Cards in Magic & Mentalism: page 20

This effect is a variant of the Card at Any Number plot, but with a full routine and a very commercial and entertaining presentation, with gags, a prediction, or divination, with a puzzling final surprise revelation, and more potential. It can be adapted for any events like Christmas, New Year, Thanksgiving, Halloween, weddings, carnival, birthdays, conventions, etc.

It needs a one-time preparation that you can keep in your wallet or jacket, and can be used as an opener or a closer, for strolling, close up, parlor or stage.

1st edition 2017, 15 pages.

Twelve wonderful card routines and one non-card memory feat bonus effect: Mental Shopper.

Almost all the sleights employed herein are basic, therefore easy to do. The exception is the Faro shuffle, which is used in two effects. There is little mention of patter included, as the effects do not require set patter. It is left to the reader to use patter that fits his particular personality.

Some of these effects have previously appeared in Apocalypse, The Linking Ring, and The Minotaur. The balance are appearing here for the first time. Doug's two personal favorites are: Midnight...

The four kings are shown and pronounced to be cannibals. A random card is pushed between the four kings and vanishes. The kings have eaten the card. This happens a few more times until the kings ate too much and change to the four Eights.

runtime: 9min 22s

Four queens consume three selected cards which have been chosen by a spectator.

You will need:

• 3 extra 9s with two of them having Queens on their backs (double facers)
• 2-as-4 Count
• Elmsley Count
• Pelli Spread

length 3min 20s

This is a delightful departure from the standard card effect due to its ingenious patter line and startling conclusion. First conceived in the 1970s, the visual of four "cannibal" cards devouring a pair of "missionary" cards stands out in the memory of spectators. A welcomed addition to your bag of tricks.

1st edition 2021, PDF 2 pages, video 42 seconds.

A comedy card on seat routine with a twist.

This one is an absolute killer! Scott's Comedy Card on Seat routine uses a different method from the well-known Chuck Fayne or gaffed chair routines. The audience participant joins you up front and sits in an ordinary chair. Then, while you look away, he selects and signs a card, replaces it anywhere he wants in the deck and thoroughly shuffles the deck before returning it to you. After some fun, and very amusing byplay, the card vanishes, followed by a kick-in-the-head moment that NOBODY sees coming, before it is revealed that he is SITTING on...

Canada has many great magicians and Tom Batchelor, the Card Artist, is one of the leading constructive card men among them.

He calls this, "An investigation into card controls, locations, discoveries, revelations."

Contents include:

• Unfinished Shuffle Control
• Fan Control
• Slip Cut Control Pass
• Glimpse of a Peek
• Fan Shot
• Transfer Force
• The Search
• Turnover Surprise
• It's About Time
• Second Discovery of America
• The Card Prayer
• On the Cut
• Card Finders
• The Shakedown
• Revolving Revelation
• Without a Shuffle
• Cut of Deal
• Folded Card
• Strangers in our Midst
• Thru Thick and Thin ...

Ten amazing effects with cards that you can do over the phone. Several of the effects are so strong that you can even do them for live audiences.

Contents and contributors:

• PHONE ZONE (Peter Duffie)
• TELEMENTAL (Bob King)
• HOCUS POCUS (Eddie Joseph)
• LINEAR BLACKJACK (Karl Fulves)
• TWO CARDS (Stewart Judah)
• LIE DETECTOR (Al Thatcher)
• BREAKING POINT (Aldo Colombini)
• TAMAX (Dougie Gibbard)
• WIZARD (Peter Duffie)
• HALF AS GREAT (Max Maven)

1st edition 2009

The magician spreads a shuffled deck in front of two spectators. Spectator 1 selects one card and remembers it. Spectator 2 does the same. Both of them thoroughly shuffle the deck and cut it in two halves. The magician loses one card in each pile and gathers the deck. While the spectators cut the deck multiple times, the magician writes a prediction and tables it face down, in full view. For the first selection, the magician says he was inspired by the 21-Card Trick. He deals the cards in three piles and asks Spectator 1 to give him the pile where his card lies. The magician removes one card...

"Hidden": A secret hidden in most decks of cards. You already have it. It can be used for magic or mentalism effects as it will add something "bizarre" or intriguing to your card tricks. Or as a double kicker. YOu will use it in your existing routines or invent new ones. Guaranteed. A typical example is "The Fine Print" by Jay Sankey. The difference is that you can do it impromptu, without buying a gimmick, and with some touch of mentalism.

"You remove a playing card from a deck of cards and leave it face down on the table as a prediction. A spectator then selects a card from the deck, but...

Every magician is certain to encounter a stacked deck at some point, whether in the early stages of learning or as they expand their repertoire. Understanding stacks not only equips magicians with powerful tools for creating seemingly impossible effects but also sharpens their awareness of how others might use these techniques. Mastery of stacks enhances one's ability to perform complex tricks, analyze routines critically, and develop innovative methods to captivate an audience. Embracing this foundational skill ensures that magicians can perform with both confidence and creativity.

In...

Live from the European Close-up Magic Symposium 2012. This is a wonderful sleight-less classic card routine that Giobbi has polished to a fine sheen with added psychological subtleties and a logical and meaningful presentation.

A brand new deck of cards, still wrapped in cellophane and sealed, is shuffled by different spectators. 10 cards are selected by a spectator. Roberto then divines each card without touching anything. The last card is revealed with a prediction and a duplicate of the last card is also found in the prediction envelope.

