
Imagine:
A prediction deck is removed from its box by the magician. The magician spreads out the faces of the cards towards two spectators as he tells them "I've isolated one card in this deck as my prediction. I won't tell you what it is just yet. I am going to try to signal it to your subconscious for now. Look carefully." After this, he places this deck face down in front of the two spectators and tells them he will return to the prediction at the end. The magician also promises never to touch that deck again.
Now the first spectator is given another deck and the second spectator...

Spectator merely thinks of any card out of 52 and that card is the only one with a different back than the rest of the deck. But what if the spectator would have named another card? To demonstrate the performer takes another card and visually moves the off color back from the first selection to the new one. A very visual and stunning transformation.
runtime 9 min 32s.

Tarbell Course contributor Nick Conticello follows his debut The Shadow Placement with three more sensational new effects requiring only an ordinary deck of 52 cards and a clear head to perform. One sleight is required; we include The Widdershins Cut, an effective and simple false cut.
Contents include:
1. THOUGHT CAUGHT: An unprepared deck is shuffled by the performer and cut by the spectator. Two piles of cards are dealt out. The spectator thinks of a card in one of the piles and buries the selection in the deck himself. The performer scans the cards quickly, and removes one card, which turns out to be the selection. No...

Sounds trivial right? Why should a magician not know how the ambitious card routine is done?
With this ebook I attempt to give some clothing to the ACR we all know because it seems naked sometimes to me. And still keeping the setup to the maximal minimum - a deck of cards. You will get a tasty reframe that strengthens not only the intra-connection of the elements in the ACR but also the inter-connection the ACR has to the effects performed around it. Another thing you will get is a simple sleight that allows you to show the ambitious card and without doing any sleights after it, it still...

Among the hundreds of ACAAN effects, this one stands out. It offers a unique experience for the spectator that's far from boring. The spectator takes center stage, performing most actions, which makes the effect seem totally impossible. From the outset, the spectator isn't sure what to expect. The Number deck, different and intriguing, invites curiosity. It can be examined until rapture - it's not gimmicked.
This effect is simple to perform, involving only one minor sleight - if you can even call it that and you can skip it if you want. For those considering learning a stack deck, this...

Imagine astonishing your audience with a card magic effect that seems impossible. With this extraordinary trick, a card is chosen and placed back into the deck. When the deck is spread out in a ribbon, the chosen card magically appears face-up, leaving everyone in awe.
This effect is perfect for any occasion, whether you're a professional magician or a magic enthusiast. It's easy to perform but guarantees a stunning visual impact.
1st edition 2025, PDF 7 pages.

A classic in card magic. A chosen card is repeatedly placed in the middle of the deck and repeatedly returns to being the top card.
The ebook features many color photographs that make the readability even easier, to the point that the ebook can be understood even just through the images.
1st edition 2024, PDF 14 pages.


Five elegant routines. Simple and self-working. Long lasting lingering impact. No forces. Novel and refreshing presentation themes, patter pieces and scripting bits.

This work has become a classic among card magicians. Alternative Card Magic was the first book for Peter Duffie and Jerry Sadowitz, two creative card men. Jeff Busby called it "the card magic book of the decade".
In the foreword Roy Walton writes:
I have known Peter and Jerry since they first became interested in conjuring and have been amazed at their rapid progress in the art of conjuring with cards. Their work shows considerable originality, combined with ingenious methods and an acute awareness of what makes a good audience trick. Studying their tricks will give you pleasure - performing them will give...

You get a vector graphic file (SVG) for each character A-Z in upper case and a-z in lower case. The files have crop marks and card boundaries included and can easily be scaled without loss of resolution and modified in many other ways.
Additionally, you receive a 6 page PDF where each page shows 9 cards in a 3x3 arrangement plus crop marks ready for cutting. We provide this PDF simply as a convenience for those who want to print these cards without further modification.

Jazz Aces was inauspiciously introduced to the magic world in 1971 when Peter Kane published Another Card Session. It was a fortuitous event because it appeared about the same time the Elmsley Count was gaining favor with magicians from coast to coast. Like weeds in an open field, packet tricks were also popping up everywhere. Furthermore, Kane's routine clarified the transposition aspects of basic Ace Assemblies. Using only 8 principal "players" (cards), his action procedure was simple and direct. Best of all, the final transposition was squeaky clean. As a result it did not take long for Jazz...

Commercial card magic at its best. All practical effects which you will use.

The All Backs Motif is odd. For one thing, it casts a revealing light on we magician's claim (when it suits our purpose) that we use ordinary cards. That is our decks, which we prefer to borrow, consist of cards that have faces and backs on both sides. Therefore, if we show a deck that consists of all backs and faces we are admitting that such anomalies exist and the cards being used are probably gimmicked in some way. Why do this?
A better question may be - What motivated someone to create such an effect using this kind of deck? That "someone" was Dai Vernon and my guess is that he wanted to...

My goodness, this little effect created a shit-storm when it was released in 2000! I don't think the attacks had been so brutal since Cosmosis (in the mid-1980s). Anyway, this simple and effective idea was loved by some (see, for example, Richard Kaufman in Genii Magazine), and hated by others (see, for example, Michael Close in Magic Magazine). Ben relishes dividing opinion, and Alida certainly did that."A cool and animated levitation of a card or dollar bill... EASY TO MAKE!"
However, it was also a genuine stepping stone in the thought processes that would eventually lead to Enlightenment: The Ultimate Floating Card - which is way superior. So, controversial...

When Aldo Colombini unexpectedly died he left behind many unpublished tricks. Rachel Colombini has compiled these together with a number of contributions from Aldo's friends. As such this is Aldo's last ebook. It is a testament to one of the most beloved and prolific authors in magic. Wherever he went he performed, sometimes for hours without break. These are the effects he was working on last ... Aldo's Finale!

More great card magic from the late Nick Trost! All the routines are performed with a regular deck of cards.
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All the routines are performed with a regular deck of cards.
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Magic with "Special Decks" by Nick Trost. All the tricks requires special decks (not supplied but easy to make up).
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The great packet tricks of Nick Trost. All the tricks require special cards (not supplied but easily obtainable) or simply duplicates of some cards.
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