
A clean and easy matrix. Four coins are positioned at the corners of an imagined square. Two cards are used to cover coins temporarily. Cover two coins, and one is magically moving from under one card to under the other card. You continue this until all four coins have assembled in one corner.
Please note that this is a gimmicked version and will require certain performing conditions that are not present in all situations.
1st edition 2025, video 2:55

This is the first lesson from Egotistical Opinions. In this 12 minute video Ian talks about entrances, and how to make that important first impression. Covering both stage and close up situations, he shows examples of how he starts a show, and then explains why he does what he does when he does it. The final story is not only true, but still makes him wince...
1st edition 2009, runtime 12 minutes

This is the second video from Egotistical Opinions. The 32 minute video covers microphone technique for magicians, covering handheld, tie clip and headset mics. Ian shows the correct way to handle and use the microphone so that you look and feel confident and professional.
1st edition 2009, runtime 32 minutes

This is the fourth video from Egotistical Opinions. This 13 minute clip talks about performance, professionalism and generally getting the correct attitude to entertaining your audience.
1st edition 2009, runtime 13 minutes

This is the fifth video from Egotistical Opinions. In this six minute lesson Ian talks about the correct way to approach practising and how to get the most from your practice sessions.
1st edition 2009, runtime 6 minutes

This is the sixth video from Egotistical Opinions. In this six minute lesson Ian explains his approach for conquering stage fright, a proven method that may sound strange, but one that means stage fright, and 'shaky hand syndrome' are a thing of the past. Everyone can benefit from this advice, beginners and experienced performers alike.
1st edition 2009, runtime 6 minutes

This is the third video from Egotistical Opinions. This ten minute lesson talks about the concept of visual noise, and how you can control your body language so that you are not distracting to watch. This information is useful for both stage and close up performers, as well as anyone who needs to speak in public.
1st edition 2009, runtime 10 minutes

A spectator signed business card ends up folded in a matchbox that has been resting on the table for the entire time. The presentation of this effect evolves around a cheap magic club. Signing the business card makes the spectator a member who then goes on to perform his first magic trick.
This effect is also taught on Michael Close Signature Effects.

The Elmsley count, developed by Alex Elmsley, is probably the easiest and most deceptive count there is. Allan calls it 'the monster move of the 20th century'. Countless of routines have been devised using this move. The most famous of all is Twisting the Aces by Dai Vernon.
runtime: 2min 43s

From John Bannon's book Smoke and Mirrors here is another 2-4-4 count - a variation of Larry Becker's Mirage Count.
runtime: 1min 39s

Ring effects are visual and beautiful. Introducing an ultra-visual illusion. The finger ring jumps from finger to finger as if it were alive. The effect that deceived hundreds of spectators and magicians will always be at your fingertips.
Supplies may need to be purchased to perform this effect but many magicians will have everything at home. There is no construction or arts and crafts necessary, it is as simple as putting the necessary items together.
1st edition 2023, video 5:56.

In this 40 minute instant download video Scott explains and demonstrates how to manufacture the Empty Multiple Out Envelope, a utility device he has been using in both his close up and stand up performances for years.
If you can use a pair of scissors, you can make The Empty Multiple Out Envelope.
With a couple of envelopes and a pair of scissors, once you have watched this video you will be able to manufacture one of these deceptive envelopes in less than a minute. Finally Scott will teach you the simple handling required using different styles and sizes of envelope, along with two of...

This is a beautiful ring-card linking effect.
Spectator freely chooses a card which he signs. Performer hole punches the signed card and magically attaches and then magically removes a ring. The hole punched card can be handed out for inspection.

Make any small object appear inside a sealed and locked envelope. Print template is included.
Your spectator signs the sealed envelope before the routine starts. Perform an effect with any small object and then... as your big finish... ask them to tear open the signed envelope and they will find their object inside. They get to keep everything.
Blake will take you through how to make this incredible utility device, plus a load of really cool routines and ideas. When you purchase Envelock, you will receive a PDF file (download from your lybrary digital shelf) which will allow you to print...

This is a tabled false riffle shuffle from The Expert at the Card Table by Erdnase.
runtime: 1min 15s

This is a one-handed cut from Expert at the Card Table by Erdnase.
runtime: 43s

The master of the Spanish coinmagic presents one of the best routines of the symposium. Pure sleight of hand, pure magic and total enjoyment. A coins thru glass routine with seldom seen technique. A perfect lead in to a matrix or a four coin routine. Routine work at the table. Intermediate level.
length 10min

Here is a straight forward effect which is enabled by a clever gimmick. You ask somebody to think of any one of the five ESP symbols. Then you look deep into their eyes, read their mind, and commit by writing what you read in their mind on a little notebook. Then you ask them to reveal their thoughts. You will be able to show that you wrote down the same symbol.

Two sets of five ESP cards are freely displayed, one set with red backs, the other with blue. The red set is given to the spectator who shuffles them, the magician mixing the blue set. One at a time the performer places his cards face down onto the table and each time the spectator then places one of his cards at random next to the performer's. When the pairs of cards are turned face up, all five sets are seen to have been put down in matching pairs!
This is a streamlined version of my card matching routine which has extra subtleties and a cleaner handling than earlier versions.
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