Performance duration: 9 minutes
Explanation...

A feature show-stopping mentalism routine

NOTE: While the description below describes the effect using a seven-digit phone number, it can also be done with ten or more digits to cover area codes and country codes if required. Scott explains this in the ebook, as well some other options.

You remove a deck of cards from its case. To preclude the possibility of any sleight-of-hand, you put it in a clear glass tumbler, holding it up for all to see, the face of the pack toward the audience. You begin moving cards, one at a time, from the back of the deck to the face, and seven audience members...

A deck of cards is shuffled and put in trouser pockets, any card called for produced, then any non-playing card (birthday card, membership card, postcard, ...) called for, with gags and card castle finale.

This manuscript has not been available for a long time. This comedy and mysterious act, which has not been seen for a number of years, contains all the ingredients for hit entertainment today.

THE EFFECT

The performer comes on to a stage which bears only a table. He introduces a pack of cards and hands them out for shuffling, then has them cut into two halves and, after rapidly glancing...

This is Stephen's stage size Find the Lady Routine using any three ungimmicked, any size cards. It can be done close-up with playing cards or business cards. It can be done on stage with A2 size cards with cartoon pictures on them or images of the company logo. The possibilities are endless.

Because the cards are ungimmicked, it can be customized to the client. So you can have a picture of the bride in-between two pictures of the groom for a wedding. You can have a picture of the company boss in-between two signs that say "You'r Fired" for a corporate dinner party.

On this download...

The Effect: The magician removes a pack of cards from its packet and hands it out for shuffling and cutting. He also gives a sealed envelope to another spectator for safe keeping. The shuffled deck is passed to someone else who is instructed to deal seven cards on to the hand of the person seated next to him. The performer reclaims the balance of the pack then asks the spectator to fan the seven cards he holds faces towards himself.

From the center of the floor, the magician says, "Sir, I think you are looking at a Queen of Spades. If I'm right, please remove it from the other cards and hold...

For decades magicians are on a quest to perform Any Card At Any Number from a borrowed and shuffled deck; which isn't always possible so they often settle for Card At Any Number.

The problem is that Card At Any Number when presented as a one-time feat can be mistaken as a co-incidence or the skill of the performer which takes away the feeling of it being pure magic. Caantastic counters just that by creating a mother of all co-incidences moment for the audience. Card At Any Number not just once or twice but thrice and when it happens the third time it dilutes any skepticism and evokes the...

A really clean and impeccable ACAAN.

What the audience sees and hears:

The Performer brings out a deck of cards and points to a person asking him to think of any card but not the Ace (as its common for people to go for it) and another person to think of a number between 1 and 48. He then proceeds to pull out the Aces meanwhile handing out small packets of cards to 4 different audience members and asks them to shuffle the cards thoroughly. While they are busy shuffling, the two audience members are asked to name their thought of card and the number for the first time.

Once the shuffling...

Effect: Four cards are selected from a deck and tabled face down in a row. The first selection is turned face up, it is the 10S. The magician explains he has previously turned one card over with the same suit in a four-of-a-kind packet. An odd-backed packet is introduced as the magician says he was actually so sure of the spectator's choice that he replaced the other cards with Jokers. He displays one face down card between three Jokers. The card is turned face up, it is a Spade! The card is replaced into the face up packet that is placed momentarily onto the deck. The card has changed into...

A hands-off cheating demonstration.

The traditional card-cheating demonstration ends with the audience admiring the performer's hands. This one ends somewhere else entirely.

The spectator shuffles a borrowed deck. They cut as many times as they like. They deal five poker hands, face down, in front of them. Before a single card is turned, you commit aloud: the winning hand will be a full house, sitting in the third seat from my left.

It is.

The cheating happened somewhere they cannot point to. They shuffled, they cut, they dealt - by their own hand. And the outcome arrived exactly...

A practical course of instruction in the fundamentals of conjuring with cards.

Excerpt from the preface:

Table of Contents

• Preface
• PART I. PRELIMINARY
  • The Art of Conjuring
  • The Cards
  • Learning and Practising
  • The Illustrations ...

The performer proposes an imaginary game of Blackjack. The stakes are high because the performer has made a sealed prediction which is kept in full view the entire time...

The cards are freely chosen - only thought of by the volunteer.

A sealed envelope is opened showing a prediction matching 100% correctly with the volunteers selection.

1st edition 2007; 8 pages.

The magician says he has a prediction written which he will get back to. A card is selected, noted and lost back into the pack. The magician says he will make the selection jump to the top of the deck. It is the wrong card. The magician shows his written prediction. It doesn't match the top card, but it is the selected card predicted ahead of time. The magician places the indifferent card into the spectator's hand. He waves his business card over the indifferent card. It visually morphs into the indifferent card. Spectator opens their hands. they are now holding their selected card.

• multiple...

"What a great idea. If you are one of the thousands of magicians who have done Cardiographic on stage then this should be in your pocket!" - Paul Gertner

You show an image of a deck, drawn on your business card. Slowly, and in full view, a drawing of a selected card rises from it. You then give it away as a souvenir. Business Card-iographic is a stunning promotional giveaway, that your customer will keep for years.

The instructional video download comes with Brian's routine, which incorporates ideas from Joel Givens, Bob Sheets, and David Oliver. Also Martin Lewis...