Magic & Conjuring: page 220

Dans cet ebook, Julien vous explique pas à pas le BCT (Brazilian Center Tear) mais SURTOUT vous livre des idées de présentation et d’utilisation. En bonus, vous recevez le chapitre « peek à glace » (extrait du livret Conspiration(2) ) qui se veut être un essai sur les différentes manières de peeker une information, ainsi qu’encore plus d’idées de présentation.

Watson (un spectateur choisi au hasard) et Sherlock (crever mentalist) vont enquêter pour découvrir une victime, un tueur et un modus operandi de crime… De l’humour, du mentalisme et plein de possibilités ! Texte complet, démonstration vidéo live, explications complètes, alternatives et idées autour d’un numéro que Julien Losa a joué plus de 400 fois entre mai 2012 et octobre 2013.

"20 minutes de scène… Très drôle, et tout bien expliqué… pour quelques euros! Very Good!" - Gaetan Bloom

Effet : Le mentaliste invite quatre femmes à monter sur scène. Ensemble, elles vont créer l’homme de leurs rêves en choisissant des éléments sur des flyers d’un centre de chirurgie esthétique. A la fin, le mentaliste aura prévu le coût de l’homme de leurs rêves d’une manière rigolote !

Cette routine est une respiration très sympathique au milieu d’un set complet de close-up ou de scène. Il s’agit d’une routine à FORT potentiel divertissant, qui finit sur un WOW et sur un rire… C’est une routine ultra modulable, reposant sur un principe classique de la magie...

The mindreader invites four women to join him on stage. Together, they will create the man of their dreams, while picking up elements on Plastic Surgery Center's flyers... At the end, the mindreader shows in a funny way that he knew about the price they would come up with!

Yep, this routine is a "menu trick-like" with a good bunch of ideas, subtleties, and it is an entertaining moment in your show with a strong funny potential. It finishes on a "wow!", and yes, you will instantly love it and have your imagination working on other themes.

1st edition 2015, 10 pages.

Some theoretical thoughts on peeking and meaningful spectator interaction. In particular Julien Losa discusses what personal information to ask our spectators during a routine.

1st edition 2015, 4 pages.

True Detective is a liar/truth-teller type routine, based on an old game that everyone knows. (This effect is based on an effect by Leo Boudreau called: "Lie to me".) The plot makes sense, you can do it 'impromptu' with an image 'found' on Google Images. this is a winner!

Comes with additional ideas (close up and stage) and complete script.

First published in french in 2015. 1st English edition 2016, 21 pages.

[S]Witch is a great impromptu billet technique, created by Julien during years of performances on cruise ships and in theatre shows. The effect is simple: You ask someone to draw or write anything on a small paper/business card. In only two very fair moves, you can duplicate their thoughts.

Yes we're talking about a switch, but such a good one. It's done in front of your spectator's eyes, and even though you magicians know there is one in play, you can't see it. It is that strong. This method is a real worker, performed hundreds of times by Julien for real audiences. A powerful secret kept underground...

The first Conjurors' Magazine made its appearance in 1792 in London under the editorship of Henry Lemoine. This, the first monthly periodical ever devoted to the art of magic, featured "singular deceptions, philosophical amusements, curious experiments, mathematical operations and sympathetic secrets."

Then in 1906 Harry Houdini together with his brother Theo Hardeen revived this almost forgotten publication under the title of The Conjurer's Monthly Magazine (spelled with an 'e' instead of an 'o').

In 1945 Walter B. Gibson and Julian Proskauer gave this title another shot at life and started The New Conjurors' Magazine...

This is volume 2 of The New Conjurors' Magazine.

