An entertaining an fairly easy to perform effect.
Spectator picks a card, remembers it, and returns it. Performer claims that a pack of cards is like a computer and that he can program it to function like a lie detector. After the performer takes out some cards and reinserts them into the pack, the entire deck is handed to the spectator who answer and spells his answers by tabling cards. Was the card a face or point card? Was the card red or black? What suit was it? The bottom card of the tabled packet always shows the correct answer and therefore it is clear if the spectator told the truth...
The Lie Detector is a card magic and mentalism effect that can be performed at any time and employs six cards, randomly chosen by the spectator, which put together in a pack will act as a polygraph. Alternatively, it is possible to use six cards on which to write as many names, cities, emotions, instruments, or any other idea that makes it possible to freely choose between six elements. The spectator will have to choose the six cards, one of which will have to remain a secret, to be guarded at all costs, even in the face of the four questions that the illusionist will have to ask him so that...
One spectator receives a prediction for safe keeping. Another spectator receives a portion of the deck, shuffles it thoroughly, deals cards one at a time on the table, and stops whenever he likes. He may stop at the first card, the last card, or anywhere in between. The value of the randomly chosen card is used to count to a card in the remaining portion of the deck. And that card matches the prediction.
runtime: 4min 34s
An unbelievable version of the legendary rising cards effect.
You can have one, two or even three cards selected then... have them rise out from different parts of the deck. Actually, you can rise more than three cards, but no more than fifty-two....
This is the strangest rising card method ever. Why? Because the card that rises is the actual gimmick. Also, the selected card rises and (to amusing patter) its back changes from red to blue. This means that you only have to pocket it, which is logical as its back no longer matches the rest of the cards, and the deck is clean.
This is certainly not 'the last word on cards'. There never will be a last word on cards. But it is a delightful collection of self-working card effects. Some of the brightest minds contributed: Ed Marlo, Eddie Joseph, Al Leech, Bill Simon, Eddie Fields, Oscar Weigle, Audley Walsh and of course Rufus Steele himself.
You will find the original "Sam and Moe" card story on which Bill Malone's "Sam the Bellhop" is based. I also found a very interesting magic card square routine that I was not aware of.
For anyone who likes clever card tricks which are based on subtleties, math and other clever ruses, this is a must read.
Allan Ackerman is one of the world's foremost experts at sleight-of-hand magic and gambling moves with playing cards. On this jam-packed download DVD you'll be treated to over 150 minutes of Allan's most cherished effects, routines and sleights - audience-tested foolers that have earned him a worldwide reputation as The Las Vegas Card Expert. Previously released on two separate videos, this fantastic download DVD contains all of the superlative material from both critically acclaimed titles, The Las Vegas Card Expert and Every Move A Move.
The Las Vegas Card Expert contains the following...
Thinking Inside the Box
A card merely thought of by your spectator, appears inside the card box sandwiched between two Jokers.
Cash Deposit
A borrowed bill and a bank deposit slip transpose under the spectators nose.
Empowerment
Let your spectator think he's the magician.
Visual Rubber Band Un-Link
A new method of un-linking two rubber bands.
Rubber Band Split
A single rubber band is split into two.
The Shrinking Band
One rubber band shrinks as it is absorbed into another.
The King Has Left The Building... With Amnesia
A two card transposition, Elvis style.
Remote...
Oh no! Not another ACAAN version! But wait – maybe this one is a version you will use.
Stefan Olschewski took the old premise and turned it into a 5 minute performance piece that plays great in any setting, from close up to stage. And it will fool even magicians.
A chest is seen resting on a table center stage. You hand a key to a lady in the audience. Two spectators select a playing card and a number from 1 to 52 in the fairest manner. They may even change their minds as often as they wish.
Card and number are written on a sketchpad for everyone to see. The lady takes the key and...
This ebook is all about John Quine's startlingly good "keeper" concept. The Keeper is a Straddle Faro that shuffles the entire deck but retains the second from top card in situ. But, that's just the tip of the iceberg...
