
This is a completely clean, Mate-At-Any-Number routine, using 2 decks. Oh, and no forcing.
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1st edition 2017, length 25 min

Learn how to permanently link two cards in such a way that no cut is visible.
Ralf Rudolph, famous for his impossible objects, has spent many years researching and testing the method to link two cards in a seemingly impossible way, because no cut can be seen. Ralf shares in detail all the tools and secret supplies you will need to pull off this feat, and shows you in minute detail the process of how the cards are linked. Right in front of your eyes he creates his perfect Lorraine's Link.
These linked cards make for wonderful presents, display objects, and conversation starters. Potentially...

A card is chosen, travels to the pocket, but turns out to be the wrong card. Visibly 'flick' the diamonds off of the wrong card. They flutter to the floor, leaving you holding the selection.
This is of intermediate difficulty. You will need to be able to force and control a card to the top. And you will also need to do a top change. No palming required.
Recorded live at the Convention at the Capital 2000.
runtime: 7min 5s

This count has one of the highest hide-to-show ratios of any false count. You are using four different cards, yet you can show each one three times in a row to credibly demonstrate you have a packet of three identical cards. Doing this four times with four different cards looks incredible on its own. Nevertheless, you would use this as part of a larger routine.
1st edition 2025, video 1:43.

Balancing objects is part of visual magic. Many magicians try to make it clean and beautiful. M.O.Balance is a new approach to the effect of balance. Three very visual and simple effects.
Hand Balance: You make a card stand flat on your hand.
Angle Balance: The corner of a card balances on your index finger.
Balancing Cigarette: A very crazy and brain-breaking trick. You balance a card, and also balance a cigarette on the card.
After the trick, all items are handed out for examination.
1st edition 2020, length 9 min.

Please note that this video is in Vietnamese with English subtitles.
You borrow a coin and a pack of cigarettes from the audience. Ask a spectator to sign the coin. Then you slide the plastic wrapping partly off of the cigarette pack. With a quick gesture, the signed coin in your hand will penetrate the plastic wrapping of the cigarette pack! Purely technical and no gimmick used.
1st edition 2016, length 8 min.

Three cards are put face down on the table. Put three blank cards over the first card and the blank cards all change into the same card they were put on. Repeat this with the other two cards. The cards always magically change their faces. At the end, the faces change again and the entire deck is blank.
1st edition 2024, video 5:09.

A new permanent tactile marking method, which is easier to feel and less visually noticeable compared to a punch.
Boss work is a marking system that you read by touch, and is designed primarily for use with the punch deal. It is easy to put in and the items required are not too expensive. When compared to the punch, boss work is much easier to feel and more durable. The markings are almost impossible to see on the backs of the cards, and there is nothing to see on the fronts. This video will take you through putting in the work, teaching you the best way to mark the cards, and also showing...

This is a wonderful version of the classic matrix effect - four coins and four cards. Each coin starts under one card in 4 different places. Eventually all coins assemble magically one by one under one card. The description includes a beautiful display move which allows you to show a card in one hand while you hide a coin in the same.
length 5 min

This is a silent film produced by Harry Stanley's Unique Magic Studio. It features Marconick performing some of his feature items with silks and rope. Marconick was primarily known for his creative work with silks. His vanish of silks from a cage ball is very pretty.

A spectator freely selects a card and returns it to the middle of the deck. The cards are split into two packets and interlaced face-up into face-down. In an instant, every card turns face-up except the selection - still face-down. And it's not over. Why can the magician locate the selection so cleanly? Because it's the only card in the deck that's different from all the others.
Bottom Fan Control: This routine also teaches my bottom control: the spectator's card is openly placed into the middle of the deck, the magician squares the pack, and the selection is controlled straight to the...

Developed by Ed Marlo, it is a well-covered method to palm one or several cards from the bottom into a left-hand magician's palm.
runtime: 1min 53s

Once you have a break you want to handle and display the deck such that it appears to be impossible to hold a break. Here is one sequence of bends and riffles developed by Ed Marlo and published in his Card Control Series from the 1950s.
runtime: 53s