Effect: One spectator merely thinks of a card. A second spectator deals cards face down, stopping absolutely anywhere they choose. The card they stop at is the first spectator's exact thought of card. Easy to do, no complicated procedures, instant reset.
Here's why "The Jokers Are In On It" is a must-have for your repertoire:
Spectator Shuffles the Deck: The spectator shuffles before and after thinking of their card, making any suspicion of magician manipulation impossible. This reinforces the feeling of fairness.
Minimal Magician Handling: You seemingly only touch the deck to remove...
It is supposedly the first book devoted to a single sleight - beautifully layed out with photos as well as drawings off all stages of the invisible pass. A detailed and thorough explanation of this form of the pass. The pass is a difficult move. Many books barely scratch the surface when they try to teach a shift or pass. This book is entirely devoted to a single move and leaves no open questions.
In a letter to Paul Fleming Nov 5th 1944 Fred Braue talks about his "invisible pass" for the first time: "...I mentioned earlier a special interest in the "pass". Jean and I are doing another little...
The Ace Assembly theme is a classic one. Jennings credits Bill Miesel as the first to create a card assembly effect. Here you will learn Larry Jennings' variation which avoids bringing the deck and the aces together. The four aces are shown one at a time. Very slowly one by one and absolutely fairly three aces travel to the leader ace.
runtime 9min 40s
This ebook contains an incredible 6 phase card routine where you do not touch the cards. If you are looking to show something that has not been seen in years, take a look at this incredible routine. Eddie works everything out for you and the instructions are very detailed.
1st edition 1951, PDF 17 pages
Over a dozen strictly impromptu tricks you will enjoy using. Many have patter included. Please note that these invisible deck routines are FASIDU (from a shuffled deck in use) and not the same version popularized by Don Alan.
1st edition 1948, 24 pages; digital edition 2012, 21 pages.
Table of Contents
This ebook is all about reversing a card and includes five original ideas.
This is probably Mark Elsdon's strongest piece. He has used it as the closer at every single private and house party he has worked for the last couple of years and it brings the house down (pardon the pun).
The only other performer who has known about it is Paul Vigil and this is what he has to say about it:
"I call this "My friend Mark Elsdon's ACAA...," but he calls it The Inevitable; and it's one of the strongest and most clever uses of The Invisible Deck I've ever witnessed. It went directly into my performance repertoire and can quickly become the perfect closer (or encore piece)...
Excerpt from the Introduction:
I have always believed that any close-up card rise, wherein the chosen card is "brought up" from the rear of the pack, loses so much of its effect because it must be ended too quickly, before the spectators see that the card did not really rise out of the middle. The effect of the trick is considerably strengthened by the appearance of the chosen card projecting from somewhere in the middle of the pack at the conclusion of the rise.
Jack McMillen's "PLUNGER" rising card trick was, to the best of my knowledge, the first method in which the chosen card rose from the middle...
This is a very powerful two-spectator coincidence effect, where one spectator selects (and loses) a card under very fair conditions, and then a second spectator impossibly locates the card. I will teach two versions, one in which the second spectator can't look at the card they reverse under the table and one in which they can. (The effect description and conditions below are for the former version.)
Imagine:
The magician introduces a deck of cards - he spreads it face-up to display that all the cards are different. He then hands the deck over to one of the spectators and asks them...
Four superb card routines.
From the introduction:
It has been my pleasure to have seen Walt Lees perform his magic on many occasions and each time, the result has been very, very impressive. A quiet unassuming chap sat down, took out a pack of cards and within moments, had his audience spellbound.
...
When we were discussing the composition of this book, I nominated those tricks which I would like to have and Walt readily and generously agreed to their inclusion. That I had selected just a few, is due to the need for conforming to the size and format of the books in this 'Teach-In'...
From Val Andrews' introduction:
Dear Idiots. . . .
Many years ago a man called S. W. Erdnase wrote a book called The Expert at the Card Table. Any similarity between his title and mine is purely intentional. . . . After all, Mister Erdnase re-arranged the letters of my surname to make his!
I am not a "card-man", even though I can watch and admire biddies, seconds, tops, bottoms, middles and injogs. I suppose the reason why I don't do these things myself is because I can't! However, I have on occasion got quite a bit of fun out of a pack of pasteboards, and I like to think that my audiences have too! So here are a few stunts,...
