This is an obscure but extremely fine lesson in conjuring. It is true that it was written as an introduction for the neophyte, but it is a gem of a book of great value to absolutely anyone regardless of their experience.
The text is very modest - no 'latest novelty' or 'top secret'. Just solid sensible counsel about standard, albeit classic, items from Devant's repertoire. Devant is not simply saying what you might want to hear, he is telling you what he has found to be important. He is treating you the way he would treat a private student. For a book this is quite unusual. Most authors hold...
For the time this was published, in the middle of the 19th century, these twelve lessons in magic are probably one of the best instructions in conjuring published in the English language, even though the intended reading audience was young folks. Professor Hoffmann's Modern Magic is still a decade into the future.
Henry Hatton, writing here under his real name Patrick Henry Cannon, describes a range of stage and parlor effects including some sleight-of-hand with coins and cards. His description of the pass is by far the best description I have read prior to Erdnase - almost 40 years prior that is! The accompanying...
This is a compilation of three books:
Gary Jones is a full-time professional magician of many years standing, and he is a man who is widely respected for both his performing skills and his creative way of thinking. This ebook brings you the full illustrated details of a large selection of Gary’s worker routines and moves, a couple of effects from some of Gary’s good friends in magic, as well as many tips and much advice on performance and even what it takes to be a pro entertainer.
You will learn the secrets behind Gary's sleight-free coins through table, you will learn a really clever card-to-wallet idea that removes the...
Gary is one of those performers who is equally at home presenting magic to lay people or to a room full of magicians, and his creative output reflects those two requirements. Some of the magic in this collection is designed to intrigue and fool magicians, while other effects are fast, direct and perfect for working under almost any commercial conditions.
What all the magic has in common is that the methods have been constructed to extract the maximum effect for the minimum of fuss. Some of Gary's handlings do require some sleight of hand - he is very fond of palming cards, for instance...
A new way to lift a wallet. It's not what you think.
You won't believe the video. This is an ultra-visual, realistic levitation of your spectator's wallet, without thread. You levitate their wallet after asking if he's seen the various ways of 'lifting' wallets (pickpocket style). You offer to demonstrate a new method on his wallet, needing to see his wallet first to see if it's the "right type," just an excuse for you to lay the wallet on the table (or whatever surface) and make it lift.
Practicality: Super Easy. From beginning to end, not one gimmick is seen nor anything exposed that...
Five effects suitable for performing on a pool table, a clever "camera" give-away item, and an extremely difficult to solve puzzle give-away item. For one of the pool effects you don't need to have any pool playing skill.
1st digital edition 2012, 12 pages.
In this video I walk you slowly through the Loaded Salt Shaker Vanish and Reproduction. You can pour an entire shaker of salt in your hand, vanish it, and reproduce it. No TT or tips. This is accomplished with a cheap, easy-to-build homemade gimmick made from objects in almost every home on the planet. The build takes about 5 minutes.
The handling is key in making this work. The salt shaker is real, un-gimmicked and can be inspected. The funnel is real, un-gimmicked and inspectable. The salt cellar is also real and can be inspected. I use a few TT moves to throw off those in the know of...
From the Foreword:
This is a celebration of our art of getting people to look at us! Hopefully they'll be mystified or entertained or both ... but first they have to watch.
The format follows Gregg's established style of illustrations and hand-lettered text.
Lost N Found is a very easy way to make any object (small to medium size) appear out of thin air in a one to one situation.
It uses a very easy set up, that your spectator will never be aware of. At the end of your performance your spectator will have no idea where the object came from. As a bonus it includes an impromptu handling.
If you are a stage performer: Lost N Found can also be performed on stage as a comedy routine instead of a one to one routine. The one spectator on the stage will be fooled, the rest of the audience will be entertained.
"If you want a PERFECT and FLAWLESS...
A selection of lovely effects for weddings, Valentine's day, couples, etc. that will open hearts and doors...Most of them are impromptu.
Valentine day
A two phase 10' routine where two cards, randomly chosen face down at the beginning, will help to find two other cards. Each phase can be played independently.
ACAAN for couples
A perfect ACAAN for couples. Impromptu.
Men desiring women
This is Gerard's version of a classic spelling effect (impromptu), based on a mathematical principle. He will also reveal how to personalize it with your own words ...
Nice to meet you
A nice way...
A great little book from a great author. It is similar in style to the Hoffmann trilogy, though not as exhaustive. It covers the spectrum from little table tricks to grand illusions.
1st edition, 1901, Penn Publishing Company; 244 pages.
This was the first magic book written by June Barrows Mussey and the only one under his real name. All other magic books appeared under his pseudonym Henry Hay.
Here is a practical and fascinating ebook which shows you how to master simple and complex conjuring tricks for your own pleasure and the entertainment of your friends. Mussey stresses the proper presentation of magic stunts and tricks, rather than the mere mechanics. He shows you how to progress from comparatively simpler tricks to those which require diligent study and practice.
In the majority of the tricks described, little or no equipment...
From the introduction:
To those amateurs and to my numerous professional friends who delight in new books, I send forth "Magic and its Professors," trusting that it will prove of interest to them. Part III is a symposium on magic by some of the best performers and inventors of the day. I sincerely thank them for the labor of love which they have rendered. I am indebted to Mr. T. Francis Fritz, the editor of Mahatma, and Mr. William J. Hilliar, editor of The Sphinx, for the right to reprint in book form some of the valuable exposes contained in their respective journals. I am also under obligations to those...
Here's a terrific book for those who wish to entertain their friends or business associates with clever magic that leaves a lasting impression.
Until now, this hard to find, limited edition book has been available only to collectors, selling for up to 150 times its original price. Now introduced as a convenient, digital ebook, Lustig's work will baffle a new generation of audiences with feats of magic and mindreading.
Over 50 excellent, impromptu effects to show friends, family and others. While most of the effects require practice, the instructions are clear enough that even younger magicians...
In general magic books cover a certain subject area. Here a slice through time is offered. The 'Magic Annual' describes the best and most popular effects from one year. (There is a second volume in this series Magic Annual 1938-1939.)
Max Holden writes in the introduction: "Some of the items are new, some are old tricks given a novel twist, while other effects, although known in a general way, are now published in detail for the first time - among these latter, the Hugard Fire Eating Act, Hugard's Bullet Catching Feat and my own presentation of Smoke Pictures. Jean Hugard has given his best, as usual, and I am...
The second and last book in the Magic Annual series Jean Hugard wrote for Max Holden. (Also consider the first volume Magic Annual 1937.)
Paul Fleming wrote:
Hugard's Annual of Magic for 1938-1939 is similar to its 1937 predecessor in size and format. It is a volume of 126 pages (137 minus 11, since the text begins on page 11), and has good illustrations by Nelson Hahne, good paper, good printing, and a good-looking cover of blue, gold-stamped fabrikoid. Like the earlier Annual, it deals with sleights and tricks in several branches of conjuring.
Mr. Hugard begins this book auspiciously with an eight-page essay on extempore...
Tricks for amateur performers.
Excerpt from the foreword by Orson Welles:
It is entirely possible that this excellent book should never have been published - not like this; anyway, not for general sale.
There are two kinds of magic books, you know. The kind they give away with the box top off a breakfast cereal, and this kind of book, which tells explicitly and with pictures - so the reader can really get the hang of them - valuable secrets of professional magic. In brief, I'm sorry that this one is so very good but I'd be honestly sorrier if it were bad.
At the outset it should...