Theory, Articles & Reviews in Magic & Conjuring: page 3

The two most important elements of a performance are the opening and close. The opening sets the environment for the audience to be entertained. The close is the magician's last chance to leave a lasting impression on the audience. To be effective, the opening must meet specific goals. This text identifies them and provides ideas, samples and recommendations to help the magician attain them.

• Show Structure
• Primary Opening Goals
• Types of Opening
• Opener Planning
• Sample Openings
• Document
• Wrapping It Up

When watching a magician the question that is most pressing on people's minds is how did he do it?

This is not the only question that can be asked of a magic performance. A psychologists might ask why it is possible that the mind can be deceived, occupational therapists are interested in how performing magic tricks can help people with physical disabilities and sociologists research the subculture of magicians.

This ebook explores some answers to the questions that scholars from different fields of science have asked about the performances of magicians. For magicians this ebook provides...

Jarle Leirpoll is one of Norway's leading Stand-Up and Close-Up performers. He received the Norwegian magician of the year award in 1998. You will find effective and deceptive ways to switch, ditch and steal - using only the normal pockets and occasionally a Topit. Several original routines and lots of techniques and ideas are explained in detail, including more than one hundred illustrations. On top of that four video clips are embedded in the ebook which show 5 effects. The chapter about Choreographic Misdirection has been significantly increased over the paper version of this book from 1995. ...

Another great book from Arthur Buckley. He discusses some theoretical aspects of magic and then goes into detailed instructions of moves and routines with coins, cards, and billiard balls. I can highly recommend this book.

1st edition, 1948, Arthur Buckley; original 222 pages; PDF 185 pages.

• CHAPTER ONE
  3. Photograph of the Author
  9. Dedication
  10. Introduction by Theo Bamberg (Okito)
  11. Foreword by the Author
  22. The Principles of Magic
  25. Manipulation
  25. Substitution
  25. Duplication
  26. Camouflage
  26. Imitation
  26. False Partition
  26. Concealed Mechanism
  26. Falsification
  27. Arrangement
  27. Preparation
  27. Misdirection
  28. Concealment ...

Whether you spend an hour a day, or a few hours before your performance this ebook helps you get the most out of the time spent.

The materials in this ebook help you identify dead spots, problems with angles, poor manipulation and other elements that directly impact your performance. Materials are included that help you prepare for the unexpected. The performance factor rests entirely on the audience. This ebook helps sharpen your performance skills.

• What is rehearsal
• Tools
• Evaluation
• Documentation
• Sample documentation forms
• Trick/Routine form
• Train wreck rehearsal
• Wrapping it...

Two volumes and amongst the most valuable to the young performer who wants really practical professional advice right from the start. Alan Alan is one of the world's most highly paid escapologists and without revealing his very closest secrets he explains how the simplest stunt or effect can be built up into a great money-making act.

An extract from Alan Alan's death defying escape from a burning rope hanging over a cage of fierce lions is also included and completely analysed detail by detail by Alan Alan. Slightly muffled sound quality but the content is worth its weight in gold for anyone...

This is a comprehensive guide to developing a restaurant magic repertoire, finding a suitable venue, strategies to help you keep your job and other practical information for the working professional.

Jim Sisti is a long time, experienced and professional restaurant magician. He was also the editor of The Magic Menu, a magic journal solely dedicated to bar and restaurant magic. You won't find any effects in this ebook, but you will find heaps of practical advice to build a career with restaurant magic. And most of the information, advice and suggestions you will receive apply in good part to other venues...

You do not have to hire a director, choreographer and technical designer to produce your own professional show. This ebook covers the environment, building your outline of magic, using music, and developing your show. Learn how to fine tune your performance through rehearsal, problem area recognition and the flow from opening to your finale. A high-quality professional production is within your grasp using a lot of materials you may already own.

1. Set the stage
   • Backdrop
   • Sound, P/A System
   • Music
   • Lights
   • Working tables, etc.
   • Transporting
   • Cases, boxes, bags trunks and carts.
2. Show components ...

This ebook gives a very nice glimpse into the past. It describes the routines and effects of the programmes of famous magicians. You will find descriptions of programmes by Dai Vernon, Al Baker, Annemann, Cardini, Blackstone, Dante, Davenport, Hugard, Keating, and many more. Check the table of contents link further down for the complete list.

1st edition, 1937, Max Holden, New York City; 49 pages.

2. Percy Abbott
2. AMAC
3. Annemann
4. Al Baker
4. Roy Benson
5. Walter Baker & Co
5. McDonald Birch & Co
5. John Blackledge
5. John Booth
6. Harry Blackstone
7. The Late Herbert Brooks
7. Milbourne Christopher
7. The Great Carmo
7. Keith Clark
8. Cardini
8. Cortini
9. Chris Charlton
10. Judson Cole
10. Henry Clive ...

Jastrow wondered if the pursuit of sleight-of-hand conjuring develops any special motor or mental powers. He invited Alexander Hermann and Harry Kellar and put them through a range of tests comparing them to average folks. In this article you will find out how these two giants of conjuring compare to the average.

From the introduction:

This article makes an effort to analyze the different processes by which sleight-of-hand illusions are produced in the mind of spectators. Different causes are identified by studying various illusions and observing performing magicians in the lab.

1st edition 1894, 17 pages; PDF 15 pages.