• No 1:
  • SPEAKING OF PICTURES: George Karger and Audley Walsh; Give Conjurors' Another Scoop
  • TRIPLE CUT LOCATION - Blackstone
  • MAGIC'S BELOVED COUPLE Tess and Max Holden
  • CHATS BY KOLAR
  • A STORY BY DELL O'DELL
  • SHORT CHANGE - Hornmann
  • TRICK WITHOUT A NAME - Sgt. Schroeter
  • REVIEWS - J. J. Proskauer
  • COMEDIAN'S CORNER - Warner Perry
  • MAGICIANS HONOR TREPEL
  • VISIBLE COLOR CHANGE - Miaco
  • HERE THERE AND EVERYWHERE
  • PRACTICAL PRODUCTION TRAY
  • CUT AND RESTORED BILL - Marks
  • YANKEE DOODLE HAT - A TOMMY WINDSOR CREATION
  • MEXICAN TURN-OVER - McDermott ...

First advertised as The New Conjurors' Magazine and dropped the word "New" after Vol 1, No. 1. Houdini's brother, Hardeen, helped get this magazine launched, but he passed away shortly after the magazine started. It was selected as the official organ for the Magician's Guild of America. It eventually changed hands to Ed Dart in 1947 (Volume 4, #10), with Robert Lund as editor (Gibson still continued as a columnist).

Genii magazine absorbed The Conjurors' Magazine and from November, 1949 until 1974 as Genii became Genii, The Conjurors' Magazine. It was eventually changed to Genii The International Conjurors'...

Spook Crooks! is Julien Proskauer's searing expose of the world of phony prophets, fake mediums, and other con artists who fleeced innocent victims of their cash, dignity and in some cases their lives.

Proskauer, a friend of Houdini's, took it upon himself to nearly single-handedly rid the radio airwaves of fortune tellers and psychic swindlers in the early 1930s, much to the chagrin of honest mentalists who were caught in the crossfire.

A slick billet switch, the gypsy money switch, and many other secrets are revealed in crystal clear text and illustrations.

Robert A. Nelson, owner of mentalism's most esteemed...

This was a piracy of Hugh J. Johnston's and F. B. Sterling's book Modern Card Miracles.

A treatise on card systems and setups, as well as effects that will fool laymen and magicians alike!

Presentation, secrets, routine and patter are all included. Because most of the effects rely on subtlety instead of difficult sleights, even amateur performers can now fool with professional-caliber presentations. Included are card miracles for parlor, platform, club and stage, as well as effects that will garner free publicity if performed for newspaper editors and reporters. While advertisements say that no sleight of hand is required, one simple sleight...

Here are more inside secrets of the fake mediums, in this tell-all ebook for psychic entertainers, ghost hunters and anyone who's curious to learn the scams of the fraudulent spirit worker. Picking up where Proskauer's Spook Crooks! leaves off, here are 200-plus more pages ripped from the case files of Harry Houdini and the author, from their tireless search for the truth about séance mediums.

You'll learn about the investigation of so-called haunted houses, the secret of an ingenious perpetual motion machine, the spirit post office scam, and how to trap and expose spirit mediums. The mail-order psychic business...

This is a neat little collection of bar tricks, stunts and simple magic effects. Some of it will be familiar to you, some have a new twist or plot and others might be completely new to you. Julian added photos to make it very easy to present these on your next visit to your favorite bar or restaurant. It is a good idea to have a few of these stunts ready when you are not prepared to do a full magic show, but still want to be the center of attention.

1st edition, 2004.

1. Red or Black
This trick will prove that your volunteer has ESP as they correctly predict whether cards are red or black. ...

This is the true story of a former Spiritualist Medium who decided to come clean and spill the real work. What is most interesting is that most of the demonstrations use chutzpah, not necessarily repurposed magic gimmicks, to make them work. While doing research, McCarron also found some very entertaining information from old news stories that he has sprinkled here and there, as well as a scathing editorial of Mrs. Garrett's book from a Spiritualistic newspaper.

Whether it's consumed for the story aspect, or for those who want to assemble their own séance routines, we believe this belongs...

An entertaining close-up effect where you attempt to teach the spectator how to "dirty deal", but always goes wrong when the spectator tries. It gets funnier and funnier, ending with a surprise climax.

Audiences enjoy tricks with a gambling theme. If the effect also combines comedy and mystery, then you have a triple threat combination that's sure to be remembered.

The performer explains how he sent away for a mail order course in dealing cards. He offers to teach a spectator how to do it, offering a money-back guarantee. The spectator can't seem to follow directions, even though the performer...

