Cards in Magic & Mentalism: page 12

This is an amazing close-up trick which is a mystery to any audience. Two cards are selected from a deck of cards. You show several Jokers. One at a time, the Jokers turn over and during this process change one by one into duplicates of the first card. Then, all together they change into duplicates of the second selected card!

Requires two double faced cards.

This is a fun routine in which two cards are selected from two different colored packets. The selected cards trade packets 3 times, each time seemingly more impossible than the last. The methods are intriguing because the "move" comes after the effect. At first glance, this routine will appear complicated and convoluted. However, after working through the routine, and getting comfortable and familiar with it, you will see that it is rather simple.

1st edition 2009, 6 pages.

A two card switch for Baccarat or Blackjack that paralyzed casinos in the 80's. As clean a move as you could hope for. Excellent as part of a gambling exposé.

1st edition 2021, PDF 3 pages, video 22 s.

Update on the 'Azlan' Card At Any Number.

"F**k me!!! This is ridiculous! Mate it's so, so, so fooling! Even after knowing the original method and watching it play out countless times." - Nathan Chandler

"Just watched the demo you sent for the Card At Any Number and I have no idea how it works." - Dreygon Hibbler

"I can't wait to learn it. Owning your previous work on this, I feel like I should be able to work it out but can't get my head around it LOL." - Matt Overd

This is not the same update for 'Azlan' which was taught in God Mode Sui Generis 2.

A prediction envelope...

You show 8 cards. Four are the aces that you place on the table. And the other four cards are jokers. Three of the jokers you put face-down on the face-up ace of spades. But when everything is turned face up, the other three aces have joined the ace of spades, and the rest of the cards are kings rather than jokers.

1st edition 2024, video 5:42

The three routines described in the PDF are:

JASPER, THE MYSTICAL SNAKE: A cute effect involving a bunch of cards with different colored circles and a card showing a picture of Jasper, the mystical snake. The card having Jasper's picture on it is initialed on both front and back by the spectator and the circle cards are also thoroughly mixed by him. The spectator after mixing the different colored circle cards selects 2 of them and Jasper is able to reveal the chosen colors but in a dramatic manner. As a climax, all the other cards having other varying colored circles on them turn blank....

Robert Walker was a unicycling, high-school student. Looking five years younger than he was, he was a dyed-in-the-wool card guy tutored in Marlovian ways. He was also a precocious writer-creator, obsessed with false counts and packet tricks. He spent many hours "twisting the night away," taking voluminous notes, and developing new methods and approaches. His first mini-treatise dissected a marketed packet trick by Larry West ("Wild, Wild West") which he passed onto Jon Racherbaumer to publish. It became the second installment of the loose-leaf Avatar, printed on pink paper and unadorned by illustrations...

Tarbell Course contributor Nick Conticello is back with his biggest and best book yet, a series of refreshingly new takes on that venerable standby of mathematical card magic, the Automatic Placement. Nick introduces new variations of the principle with the Inverted Placement and the Symmetric Placement. No sleight of hand is required for ANY of these effects! Contents include:

ABC/123: Alex Elmsley's Spell by the Numbers without the Faro shuffle.

NO LOOKING ORACLE: Without seeing the face of a single card, the performer locates one mental selection and names another.

SELF-PROMOTION:...

The Automatic Placement Principle, named and popularized by Ed Marlo, is a mathematical marvel that places the spectator's card into a known position in the deck, without sleights. I've created two amazing enhancements: First, the spectator shuffles the majority of the deck after looking at his card. Unbelievably, you still know the card's position without touching the deck! Second, you're now privy to the card's identity as well as its location. Both methods are presented as a glimpse into gambling strategies. These enhancements have many potentials for your card magic.

1st edition 2024, PDF 19...

This technique allows you to place a selected card inbetween two other cards with one faro shuffle. For example, two face up kings catch a face down selection between them. You will need to know the Incomplete Faro Control to successfully perform this move.

runtime: 1min 30s

This is a Paul LePaul control, one of the classic, easy, but wonderfully deceptive techniques to get a break above a selected card.

runtime: 49s

A new strategy to perform the legendary ACAAN effect. A fascinating principle that will allow you to perform a surprising effect without sleight of hand, completely self-working. A deck of cards with some numbers written on the back. One spectator chooses any card, another spectator chooses any number! Joseph B has received excellent feedback from the magic community for this effect.

• You have all the material at home to construct the deck
• Easy to reset (5 seconds reset)
• No gimmick
• No memory work (no memorized deck)
• No rough and smooth
• No sticky stuff

1st edition 2021, video...

The following is a complete card routine created by U.F. Grant a long, long time ago. You will find it mysterious, entertaining and practically unknown by modern generations.

EFFECT: A series of bewildering effects with a deck of cards shuffled by spectators.