Magicians do the same basic show over and over. This text will help you prepare for a second, third or fourth show that same day. It covers the need to decompress from the first performance, relax, and reset. Then it identifies ways to pump yourself back up.

Every time you step on stage the audience should feel they are experiencing a premier performance. They don't care if we have done the same magic 100 times already. They want to see a fresh, energetic show each and every time.

This text will cover some of the things professionals do between shows. They follow steps that help them...

Learn some "real secrets of magic" - not the stuff that comes in the box. Gleaned from 60+ years of performing under various conditions. Dozens of quotes, ideas, ponderings and quips about performing magic that will change the way you perform, deal with audiences, create routines, select volunteers, practice and more.

No magic effects are taught here, just exciting ways to be better at what you do - and to appreciate being a magician.

1st edition 2018, 16 pages.

This is the review of Robert-Houdin's The Sharper Detected and Exposed that appeared in Saturday Review on May 9th, 1863.

1st edition 1863; PDF 5 pages.

Secret Twitter is now available as a PDF compilation. In addition you will get a readworthy introduction by Roberto. We have also added all replies to Roberto's daily tweets. Max Maven was the most vocal and opinionated one, but you will also get thoughts by Pit Hartling, Denis Behr, Ian Kendall and others.

What is Secret Twitter? If you are familiar with Roberto Giobbi's book Secret Agenda you can probably guess. Secret Twitter is a completely new and innovative way for Roberto to share his thoughts, comments, advice and insight with you - via Twitter.

For fourteen months, starting with November 1st 2014 and...

A major portion of the audience's experience involves the environment. Their enjoyment can be pleasurable or highly distracted by the area they are given to watch you. This text covers the importance of the performing environment from both the stage and audience perspectives. It goes into details that need to be discussed before the room is set up. It covers many areas most magicians take for granted.

• Seating
• Staff
• Performance Area
• Sound
• Flow Path
• Emergencies
• Get Ahead of Set Up
• Meet and Greet
• Wrapping it Up

1st edition 2016, 20 pages.

A primer to help organize clusters of magic into a professional show. Rate your magic in terms of entertainment factor and establish a flow that moves your performance from show opening to close. Learn the reasons larger and smaller magic are blended into a performance. Then learn how to use these various waves to slowly build your audience to that big "wow" finish successful magicians close with.

• Show Components
• Mechanics
• Inventory
• Flow
• Music
• Produce Your Show
• Specialty Shows
• Documentation/Backup
• Wrapping It Up

1st edition 2016, 27 pages.

"I used to do that trick many years ago. I just cannot remember how it went but the audience loved it." Have you heard that before? Everyone has files. We keep records of bill payments, taxes, bank statements and a bunch of other important information. Why would your magic be any different?

This ebook identifies the importance of keeping back up information on your magic. It offers suggestions on a file system that includes text, binders and DVD sources. Armed with this system you could bring back any magic that you have done in the past. Use your files to determine what has changed, what...

Tips and tricks from a Vaudeville professional including openers, audience appeal, costume, make-up, and a lot more. The ideal is to have a director who pays attention to these areas, but most magicians are performers and directors rolled up into one person. It is therefore important to read and study showmanship and presentation.

From the introduction by Park Shackleton:

Dariel Fitzkee authored one of the best trilogies on magic theory. This volume, book one in the trilogy, primarily deals with theoretical aspects of a magic performance. This book has been cited numerous times and is one of the standard works every serious magician should read. Fitzkee has a very analytical mind and describes his thoughts clearly. As with any theory not everyone will agree with every detail and every suggestion. Regardless of if you fully subscribe to Fitzkee's thinking or not, there is plenty to learn from his writings.

Paul Fleming wrote:

Let's face it, once you step in front of an audience you not only have to be seen, but you have to be heard. And just like the sleight of hand in your show has to be the best it can be, the sound has to be the best it can be as well. Your audiences deserve better than 'it's good enough'.

Sound Advice For Magicians was written out of a lecture I do for magic clubs and clown alleys because I saw too many talented performers bomb in front of audiences because their sound system failed or the people running them were incompetent. In addition to performing full-time for over 40 years (with many...

The average magician focuses on tricks, moves and method. The really good ones know that acting is an even more important aspect of a magic performance, regardless of if you are standing on a stage or close-up next to a cocktail table.

Richard Tenace is one of those performers who urges all magicians to take acting classes, to develop a character or persona, to script your effects, to treat our audience with respect, to go beyond fooling somebody to achieving astonishment and entertainment.

Tenace describes these methods and practices on a very accessible and practical level. This is not...

This subject and the information covered is vital to every performer. That is if you want to improve. If you think you're already the best in the world then stop reading this now. But if you want to know more about how to stand on any stage with more presence, personality, and professionalism then don't miss this recording. This could be the best you spend this year to improve your professionalism and show. But more than that it will prove that you really want to improve your talent and not just sit on the sideline.

1. Introduction
2. Open Up
3. Open strong or die fast
4. Climbing the show mountain ...

There is no argument about the dilemma faced by many newcomers to mentalism. Are mental effects best presented as natural phenomena of the mind, or as examples of rare paranormal or supernatural abilities?

Most of today's mentalists use the "mental skill" as opposed to the "psychic gift" approach, but only rarely are they particularly consistent about it. Even Joseph Dunninger, the pre-eminent mentalist of the twentieth century, sometimes made conflicting claims. While he stated that his thought reading skills were "scientific" and not those of a fortune-teller or psychic, his promotional materials often...