Cards in Magic & Mentalism: page 121

Two decks are shuffled by a spectator. His/Her choice who gets which deck. They each choose any card, and it will match. Don't be put off by the simplicity of the trick, as it can be repeated over and over again and still impress each time.

1st edition 2021, PDF 5 pages.

I have already published multiple three pile location effects, such as Three Pile Location: On Steroids, Three Pile Location: On Cocaine and Three Pile Location: On Meth. In this ebook, I am publishing another three-pile location effect, except this one is, in my opinion, the strongest one. I think it's more fooling than the aforementioned three. Hence why I decided to call it The Ultimate Three Pile Location.

However, for full disclosure (and without exposing the method), I will say that you will likely be unable to perform this. So if you buy this PDF, you will be doing so just to learn the method (not to perform the effect). That's not to say you can't ever perform the effect....

"I've been doing magic 40 years, and this may be one of my five favorite tricks. Excellent thinking. Hard to top." - Clyde Hayre, US.

LOVE IT! I've been looking for a trick to help promote my business and this is perfect as I trade under the name "That's Magic" - Barry Harvey, UK.

You get 16...

"I've been doing magic 40 years, and this may be one of my five favorite tricks. Excellent thinking. Hard to top." - Clyde Hayre, US.

A spectator is asked to throw three fair dice (this is an absolute fair throw or even just a mental throw - no force here). From the number fairly thrown you construct a perfect magic square. For a kicker, the cards are put together and the face of a King of Hearts appears.

There is no palming of cards or exchanging of decks or anything like it. You work with 16 cards and 16 cards only without any sleight-of-hand.

You get 16 specially printed cards...

Introducing The Ultimate Forcing Method - a groundbreaking method for card magic that combines a floating key card with the unique properties of shuffling face-up and face-down cards. It's a "hands-off miracle" where the magician never touches the cards.

Here's why you will want to add this to your act:

• Spectator Involvement: The spectator does everything. They shuffle face-up into face-down cards, cut the deck multiple times, and ultimately remove the forced cards themselves. This creates an illusory sense of complete randomness, making it seem impossible for you to have any knowledge...

An effect by Ken de Courcy. Performed by Aldo Colombini. A terrific three-phase routine with jumbo cards. Having enticed a spectator up to help, you hand him eight jumbo cards and say, "Please give me any four and keep four yourself." This done, both you and the spectator carry out some simple movements but when the cards are counted again, all your cards are face down while the spectator has one face up. This process is repeated with exactly the same result. There is obviously only one answer; the spectator will have to do the actions with both packets. He does so, yet your cards finish up all face down...

I have already published a few behind-the-back location effects, such as Behind the Back Location and The Gift. In this ebook, I am publishing another behind-the-back location effect, except this one is, in my opinion, the strongest one. I think it’s more fooling than the aforementioned two. Hence why I decided to call it The Ultimate Behind the Back Location.

There is a full performance video by my friend attached below, but before you watch it, here are some important conditions to keep in mind:

• The deck in play is completely regular. It doesn’t contain any gaffs or gimmicks. It doesn’t even contain any crimped...

A freely named card. A freely chosen number. A shuffled deck that the magician never touches.

Yet, against all logic, the card appears exactly at the chosen position. No gimmicks, no sleight-of-hand - just an astonishing effect that seems beyond explanation.

Leveraging the power of subtle psychology and indirect use of web apps, The Ultimate ACAAN pushes the boundaries of what feels like real magic.

Please note that you will need a phone, or computer, your own or the spectator's, so that the spectator can visit a particular website that displays probabilities of chosen cards.

...

After explaining his effect 3H in his ebook More Plots and Methods (2021, p.25), Michal Kociołek writes:

This ebook contains my solutions to his challenge. The routines range from impromptu to stacked, though the majority of the effects can be done with a borrowed deck of cards and no preparation. Those...

It was none other than Channing Pollock who stepped forward with this keen endorsement of Ian Baxter's The Turnstile Pass: "Beautifully written and detailed. Yes, I recommend it! And - I just love your self-deprecating humor." A smooth card pass that enunciates the importance of using a distractive move to cover the mechanics. Three first rate effects are included as well.

The Turnstile Pass is Ian Baxter's variation of a Hermann style pass that does not require a turnover of the packet, as is typically the case with Hermann type passes. As a bonus you will get three routines using this pass: ...

"It's a BEAST! Nice work!" - Liam Montier

"Great, solid commercial stuff like you ALWAYS do, Cam." - Jack Carpenter

"It's really f***ing GOOOOD!" - Dave Forrest

Three amazing effects. One professional grade routine... This is The Triple.

If Triumph, The Collectors, and a color changing deck effect all got together and had a baby, it might just look something like The Triple. Cameron Francis delivers another knockout multi-phase card routine that's truly amazing to witness but devilishly simple to execute. No gimmicks. No difficult sleight of hand. Just a truckload of powerhouse magic. Perfect for the professional...

This is a card act rather than a single trick. It is a full-deck effect, tells a story, has audience participation as spectators become the characters, is full of magic, and has an ending that no one will see coming that will fry the audience. It is called, The Tournament, and it will convince your audiences that you are the greatest card cheat of all-time. There is no false dealing, which means that the dealing portions of this routine are all self-working. The finale of the act is a mind-blower and brings everything to a logical conclusion.

Two methods are provided, one which utilizes the...

