A deck is borrowed. It is thoroughly shuffled by a spectator. The performer has any spectator think of any number between one and fifty-two, but not to reveal it to anyone until asked by the performer. Nothing is written down. The number is simply thought of. The performer now has a different spectator name any card. There is no force of any kind! After a very funny gag, the performer for the first time asks the spectator to reveal the number that he has merely been thinking of. Let us assume that the number is twenty three. Without any fumbling or manipulation of the deck, no cuts, no shuffles,...
The Guinn Utility Backslip or GUB is an extremely versatile and surprisingly simple technique, which can be used to accomplish or replace all of the following sleights:
The most exciting feature of the GUB is that all of these applications are...
"Another look at the Three Of Clubs problem" and you will be hard pressed to find an easier, more practical application than this one. Performer places a card on the table, spectator thinks of and names any card in the deck. Performer turns over his prediction and wow...that's it!
The raw effect is impressive: Performer extracts a card from the deck, placing it face down to the table. Spectator now names any card that comes to mind, with the tabled selection revealed as the one thought of. Yes, as brief and as straightforward as that.
A firm favourite that has been making the rounds for...
A spectator signs a freely selected card (no force). The card is replaced into the deck which is shuffled and thrown loose into a McDonald's paper bag (or any other bag, or container, which can be borrowed and is completely ungimmicked). The bag is shaken by various spectators - the cards are genuinely mixed-up. The magician then reaches into the bag whilst looking away - and brings out a single card. It is the signed card! This is so easy, self-working, and perfect for close-up or on stage.
You can find the only blue card in a red deck - whilst properly blindfolded. Includes a fantastic,...
A card magic act that won the hearts of millions.
In 2024 Mark Lewis appeared on the Canada's Got Talent television show and got a sensational result winning $25,000 and a place in the semifinal by winning the Golden Buzzer. You have to see his performance below.
Now you can learn the entire act from the man himself, Mark Lewis, with all the bits of business, additional ideas, and showmanship the man has to offer. You do not need to be a sleight-of-hand wizard to perform this act. Clever sequencing, psychology, and a winning persona are the keys to success, and of course this ebook, too. ...
Changing Collectors
Three spectators choose three cards. You lose the selections in the deck. You produce the four Kings from your pocket. The four Kings turn face down magically and after this they change into the four Aces and the three selections appear between the Aces.
Cheese In My Pocket
This is a reverse collectors effect. You put three selections between the four Queens. Then you cut the seven card packet in the middle of the deck. The three selections disappear from between the Queens and you produce them from your pocket.
1st edition 2011; 4 pages.
Another trick that fooled the best cardmen in the world.
"This is a fooler! The Unnamed Magician has created an impenetrable mystery that not even your magician friends will be able to figure out. It's really well constructed and how he gains the secret knowledge is ingenious!" - Marc Paul
"A truly diabolical method which will fool even the most knowledgeable of card magicians!" - Matt Baker
"There aren't many creators reaching the same standard as Unnamed Magician when it comes to creating real mind puzzling card effects; you need to be Alan Turing to break these codes. In this effect you are...
Originated by Martin Lewis, retailed for many years, and manufactured in a larger than jumbo size, by Ken Brooke, and enhanced by Wolfgang Riebe.
An incredible giant 4 card routine that totally bamboozles your audience. Three blank cards and an ace are shown and the audience is instructed to follow the Ace. They always get it wrong. An unexpected surprise finish occurs when there is only one blank card and three aces!
An incredible stage routine for any serious professional.
The video instructions include:
The principle facilitates in determining the position and identity of the matching of cards in two decks, which have been randomized by the cutting of each deck. The principle works in conjunction with a memorized stack. A presentation is given where you don't have to commit a stack to memory.
The Gerats Principle enables you to perform the following effect:
Two decks are on the table. After two spectators have each cut one of the decks to their heart's content, the magician is able, without handling the cards, to tell whether there will be a matching of cards (ie: 2♥/2♥)) at a certain...
The Gemini Motif is an apparently fair-looking, semiautomatic dealing procedure that forces two, three, or four cards, depending on its application.
1st edition 2016, 31 pages.
Stephen Tucker is the magician who prefers a clever gimmick over a difficult sleight. That is not to say that he isn't capable to execute some of the most difficult sleights - and you will get a taste of those in this ebook, too. But the real strength here are Stephen's clever gimmicks and uses for common items and the fun and amazing routines he constructs with them.
1st edition 1983, original 73 pages, PDF 109 pages.
Table of Contents
PARAGON - card effects...
This second volume of The Gaming Table is from a magician's point of view much more interesting. It includes a history of dice and playing cards including a fairly detailed description of how playing cards were made. It has a chapter on fortune telling with cards. And it also features a surprisingly good chapter on card tricks with explanations for four sleights (false shuffle, false cut, glide, card change) and 18 very nice card tricks. Among them we find a version of the prearranged deck and two person codes.