This ebook is a reprint of the "keeper" material from both The Card Magic of John Quine (which was mostly Tom's material) and BS timations. The rest of the ebook is made up of "keeper" material from Precursor, The Minotaur and a whole bunch of exciting new stuff! If you can do a Straddle Faro Shuffle, you can do The Keeper. To be frank, as Harry Lorayne pointed out, Mr. Quine's original handling...
David continues his journey with the pasteboards with a special interest in the classics of card magic. 16 tried and tested effects.
It is supposedly the first book devoted to a single sleight - beautifully layed out with photos as well as drawings off all stages of the invisible pass. A detailed and thorough explanation of this form of the pass. The pass is a difficult move. Many books barely scratch the surface when they try to teach a shift or pass. This book is entirely devoted to a single move and leaves no open questions.
In a letter to Paul Fleming Nov 5th 1944 Fred Braue talks about his "invisible pass" for the first time: "...I mentioned earlier a special interest in the "pass". Jean and I are doing another little...
The Ace Assembly theme is a classic one. Jennings credits Bill Miesel as the first to create a card assembly effect. Here you will learn Larry Jennings' variation which avoids bringing the deck and the aces together. The four aces are shown one at a time. Very slowly one by one and absolutely fairly three aces travel to the leader ace.
runtime 9min 40s
This ebook contains an incredible 6 phase card routine where you do not touch the cards. If you are looking to show something that has not been seen in years, take a look at this incredible routine. Eddie works everything out for you and the instructions are very detailed.
1st edition 1951, PDF 17 pages
Over a dozen strictly impromptu tricks you will enjoy using. Many have patter included. Please note that these invisible deck routines are FASIDU (from a shuffled deck in use) and not the same version popularized by Don Alan.
1st edition 1948, 24 pages; digital edition 2012, 21 pages.
Table of Contents
This ebook is all about reversing a card and includes five original ideas.
This is probably Mark Elsdon's strongest piece. He has used it as the closer at every single private and house party he has worked for the last couple of years and it brings the house down (pardon the pun).
The only other performer who has known about it is Paul Vigil and this is what he has to say about it:
"I call this "My friend Mark Elsdon's ACAA...," but he calls it The Inevitable; and it's one of the strongest and most clever uses of The Invisible Deck I've ever witnessed. It went directly into my performance repertoire and can quickly become the perfect closer (or encore piece)...
Excerpt from the Introduction:
I have always believed that any close-up card rise, wherein the chosen card is "brought up" from the rear of the pack, loses so much of its effect because it must be ended too quickly, before the spectators see that the card did not really rise out of the middle. The effect of the trick is considerably strengthened by the appearance of the chosen card projecting from somewhere in the middle of the pack at the conclusion of the rise.
Jack McMillen's "PLUNGER" rising card trick was, to the best of my knowledge, the first method in which the chosen card rose from the middle...
This is a very powerful two-spectator coincidence effect, where one spectator selects (and loses) a card under very fair conditions, and then a second spectator impossibly locates the card.
Imagine:
The magician introduces a deck of cards - he spreads it face-up to display that all the cards are different. He then hands the deck over to one of the spectators and asks them to thoroughly shuffle the deck. (They can shuffle in any way that they want.)
The magician then says, "I want you to make a free choice of any card in the shuffled deck. Simply spread the deck face down across the...
Four superb card routines.
From the introduction:
It has been my pleasure to have seen Walt Lees perform his magic on many occasions and each time, the result has been very, very impressive. A quiet unassuming chap sat down, took out a pack of cards and within moments, had his audience spellbound.
...
When we were discussing the composition of this book, I nominated those tricks which I would like to have and Walt readily and generously agreed to their inclusion. That I had selected just a few, is due to the need for conforming to the size and format of the books in this 'Teach-In'...
From Val Andrews' introduction:
Dear Idiots. . . .
Many years ago a man called S. W. Erdnase wrote a book called The Expert at the Card Table. Any similarity between his title and mine is purely intentional. . . . After all, Mister Erdnase re-arranged the letters of my surname to make his!
I am not a "card-man", even though I can watch and admire biddies, seconds, tops, bottoms, middles and injogs. I suppose the reason why I don't do these things myself is because I can't! However, I have on occasion got quite a bit of fun out of a pack of pasteboards, and I like to think that my audiences have too! So here are a few stunts,...