaxing the best from his students and instilling an appreciation of nuance and - this is important - helping them unleash their own individual styles. As you read this collection of tricks, you'll see the same level of encouragement as he guides you through his thinking...
From the foreword by Fred Castl:
He is a great student of Erdnase and I know of no one who knows more about "jog" shuffles than Geoff. He knows more forces than Annemann wrote about but he has also kept up with modern sleights and moves. The magician who wants long and involved routines will be unlucky when he reads this book, but what he will find will be tricks with a plot and methods simplified wherever possible to include the minimum of sleights but the maximum of effect, and I shall be very surprised if there is any magician who cannot find in this book something to use.
Inside these notes you will find routines, thoughts, and short essays on the art of magic. These effects range from quick fun effects to full blown formal close-up routines. There is something for every close-up performer in here. Lessons in misdirection are found throughout this ebook. Principles explored with in this magic lecture can be applied to many effects you already perform. The effects are straightforward and hard hitting for real audience. Simple workable routines and ideas.
Magic Effects
TacsMan: One by one, a dime, penny, and quarter penetrate a tic tac box.
Sweet: A truly...
As magicians we are hired to entertain. The show must go on is a harsh truth that we all accept responsibility for. The fact is performances do not always take place without problems. If you have ever found yourself standing in the lights, with a failed trick you know what I am talking about. The audience knows the magic was a complete flop. There is no one else on stage with you. When that happens, we all promise we will never put ourselves in that situation again.
Your magic may be "performance ready" but is it also "audience ready"? This text talks about conditioning for the unexpected....
With this method, you can magically fold an origami bird in record time, animate drawings, or change your predictions. There are 3 applications included, though I'm sure you will think of more. And the box can be shown empty before and after the magic happens.
This includes:
1st edition 2018, length 30 min
Tricks, sleights, and routines with watches.
Paul Fleming wrote:
No one who has seen Gus Fowler's vaudeville act with timepieces will doubt that magic with watches can be both interesting and mystifying. We cannot guarantee that Tricks with Watches will enable its readers to duplicate the financial and artistic success won by Mr. Fowler, but it will acquaint them with sleights and tricks which they will almost certainly be tempted to introduce into their programs.
Of the four chapters into which Mr. Berland divides his book, Chapter I is devoted to sleights with watches; Chapter 2, to complete tricks...
From the Foreword:
A word about the tricks themselves. As far as I personally am aware, every item is original in some way, either in effect or method.
Sixty simple conjuring tricks that you can do without apparatus or sleight-of-hand. This ebook contains coin, card, second-sight, balancing, mathematical and miscellaneous tricks.
COIN TRICKS
This is a lovely collection of simple tricks, puzzles, brain teasers and other similar items. Each one is explained with text and an illustration.
This guide is written in an unusual style, a conversational style, where each lesson starts with "Dear Mr. Smith", like a letter to a fictional student. This feature makes it a very readable and valuable course. In the introduction Jonson writes:
The guide is presented to the reader in the form of a course of personal instruction and the majority of the sleights and tricks are described according to the manner in which I have myself performed them. A number of individual touches and personal inventions have been introduced which I consider to be improvements on previously published methods....
Here's an ebook of clever and original ideas and routines for standard parlor and club effects.
Originally published as a limited edition booklet by the manufacturer of the Mysto Magic Set, the authors have contributed several excellent performance ideas that will delight your audience.
In addition, the authors have supplied instructions for creating updated fekes and gimmics to perform popular tricks, such as producing a rabbit from an empty hat or performing the Aerial Treasury effect. An excellent ebook of audience-tested magic.
Here's an example. Imagine if a magician walks up to you and asks...
From the Foreword by Harry Blackstone, Jr.
The strongest possible effects achieved with the simplest possible methods has always been the Fox' formula. He has applied it to all of his magical activities in the field, from comedy magic to mentalism, to being one of the most successful of all trade show magicians.
Stunts, gags and puzzles, some new and some very old, with which to amuse your friends when called upon to "show us a trick". Many of the tricks are old and well known, but they are included in the hope that they will be fresh to some of you.
Photographs by Lewis Ganson.
Routines for the stand-up magician.
From the introduction by Wm. G. Stickland:
If necessity is the Mother of Invention, we have the answer to the volume of offbeat magical effects which have emanated from the brains of these two enthusiasts in recent years, for living so far from magic activities (except those they have themselves organised) and magic dealers, they have been forced, in their desire to keep up-to-date, to originate their own effects. For several years the contribution of Les Sharps have been features of the British Ring Parade in each Christmas "Linking Ring", and in addition...
From the introduction:
Magic lectures, and more relevantly their notes, are a strange thing. While some are an endless parade of tricks and their explanations, some are thinly disguised dealer dems and some are virtuoso displays of unattainable sleight of hand, there are occasionally lectures that offer the inside information on performing for real people. Where it's not just the tricks that matter, it's all the little bits and pieces that lie in between the lines that make the difference between 'doing a trick' and 'making magic happen'. Guess which one I'm aiming for here.
The goal is...
A great ebook, explaining 25 masterpieces of magic, exactly as performed by the author on stages around the world. New tricks, close-up tricks, tricks you've never seen before, club tricks, Impromptu effects, a magic table, and much more.
Booth's marvelous Production Routine is worth many times the price of the whole ebook - and you can make practically the whole outfit yourself. Perform it nearly anywhere, since Booth presented it in Nightclubs with people all around.
Magic masters including Paul Rosini, Annemann, Milbourne Christopher, Carlton King, Bill Larsen, Sid Lorraine, Lloyd Jones, John Mulholland and hundreds of others rated it as a great...
From the introduction:
Billy's approach requires a boldness which some may find rather disconcerting but, if you learn the routines and approach them confidently and assuredly, your hesitancy will soon disappear. Nothing has been kept out of this book. Here you will find the cream of Billy's own routines, each one polished to a thing of beauty by a great deal of study and thought, and then by repeated performance before the paying public.
A good opener that is intriguing, has a huge visual impact, quick, easy, and can be performed regardless of the size or the style of the show is not always easy to come by. The Optical Opener from David Devlin fits all of those conditions. It is an opener that requires no technical skills, is visually mystifying, entertaining, and will have even you saying, "Whoa! That is so cool!"
This routine employs an optical illusion that creates a photo that visually changes as it is turned over. David has created not one, but nine different illusion photos that you can use to perform this routine....
The Confusing Crayons is a well known classic. Two crayons and two cylinders are introduced. A volunteer gets one cylinder and selects a crayon. The magician takes the other cylinder and crayon. Instructing the volunteer to follow along the cylinders are turned over, back again and then over. The magicians crayon is right side up and the volunteers pointing down. This is a class that, up to this point, requires the use of a volunteer.
Confusing Crayons, 1 Person Routine is done without the need for a volunteer. Communication takes place with the magician's audience interaction. The audience...