1. A deck of cards is shuffled by spectators. A card is chosen and returned to the deck. Performer puts cards in trouser pocket and spells the name of the chosen card. The last card results to be the chosen one.

2. A spectator now chooses another card. The deck is cut. Tell the spectators that you have X-ray eyes and can see...

An ACAN (Any Card at Any Number) effect specifically designed for the close-up artist.

"An excellent solution to the ACAN plot. It's good to see a method that gets away from memorisation and estimation." - Peter Duffie

A spectator freely selects a card (no force) the card is pushed into the center of the deck. The magician gives the deck one cut and immediately spells to the card. A No Memory Self-Working Miracle.

Effect: The performer shows a deck of cards to be well mixed and hands the deck to a participant to cut as many times as he likes. The performer tells the participant to stop cutting whenever he wants and that the top card of the deck will be his selected card. The performer asks the participant to look at the top card of the deck while he looks away. The participant is then instructed to take...

Based on a Bob Hummer and Karl Fulves principle. A spectator is handed seven playing-cards. He shuffles them, then places one of them aside face-down without looking at it. Now squares of cardboard are shown with cut-out windows. Spectator follows the magician's instructions and, at the end, looking through the cut-out windows in the cards, an index of a card appears. The chosen card is turned over and has been correctly revealed.

You will have to make up the squares of cardboard for this. The trick itself is self-working, the real work having been put into the evolution of the effect, but they are useful for...

An unexplored "classic": this has been for me, for many years, the "Australian shuffle". I learned it as a young man from Aldo Colombini, who often included it in his impromptu effects; later I studied John Scarne (and his wonderful idea in Phone Miracle, which we will comment on together later) and Max Maven.

Then I read Nick Conticello, and a new world opened up: I discovered that all the greats of card magic have tried their hand at the Australian deal; Nick, however, made me wonder a bit more: today I don't think there is more space to invent, but a lot to develop new routines, putting together various principles.

In my...

This e-book offers three similar effects all based on a singular premise.

1. Australian Aces: The performer casually shuffles a pack of cards, then hands it to a volunteer. The performer need not touch the cards for the duration of this feat. The volunteer cuts off roughly a quarter of the pack. The volunteer names any Ace freely. He spells its name and gives the packet an Australian Shuffle. The last card he holds is the Ace he named! The volunteer now spells the word 'Ace' and the Ace matching the color of the named Ace turns up. Finally the volunteer spells the suit of the named Ace and...

An ACAAN for stage and parlor performers.

In short: The performer asks 3 participants to name a suit, a number and a value. Next invites one of the participants to deal down the cards. And like it should be, the named card lies at the named number.

Here are the details:

1. The performer asks an audience member (1st participant) to name a suit. The participant does so.

2. Next, the performer moves towards the 2nd participant to name a number (value) between 1 and 10 he unboxes the deck. But then he suddenly remembers that he needs to give out a notepad and pen to record the choices...

This is an ace twisting routine. The sleight is one handed. No extra cards or gimmicks are used! Just 4 cards and you are ready to go.

It is not easy, and it has some angle issues, too. But if you practice it enough, it opens many possibilities, as it is a one handed move, you can combine it with other tricks. There is also a visual variation which can be used for the ending.

If you love practicing as Aarsh does, you'll love this.

1st edition 2014, length 10 min

Attacking ACAAN is a write up on not one, but four wonderfully practical “Any Card at Any Number” presentations, straight out of the working set of Michael Paul. Here's what you'll find inside:

• Required tools and skills
• Psychometry Card: a new and different twist on ACAAN that is logical, thematic, and entertaining!
• T minus 1: A no sleight of hand version for close up or stage. You never have to touch the cards, and there are no gimmicks!
• ACAAN OCD: Think outside the box as you learn new ways of routining ACAAN into your set. This comedy presentation might just become your new favorite...

Three cards are added to each of the four aces, but the aces magically get back together, besides other cards separating them.

As the name suggests, the ATFUS (Any Time Face-Up Switch) move has something to do with the method of this effect. No gaffs are needed. This is a sleight of hand routine.

1st edition 2025, video 2:55

The ATFUS or Any Time Face-Up Switch was one of Marlo's favorite moves. Literally, hundreds of routines have been created that use the ATFUS. It allows you to switch out one or several cards during a fair face-up display action.

runtime: 6min 33s

This quality volume contains 13 must-have card presentations and sleights, plus a no-sleight effect for the close-up entertainer. While not self-working, most rely on just one or two sleights. Easy-to-follow illustrations make the effects easy to understand and master.

Neal Elias was a confidant of Ed Marlo, Lin Searles, and other world class card experts. He also spent time as a demonstrator for George Snyder's magic shop in Cleveland, Ohio. No doubt several of Neal's creations will, after you read this ebook, find a place in your own routine.

Here's what's included:

• Foreword
• A Reverse Sleight ...