Effect: A letter card, which appears to be a mistake, is placed on the table without explanation. The spectator sees 32 different lettered cards. The cards are shuffled. The spectator freely selects four cards and arranges them to form a word. The mistake card is turned over - it matches the spectator's word!

A "mistake" that turns into a miracle!

Imagine placing a single card on the table - a card that appears to be nothing more than a scribbled mistake. You then introduce a deck of 32 lettered cards. Your spectator sees that the cards are all different and is even allowed to shuffle...

This was the publication that taught me the Three Card Monte many years ago. It has all you ever need on this wonderful performance piece - and then some.

Erdnase writes in Expert at the Card Table:

"There is not a single card feat in the whole calendar that will give as good returns for the amount of practice required, or that will mystify as greatly, or cause as much amusement, or bear as much repetition as this little game!

Vernon performed it reciting:

"A little game from Hanky Poo, the black for me, the red for you - all you have to do is to keep your eyes on the little lady - ten gets you twenty - twenty...

I started from Karl Fulves' idea called "Voodoo Cards", published on pp. 588-589 of The Pallbearers Review, Vol. 5-8 (November 1969 - October 1973), where a series of five effects proposed as bets are described, with the use of only three cards or tickets written on the spot. Always winning bets and of immediate revelation at first glance, also considering the fact that there are very few elements at stake and the (perceived) probability of success is 50%.

I propose an evolution of Fulves' work with three effects based on the same kind of principle, characterized by an apparent increasing difficulty,...

Card feats for the mentalist. This book has 14 effects that Al Mann judged sufficiently amazing enough, and plotted well enugh, as to be suitable for the mentalist to perform. Also incuded is a chapter of Olof Jonsson’s card mentalism stunts, 9 total, with full methedology. Jonsson was the Uri Geller of his day, so these additional 9 effects are also excellent fodder for the Mentalism show. The Contents:

• The Pros and Cons
• Do’s and Dont's
• The Flight of the Psycards. - Signed cards to wallet – Without touching the deck.
• Domination of Thought
• Caster and Pollux
• The Devastators
• The...

Twenty-five pages of previously unpublished information on successful pitching – tips, ideas, and insights from highly experienced pitchmen. What to wear, details on the joint, and more. A valuable addition to the Don Driver Svengali DVD on pitching the Svengali and the Don Driver Interview.

1st edition 2009, PDF 25 pages.

The Comprehensive Guide to Making Money Pitching Svengali Decks

Hundreds of thousands of dollars have been made on selling the humble Svengali Deck and yet few people ever learned the inner secrets of how to pitch the deck successfully. This DVD fills that shortage.

Don Driver pitched for twenty-five years all over the country. He learned his pitch from S. David Walker, the Grand old Man of Svengali pitching who has been at it since the early 1940s. Mr. Walker learned from Mickey MacDougall, the creator of the Svengali pitch.

Explained in detail is a pitch that has been polished and...

This is a new effect from Devin Knight's recent East Coast lecture tour. It uses a special Svengali deck in a way that magicians will never suspect. So you know, you will need to own or buy a Svengali Deck and gimmick it to do this trick. Take this to your next magic club meeting and puzzle the members.

EFFECT: The performer shows a deck of cards and mixes them. He invites a spectator to stop him as he deals the cards face down on the table. The person can stop him anywhere in the deal, there are no restrictions. The performer deals until the person says stop. The performer shows the card...

You feign a centre deal with basic moves. You openly cut the four Kings into the deck and deal them to the spectator. But the four cards you get are the four Aces. Easy and magical! You get a bonus tutorial of Imperial Bicycles.

1st edition 2025, video 10:05.

The Stripper Deck has nothing to do with a girl shedding off her clothes, but rather is a specially gaffed deck. However, the gaff or preparation is not noticeable with the naked eye. It can even be handed out to spectators for shuffling and cutting. This manuscript outlines various moves as well as tricks with the Stripper Deck. Practically all effects can be achieved with pure sleight of hand using an unprepared deck. But the Stripper Deck simplifies the handling and makes miracles possible without difficult moves, leaving you time to focus on the presentation.

Paul Fleming wrote:

Translation of La Machine à Voler, a French classic revealing the legal circumvention of gambling laws to establish crooked gambling clubs and casinos. It also exposes cheating methods for baccarat.

This work is primarily interesting to the magician due to its exposure of cheating methods at baccarat including sleight-of-hand techniques. These are explained in detail including photos.

Excerpt from the preface:

A deck is borrowed from a spectator. The deck is shuffled by the spectator. They select a card and commit it to memory. Nothing is forced, no card is mentioned out loud.

A second spectator is thinking of any number between 1 and 52, the card is replaced and the deck is further mixed. Nothing is forced, no number is mentioned out loud.

Only after both spectators are satisfied with the random state of the deck are the freely chosen card and number named out loud (only if they want! This information can stay unknown to the performer the whole time.)

The performer does not touch the deck,...

The problem with all existing memorized stack systems is that they use memorization systems not specifically designed for a memorized stack. Most memory systems are designed for the retention of LOTS of information for a relatively SHORT amount of time. When Dominic O'Brien memorizes 54 decks of cards (more than 2800 cards) with a particular journey system then he retains that information for a couple of hours max. After that he has forgotten the sequence. He has to, because around the corner waits another memory challenge where he has to memorize many other things. However, the magician ideally wants to remember...