"This totally fooled me! It's VERY clever and VERY deceptive." - Marc Paul
"By far the best solution I've seen for this card plot. I have numerous unpublished solutions of my own but none are as deceptive as this one. When the Unnamed Magician first shared the basic idea with me, I was blown away." - Tommaso Guglielmi
"It really does live up to its title." - Alexander Javier
"An outstanding method. The creative thought process that is needed to come up with something like this is something I can't even begin to imagine." - Tony Bianco
"A mystery for the ages. I can't see anyone, layman or magician, working...
A deck is borrowed. It is thoroughly shuffled by a spectator. The performer has any spectator think of any number between one and fifty-two, but not to reveal it to anyone until asked by the performer. Nothing is written down. The number is simply thought of. The performer now has a different spectator name any card. There is no force of any kind! After a very funny gag, the performer for the first time asks the spectator to reveal the number that he has merely been thinking of. Let us assume that the number is twenty three. Without any fumbling or manipulation of the deck, no cuts, no shuffles,...
The Guinn Utility Backslip or GUB is an extremely versatile and surprisingly simple technique, which can be used to accomplish or replace all of the following sleights:
The most exciting feature of the GUB is that all of these applications are...
"Another look at the Three Of Clubs problem" and you will be hard pressed to find an easier, more practical application than this one. Performer places a card on the table, spectator thinks of and names any card in the deck. Performer turns over his prediction and wow...that's it!
The raw effect is impressive: Performer extracts a card from the deck, placing it face down to the table. Spectator now names any card that comes to mind, with the tabled selection revealed as the one thought of. Yes, as brief and as straightforward as that.
A firm favourite that has been making the rounds for...
A spectator signs a freely selected card (no force). The card is replaced into the deck which is shuffled and thrown loose into a McDonald's paper bag (or any other bag, or container, which can be borrowed and is completely ungimmicked). The bag is shaken by various spectators - the cards are genuinely mixed-up. The magician then reaches into the bag whilst looking away - and brings out a single card. It is the signed card! This is so easy, self-working, and perfect for close-up or on stage.
You can find the only blue card in a red deck - whilst properly blindfolded. Includes a fantastic,...
A matrix effect with playing cards.
[Also available as a video download.
Without a doubt, this "matrix" with playing cards created by Aldo is truly special. A splendid opening routine and a surprising ending.
The classic trick of four coins that gather under a card is presented here with playing cards that are found under a jumbo card. The manipulations are really simple; they should already belong to the repertoire of every magician. In a close-up magic program, this could be the only card trick to be presented.
Effect: The A, 2, 3 and 4 of Diamonds are placed on the table, in a square formation. The cards are covered...
A card magic act that won the hearts of millions.
In 2024 Mark Lewis appeared on the Canada's Got Talent television show and got a sensational result winning $25,000 and a place in the semifinal by winning the Golden Buzzer. You have to see his performance below.
Now you can learn the entire act from the man himself, Mark Lewis, with all the bits of business, additional ideas, and showmanship the man has to offer. You do not need to be a sleight-of-hand wizard to perform this act. Clever sequencing, psychology, and a winning persona are the keys to success, and of course this ebook, too. ...
Changing Collectors
Three spectators choose three cards. You lose the selections in the deck. You produce the four Kings from your pocket. The four Kings turn face down magically and after this they change into the four Aces and the three selections appear between the Aces.
Cheese In My Pocket
This is a reverse collectors effect. You put three selections between the four Queens. Then you cut the seven card packet in the middle of the deck. The three selections disappear from between the Queens and you produce them from your pocket.
1st edition 2011; 4 pages.
Another trick that fooled the best cardmen in the world.
"This is a fooler! The Unnamed Magician has created an impenetrable mystery that not even your magician friends will be able to figure out. It's really well constructed and how he gains the secret knowledge is ingenious!" - Marc Paul
"A truly diabolical method which will fool even the most knowledgeable of card magicians!" - Matt Baker
"There aren't many creators reaching the same standard as Unnamed Magician when it comes to creating real mind puzzling card effects; you need to be Alan Turing to break these codes. In this effect you are...
Originated by Martin Lewis, retailed for many years, and manufactured in a larger than jumbo size, by Ken Brooke, and enhanced by Wolfgang Riebe.
An incredible giant 4 card routine that totally bamboozles your audience. Three blank cards and an ace are shown and the audience is instructed to follow the Ace. They always get it wrong. An unexpected surprise finish occurs when there is only one blank card and three aces!
An incredible stage routine for any serious professional.
The video instructions include: