Three cards are added to each of the four aces, but the aces magically get back together, besides other cards separating them.
As the name suggests, the ATFUS (Any Time Face-Up Switch) move has something to do with the method of this effect. No gaffs are needed. This is a sleight of hand routine.
1st edition 2025, video 2:55
This is an ace twisting routine. The sleight is one handed. No extra cards or gimmicks are used! Just 4 cards and you are ready to go.
It is not easy, and it has some angle issues, too. But if you practice it enough, it opens many possibilities, as it is a one handed move, you can combine it with other tricks. There is also a visual variation which can be used for the ending.
If you love practicing as Aarsh does, you'll love this.
1st edition 2014, length 10 min
A new strategy to perform the legendary ACAAN effect. A fascinating principle that will allow you to perform a surprising effect without sleight of hand, completely self-working. A deck of cards with some numbers written on the back. One spectator chooses any card, another spectator chooses any number! Joseph B has received excellent feedback from the magic community for this effect.
1st edition 2021, video...
This is a Paul LePaul control, one of the classic, easy, but wonderfully deceptive techniques to get a break above a selected card.
runtime: 49s
This technique allows you to place a selected card inbetween two other cards with one faro shuffle. For example, two face up kings catch a face down selection between them. You will need to know the Incomplete Faro Control to successfully perform this move.
runtime: 1min 30s
You show 8 cards. Four are the aces that you place on the table. And the other four cards are jokers. Three of the jokers you put face-down on the face-up ace of spades. But when everything is turned face up, the other three aces have joined the ace of spades, and the rest of the cards are kings rather than jokers.
1st edition 2024, video 5:42
A visual mystery with a Sharpie pen.
Imagine this: you casually place the cap of a Sharpie pen on its back end, and with a simple gesture, it vanishes before their eyes.
The twist? In a flash, the cap reappears perfectly recapped on the pen's tip, right where it belongs!
Another super visual penetration from the twisted brain of Nefesch. This time the spectator selects a balloon, he signs the balloon and you visually push your cell phone through his signed balloon.
This is one of these 'No way!' effects that have become the signature of Nefesch. Just coming up with these ideas and then finding a workable method is amazing by itself.
I have to add that you will need two phones, preparation and practice. However, the achieved effect is very strong and convincing.
1st edition 2008.
For the first effect you will need a cigar. Take off the cellophane cover and have a spectator twist it into a little string. Then have them pull off the cigar band and put it on the cellophane string. Both ends are held by the spectator. Under the cover of a handkerchief you free the band without destroying it.
The second effect is a neat stunt. While you attempt to light your cigarette with a match the lit match takes off and flies away - like a rocket.
runtime: 8min 39s
"WTF, some witchcraft?? I can't figure it out. Amazing!!" - Mario TarasiniMy name is Doan and here is a new effect with rubber bands. Imagine you just have one rubber band which you instantly turn into two rubber bands. A flash duplication of a rubber band. Everything is done in front of your spectator's eyes. Or, you can also do a very cool and visual rubber band color change effect.
1st...
Ian describes carefully and in detail a number of beautiful and cool flourishes with chips. You are sitting at a blackjack table and you have won a stack of chips during the last plays. The dealer ran out of cards and has to shuffle his six decks, which takes a while. This is the ideal moment to impress with a few chip flourishes. Of course, all of these moves can also be executed with coins rather than chips. You will learn:
The magician picks up a card box as if to demonstrate a card trick and discovers that it rattles. Opening it, he tips from within four 3-volt circular batteries. Taking one of the batteries into his fist, he squeezes it and on opening the hand it is seen to have changed to a more powerful AAA battery. Holding this battery at the fingertips, the performer passes his other hand across it and causes it to visibly change to a larger AA battery.
Finally, he clasps his two empty hands together and on parting them reveals that now a square 9-volt battery has magically appeared!
No gimmicks...
A deck of cards becomes a stable of 52 horses. The horses are shuffled by a spectator and the deck is placed down. The performer then writes down the name of one of the horses on a pad and places it sight unseen in view on the table. This is a prediction of a horse that he believes will win an imaginary race in a few moments time.
Spreading the deck, a spectator is invited to touch one at a time completely at random seven horses. These are removed and held in a pile. He then selects any number from one to seven. Using the chosen number, horses are eliminated in the pile one by one until...
The performer hands 6 cards to a spectator who arranges the cards in red-black alternating order. The performer openly counts those six cards to the table. Once the cards are ribbon spread on the table the colors have, like oil and water, separated.
This is a very clean sequence that can be added to most oil & water routines or performed stand-alone. The oil & water effect is an Ed Marlo creation. This version uses the Benzais cop to achieve the effect.
runtime: 1min 28s...
This is Larry Jennings' version of Joe Berg's palm, originally published in Classic Magic of Larry Jennings. It is a multiple-top palm.
runtime: 46s
You will learn the classic Allerton Move to switch out one card. Later Wesley James significantly improved on the basic idea and Allan Ackerman demonstrates and teaches these variations.
runtime: 3min 31s