
The spectator shuffles the deck at the start. The magician removes a prediction card, then the spectator freely selects a card and loses it back into the deck.
Next, the magician has the spectator freely cut the deck, placing Jokers at the cut points. At first, the Jokers isolate a large section containing the selection, and eventually they sandwich the exact selection itself.
The deck is split at the selection, and behind all the apparent randomness, everything leads to the final outcome. There are three packets on the table, and the bottom card of each packet perfectly matches the...

Jules DeBarros was, according to Jon Racherbaumer, perhaps the finest coin worker of his, or any, era. His timing and execution were flawless and angle-proof. Here is a fine example of his approach.
1st edition 2026, video 1:14.

A spectator freely selects a card, freely cuts the deck to determine a number, and divides the deck into four packets. After multiple rounds of reassembling and cutting, the selection still arrives at the exact corresponding number. A self-working, fooling card routine.
1st edition 2026, video 6:26.

A spectator freely selects a card and loses it into the middle of the deck. The magician claims he only needs three chances to cut to the selection, but all three cards cut to are misses. In the end, the combined values of those three cards reveal the exact position of the spectator’s selection.
1st edition 2026, video 6:51.

This has nothing to do with Lager Beer, but a lot with David Regal. REGAL read backwards is LAGER and that's where the name comes from. David's excellent "Clarity Box" that he marketed was the inspiration, in fact I actually use his box in this video (although you could use any container or suitable drinking glass).
This is my handling with the UNPREPARED crystal box, acchieving the same result: a folded card, which has been in full view inside the box is switched out for a signed card. This is a no-frill switch for the worker with a heavy rentention of vision aspect to it.
Of course, it could be...

The spectator's cut to the four sandwiches is a succession of magical effects. The magician takes his two lucky cards from the deck: the two of hearts and the two of diamonds. The spectator examines the two cards. The magician shuffles the deck and asks the spectator to cut it into four piles. This is where the fun part begins. Each time the magician approaches the two lucky cards to one of the piles, a card will mysteriously appear between the two lucky cards. The first will be a King, the second as well, and so on until you have the four Kings. It is not finished. Immediately the magician...

A magician holds a card and then changes it to a poker chip, paper money, a coin, or any small flat object. The method is based on a black-art principle and thus best suited for a stage or video performance where lighting and angles can be controlled well. Making the gimmick involves arts and crafts.
1st edition 2022, video 23:04.

One advanced coin move - three awesome applications
NP technique is a coin move with three applications:
1st edition 2014, length 14 min 40 s.

6 colourful colour card changes like never before.
Vibgyor is a colorful journey created and cherished from the mind of Aarsh Shah that contains color changes that requires nothing but your hand and deck of playing cards. Piklumagic brings this journey that includes six colorful destinations which are creative an very visual and can be performed anywhere and anytime.
1st edition 2017, length 17 min

The spectator finds their card in an incredible way, with a stunning kicker revelation.
The jokers are given to a spectator to hold, then a card is selected. The chosen card is shuffled and lost in the deck. The cards are spread face down and the spectator freely inserts the jokers face up around any single card, isolating it from the rest. This mystery card is now turned over to reveal that, incredibly, it is their selected card. The effect could end right here, but in an unexpected finale, the jokers are turned over to reveal a jaw-dropping prediction.

You get two floating object performances by Peki. One is the fun "Drunken Bottle Cork" and the other a poetic "Heart in Love" routine.
Please remember that you will only get the performances and no explanations. But if you know Peki's thread and method these two routines serve as further examples of what is possible with such a wonderful close-up floatation method. Please refer to Dance of the Butterfly, The Dancing Handkerchief or The Fairytale of the Silver Pearl for details on the thread and the method used by Peki.
runtime: 2min 31s

Spectator merely thinks of any card out of 52 and that card is the only one with a different back than the rest of the deck. But what if the spectator would have named another card? To demonstrate the performer takes another card and visually moves the off color back from the first selection to the new one. A very visual and stunning transformation.
runtime 9 min 32s.

Glass through table is a classic of magic that is at least a hundred years old. You can even find it described in children magic books. The key to this effect is misdirection which requires a good amount of showmanship and spectator handling. Otherwise it is pure simplicity. With the tips and presentation by J.C. Wagner you will turn this classic into a modern and entertaining miracle.
runtime 6min 30s

Inspired by an effect by Max Maven. If you like these type of effects also make sure to check out Assertive Positive Negative by Scott F. Guinn.
Effect: You place a folded business card - a prediction - on the table in full view. Your spectator is asked to imagine three coins. They are then asked to select one of the coins, toss it in the air and catch it, calling heads or tails. Let's imagine they call tails! You open your prediction - inside you have accurately predicted both the denomination of the coin they imagined and whether it would land heads or tails!
Inspired by Max Maven's effect 'Positive/Negative', this is the ultimate 'packs...

Effect: You announce that you will give a demonstration of shuffle tracking but that you will go even further than normal and actually track cards in a deck which is mixed face up and face down. The deck is very fairly mixed this way a number of times then you decide to take it even further and have the spectator remember one of the cards from within the chaotic mess you've made of the deck. With this done you FAIRLY FAN THE DECK TOWARDS THE SPECTATORS - IT IS SEEN TO BE GENUINELY MIXED FACE UP INTO FACE DOWN. You even give it one final weave - just to be sure. Now, with no corrective manouvers...