Judge's Library was a satirical periodical published in the USA from 1881 to 1947. It was a rival magazine to Puck founded among others by cartoonist James Albert Wales, dime novels publisher Frank Tousey and author George H. Jessop.

This issue No. 79 of Judge is all about poker. It provides a wonderful glimpse into how ubiquitous poker was in the US that such a successful periodical would dedicate an entire issue to it.

Also noteworthy, particularly for Erdnase scholars, is the fact that pretty much all the funny dialogs in this issue are in various national slang and ebonic. Thus the few lines...

This is classic Juan Tamariz, a longer routine with four effects. It uses the Tamariz memorized deck. In the explanation part Juan gives you the exact sequence of his memorized deck. Important to know is that there are no difficult moves. Most of the heavy lifting is done by the stack itself and some false shuffles and false cuts.

Effect:

Juan shows a full deck of cards and mixes face-up and face-down cards by shuffling, cutting and turning over packs. Then all the cards are assembled into a pile, the performer riffles the corners and the spectator peeks at a card. Without looking at the...

"Really interesting combination of principles in there. I especially liked Eight Envelopes, Asymmetric Oil & Water, Yet 2 and Coin and Card ESP. The Plaid Eared Rabbit contains a very clever use of an old Tenyo prop." - Raphaël Czaja

Contents:

Appreciation: Jozsef thanks those who have helped him.

Amazing Prediction: You table a prediction deck. A lady randomly (and fairly) chooses two cards from another deck. The two cards generate a card and a two-digit number. You hand her the prediction deck, and she deals down to her randomly generated number. All the cards dealt are face down except...

"I really like how you put different principles all together and the expanded 10/20 principle is overlooked in my opinion. I like that there is no apparent move and it looks fair." - Raphaël Czaja

This is a numerological revelation of a selected card. It's really off-beat and ... I think you'll love it, and definitely use it!

You tell two spectators that one of them will select a card randomly from the deck, and the other will find out the name of the selected card using numerology. You ask one of them to turn his back while the other chooses a card.

The first spectator now selects a card...

Addicted To Power
The spectator chooses a random number of cards and a random selection from the deck. The random cards have letters on their faces. If you read the letters they give you the name of the selection! After this the magician shows that all the other cards in the deck are blank!

Mystical Sandwich
Two spectators choose two cards by cutting the shuffled deck. They sign their cards and bury them into the deck. The magician spreads the deck and shows that the mystical card of the deck has turned face up in the middle of the deck. By spelling the name of the mystical card, the...

Six tricks with an easy to make deck of cards.

FACTS
An ACAAN-variation. The magician introduces two decks of cards: one has a blue back, the other red. The blue deck is shuffled and tabled. The red deck is numbered from 1 to 52 on the back of the cards. The spectator cuts to a random card in the shuffled red deck and selects another random card. The spectator turns any of the two red cards face up and the other one face down. By using the number on the back of the red-backed card, the spectator deals a pile from the blue-backed deck. The last dealt card matches the face-up, red-backed card. ...

"Far from 'killing' some of the classics of card magic... József breathes new life into them! A superb collection of "KILLER" magic!" - Stephen Tucker

25 % MA vs. GA
The magician cuts the deck at the four Tens. The Tens change into the Fives. Meanwhile, he finds the Royal Flush in Spades as well. He produces the vanished Tens from three different places (from his pocket, from his wallet and from the empty card box). At the end he proves that he didn't use extra Tens by showing that all the cards in the deck are blank!

ATLANTIS
The effect is the marriage of a triumph and a transposition. The...

4/4
The performer randomly places 16 numbered cards onto the table. The spectator randomly chooses 4 quarter-sized cards from a deck of quartered cards and places them randomly onto the number cards. The spectator and the magician summarize the 4 chosen numbers. The performer counts down the same number of cards as the sum from a shuffled normal-sized deck of cards to get a random card. The performer turns the four, chosen, quarter cards face up. Together they form a whole jumbo card. The spectator turns the randomly determined, normal-sized card face up, and it is the same as the jumbo card. ...