The deck is shuffled. Spectator cuts off a small packet and sets it aside. The performer selects one card from the remaining cards. It turns out that this is the mate card to the card on the bottom of the spectator cut packet. The same procedure is repeated and again the performer is able to pick the mate card. In ever more impossible ways the spectator selects cards which turn out to be located next to their mates.
This routine was first published in Faro Control Miracles. It uses the stay stack principle.
runtime: 16min 52s...
A deck is riffle shuffled. Spectator cuts off a portion and performer can tell by the weight of the packet how many cards were cut. Performer quickly glances through the deck. Spectator calls out a number and performer knows immediately the card at that position in the deck. Then a poker hand is dealt with the magician dealing himself a straight flush. And the routine ends with a game of bridge where the performer receives all 13 spades, the best hand you can have in a game of bridge.
This is a routine Ed Marlo published in the 1940s in his book Spades - that is where the name of the routine comes...
This technique is an application of the Vernon Push Off and allows you to table a double.
runtime: 36s
Mathematical Fooler is in fact an impossible location effect. It really is a fooler. The principle appears as already known but will succeed in deceiving even fellow magicians.
First of all, it is possible to proceed with a borrowed deck, a real selling point. The magician borrows a deck. He looks through the deck with faces up and inquires if it is a full deck. Then he asks the spectator to cut a third of the deck and count how many cards he has in his hand. It will certainly have a two-digit number. The spectator adds the two digits together and looks at the card that corresponds to that...
Determine the card selected and the sum cast with two dice in a novel and very deceptive way.
You show a deck of cards, shuffle it and while you look away the spectator throws the two dice, adds the points shown, removes that many cards and remembers the lowest card in the removed packet. The dice are covered so that the performer can't see them. Now comes the unusual thing. The removed packet is inserted by the spectator somewhere in the middle of the pack. Then the spectator cuts and with a rosetta shuffle the cards are shuffled. This is immediately followed by any number of riffle and...
This is an idea by Steve Mayhew. He turns the classic Triumph effect into something entirely different. A face-up half of a deck is shuffled into the other face-down half. The performer then demonstrates center dealing only the face-up cards. The last face-up cards coming out of the deck are the four aces leaving the performer with only face-down cards.
runtime: 4min 53s
This was a favorite effect of Ed Marlo. The performer looks through the cards and selects four random cards which he puts face-down in front of the spectator. However, once the spectator turns those cards over they are now all aces.
runtime: 2min 15s
Medium can be made with any deck of cards. The spectator thinks any card and the magician will be able to find it. The conditions are impossible. Medium is a real pearl to add to your repertoire. Easy to do. Not only will you be able to amaze laymen, but you will be able to fool fellow magicians, too. Requires no memory or sleight-of-hand.
1st edition 2021, video 9:11.
1 download 2 deceptive card moves 3 routines 4 the real world workers.
THE MOVES // by AJ: Topsy is a single card force utilizing no breaks whatsoever and Turvy is a single / multiple card control to the bottom. They both are easy and fun to learn. You'll be doing these in no time.
THE ROUTINES // by Abhinav:
SATELLITE SIGNAL: 3 spectators stop at three random cards (no forces) and send their thoughts to the performer (all at once) the performer receives the thoughts and finds the cards and figures out which card belongs to which of the 3 spectators.
Mr. MIRACLE: A selection gets...
Mental Fooler is a great and direct effect. It looks like you really know how to read the spectator's mind. The most important element is that you can do this with a borrowed shuffled deck. Everything is done with the cards face down. You take a borrowed deck of cards and remove a couple of cards. While you are turned away the spectator first shuffles these cards and then only thinks of one of them. Then you explain to him how to spell a card and move for each character a card from top to bottom. While you are again turned away the spectator spells the thought of card silently. You are able...
Have a spectator take out a coin and have him sign it. Show an empty card case and drop the signed coin into it. The card case is closed and put on the spectators stretched out hand. Then you bring out a bottle cap or take one that is lying around and have it signed as well. The bottle cap is lying on the table. You take the card case held on the tips of your fingers - to make clear that no sleight of hand is possible - and tap the bottle cap. The bottle cap instantaneously transforms into the signed coin.
The transformation is incredibly visual and happens right in front of the spectators...
This is an idea by Mike Maxwell to slightly alter the Double Ace Production to be in the Jennings Revelation setup, from The Classic Magic of Larry Jennings, after the first four cards are revealed.
runtime: 1min 58s
Michael Skinner tells stories from his early years in magic such as meeting Eddie Fechter and Ed Marlo. This short interview was hosted by Roger Klause.
Both of these larger than life legends - Michael Skinner and Roger Klaus - have unfortunately passed away. Videos like these are time capsules allowing us to get closer to these legends, learn from their life, and understand them a little bit better.
length: 3min 13s
A hands-off card prediction at any number.
"No other method can achieve what your method achieves." - Dan HarlanDo we really need another 'Card At Any Number?!' We already have so many! So why would you be interested in this? It is a completely hands-off card at any number."To be honest, I would have more than one method to achieve the same effect, but - and this is a big BUT - Ali doesn't use any of them! So, it is indeed very clean and very fooling." - Jan Forster
The deck of cards is in the spectator's hands. At no point do you touch the cards. You ask the spectator to think of any number between...