For people interested in Erdnase it is interesting to note that at the beginning of the...
From the Introduction:
Within the pages of this volume, the reader will find many effects which may easily be incorporated into a program of exposes, or as part of a manipulative act. None of the effects discussed in the first section require sleights more difficult than the doublelift. Many a performer will want to credit the occurrences to his own skill - even though none is involved. While at no time should the Lecturer attribute the happenings to "magic", a fairly plausible cause is sleight-of-hand.
...
Included in Section II of this volume, I have given the reader an illustrated...
This manuscript contains card switches, palming, side steals, palm replacement, and other sleights using the gambler’s palm. More advanced items are also included such as palming during a tabled riffle shuffle and the one hand turn over switch that was used in the movie Shade.
This is the second edition of Daniel MacMillan's book The Gambler's Palm Revisited. The first edition was published in 1977. Daniel subsequently published several items in various publications by Ken Simmons. In 1999, Ken Simmons published the second edition of The Gambler's Palm Revisited. This second edition included...
Making dry-mounted gaffs just got a whole lot easier!
This new 80 page ebook introduces you to the wonders of dry mounting tissue (a.k.a. "DMT"). What's DMT? It's an adhesive that lets you make gaffs that look, feel, and snap like a normal card. If all you've ever known are rubber cement, sprays, and glue sticks, then you've been missing out big-time. This book will open your eyes.
On the other hand, perhaps you heard of DMT, but never bothered to try it because the equipment costs turned you off. Or maybe you gave up on it after getting horrible results with a clothes iron. Well, it's...
Three card monte. Almost no skill. The given presentation guarantees lots of laughs.
Why the funniest?
Well, here is what happens: The routine starts with a funny joke about a three-card-monte player. The joke conjures up a crazy image in the minds of the audience that elicits huge laughter. The next laugh comes from the fact that the spectator who is invited to play the betting-game is asked to keep track of the odd card while it is clear that the odd card has grown in size and protrudes from the other cards. With the 1st round of the betting-game there comes a laugh when it is clear...
A cursed card the Jack of Diamonds is folded into an origami frog. Spectator chooses a card from the deck, say the Seven of Clubs. The frog finds the Seven of Clubs in the deck. The climax is the transposition of the two cards. The Seven of Clubs turns into the Jack of Diamonds, and when the origami frog is unfolded it is the Seven of Clubs.
This effect is also taught on Michael Close Signature Effects.
This booklet is actually two booklets in one: Four Full Hands of Card Tricks and Four Full Hands of Down to the Minute Magical Effects. These were originally printed in 1921 and 1922 on large sheets 25 x 19 inches. Later in 1947 LLoyd E. Jones reprinted this material.
1st edition, 1921, Charles T. Jordan; reprint, 1947, Lloyd E. Jones, Oakland; 40 pages.
The Four Card Mystery Presents: Remote Viewing is a two-phase four-card mentalism routine. It enables you to see the locations of four cards through your participant even after the cards are mixed.
This effect uses a newly developed method that enables you to have the participant mix the cards and yet, the mentalist is still able to determine and control the possible outcomes.
"4CS deal...
A virtually self-working ACAAN with plenty of audience involvement.
We all know whenever the audience tries to reverse engineer or recreate a trick and fail at it; they conclude with a common statement - He must have done something sneaky.
The Fortuitous ACAAN works to counter just that. It brings wonder out of the hands of the performer at the same time ensures that the control always rests with him. Here is how it goes:
A deck gets shuffled by 4 people while 3 other people decide on the Number, Value and Suit. The shuffled deck gets collected and the cards get dealt face-up and the...
Effect: You announce that you will give a demonstration of shuffle tracking but that you will go even further than normal and actually track cards in a deck which is mixed face up and face down. The deck is very fairly mixed this way a number of times then you decide to take it even further and have the spectator remember one of the cards from within the chaotic mess you've made of the deck. With this done you FAIRLY FAN THE DECK TOWARDS THE SPECTATORS - IT IS SEEN TO BE GENUINELY MIXED FACE UP INTO FACE DOWN. You even give it one final weave - just to be sure. Now, with no corrective manouvers...
This is a very powerful routine. So powerful, in fact, that David has kept it to himself for over twenty years! It is perfect for all performers regardless of their performing venue. That's right. This is a card trick that can be performed anytime and anywhere. It can be performed close-up or on stage even though it uses a standard deck. It is totally impromptu, uses no gimmicks, has audience participation, and you are not touching the cards when the magic happens. The magic takes place while the cards are in the hands of the spectators! Here is the effect (in a close-up performance):
The...
"All the items are varied and interesting and make a good collection of strong, practical card magic" – Peter Duffie
"BSBCS is very clever" – Richard Osterlind
"What the hell is an ebook?" – his mum
If you have read Mind Blasters you will have encountered one effect by John Holt. John became gutsy and released his own ebook with a collection of close-up card and mentalism effects. He also describes two moves, an excellent full deck overhand false shuffle and a double lift.