Cards in Magic & Conjuring: page 47

You will learn two types of one-handed fans as well as a one-handed close of a fan.

runtime: 2min 10s

It looks easy when Allan does it, but this is a pretty tough move to do.

runtime: 1min 1s

Double dealing means dealing the top and bottom card at the same time. This variaiton is done with one hand.

runtime: 39s

It is what the title says, an overhand shuffle executed in one hand.

runtime: 48s

OPEC stands for Out of Position Elmsley Count - a variation by Ed Marlo.

runtime: 1min 25s

Please note that this video is in Vietnamese. There are some English subtitles, but for the most part you will get the instructions of how to make the gimmick and how to perform with it from the visual contents of the video.

From the brilliant mind of Vietnams top magicians Duc Thinh and Hoang Sam comes a very clean mis-made card effect. A corner of the spectators signed card switches inside out and switches back with very little movement.

1st edition 2016, length 16 minutes.

The double deal is taking the top and bottom card at the same time. The open double deal is an idea by Marlo which eliminates the card alignment issue.

runtime: 54s

This is a collection of solutions to the famous 'open prediction' problem posed by Paul Curry.

From the introduction by Marc Paul:

This is one of Gugliemli's several methods for the open prediction that he is glad to offer all magicians. It should be noted that this effect does not respect all of the conditions set by Stewart James for his “51 Faces North”. This is a good Impromptu solution. It relies on sleight of hand to reach a 100% successful ending, but Tommaso tried to design the method to hide the “dirty work” and he has included 6 different techniques to hopefully meet the needs/styles of everyone. This method will require some practice before the performer can swiftly and confidently present the effect. ...

Eleven card tricks from the inventive Scotsman.

1st edition, 2000.

PSYCHOGRAPHY: Before you begin, you remove a card from the deck and, without showing its face, you place it between a spectator's hands. This, you state, is a sprit photograph that has yet to be taken. You now allow another spectator a free choice of any card in the deck and have him sign his name across the face. This card is lost into the middle of the deck which you then give to a spectator. You now remove two cards from your pocket - these two cards have completely blank faces - these, you state, are the photographic...

OPOS stands for Out of Position Olram Subtlety. It is a 3-4-4 count.

runtime: 1min 8s

Optic Deck is an optical/visual memorized deck. You 'see' a number 1-52 in your mind's eye and you 'optically' or visually know what card is at that number. Similarly you 'see' any card in your mind's eye and you again 'optically' know what position the card is at.

The stack looks very random, the suits look random, there is no red/black alternating pattern and even after reasonable scrutiny it would be almost impossible to spot a sequence because there is none. Even magicians after being told that there is a stack involved will find it extremely difficult to spot the stack.

This is a...

A very funny version of the collector's plot. 4 Labracadabrador cards find 3 chosen cards instantly.

A version of Roy Walton's collector's plot, which has been in my repertoire for 25 years now and has made a lot of audiences happy. As the hilarious text makes everyone laugh out loud, the thought crossed my mind to call it: "The Funniest Collectors in the World". However because of the awe-inspiring moment that is felt by everyone at the climax when the three chosen cards appear between the collector cards it is more appropriate to call it: Orgasm of Astonishment

So what is Orgasm of...

Excerpt from the Foreword:

In this publication, Impey describes how to wax together pairs of cards, a technique that Dai Vernon would later refine with rough-and-smooth to create his famous Brainwave deck. Judson Brown is generally credited with inventing the basic brainwave-type effect using Impey's waxed cards...

This triple tabled false cut is a thing of simplistic beauty, developed by Jay Ose. Calling this a move is an overstatement.

runtime: 50s

Three boxed decks of cards are displayed to three spectators. It is explained that in the first two decks, two specific cards have been placed in two psychologically strategic spots. In the third deck, is proof that the psychological experiment is successful. This third deck is kept by the performer, but is always in full view.

The two spectators take their decks out of the boxes, and use business cards to randomly arrive at two different playing cards. The two cards from the first spectator’s deck are used to create a card. Let’s say that the two cards are the Two of Diamonds and the...

Out of Control is a surprising, impossible location effect. The magician never touches the deck or even looks at it because the spectator will do everything under the table including two riffle shuffles and several cuts. Yet despite these stringent premises, the magician will be able to find the spectator's card face down in the spread of the deck. Great reactions especially from fellow magicians.

1st edition 2022, video 13:51

Young inventor Kyle MacNeill brings you his latest ebook – seven hands off card tricks. All seven tricks are strong and streamlined, with most being completely hands off and others being predominantly hands free. I think that you will find all the ideas refreshing.

1. Spectator does the Sandwich (This first appeared in Inventions) - A 100% hands off effect whereby a card is picked by the spectator, and cut into the pack. He then suddenly finds the two red Kings face up with four face down cards in between. The spectator then picks one of these cards, and discovers that it is his card! The three other...

Two of the Most Impossible Card Effects of this Century

No one is surprised when Wesley James introduces a card effect that breaks new ground. He has been doing so for nearly fifty years. However, when he releases two innovative new plots in one dedicated volume, you know they must be incredibly powerful.

Out of Sight Discernment II and How'd You Know are two such effects.

Out of Sight Discernment II

From a shuffled deck, which could be borrowed, a spectator is given the opportunity to think of any one of potentially dozens of cards you offer to show them at different random points...

"Red Nist is a formidable cartomagic strategist. In his routines, every move is justified. And the magical principles involved are baffling. Who's going to find them?" - Jean-Pierre Hornecker

The spectator takes the deck, chooses a card and loses it himself in the pack. He shuffles the deck to lose the card. Up to this point, you haven't touched the cards. You then take the deck and distribute the entire pack into two piles. Without any manipulation, the cards can be turned over immediately: all the reds have been separated from the blacks, except for one - the spectator's card!

With...

Paul Curry invented this effect when he was just 25 years old. It is one of the most well known and probably most often performed card effects today. A classic through and through. An incredibly strong effect paired with a most simple method. You can't find much better card tricks.

The effect as Curry describes it:

Ovation is the card act that, for the last few years, Martin Nash reserved strictly for his use in the Close-Up Room at the Magic Castle. For a long time that was the only place one could witness it. Later he also used it for special occasions in his regular public work. This act was designed to impress and fool not only laymen but magicians and magic-wise laymen as well. Its proof of success is the many strations of seemingly unlimited card skill ever devised. It is not a self-working routine. It will take practice. But the end gives an impression far in excess of its means. Once mastered it...

Imagine:

The magician hands a business card to a spectator as he says to them "My assistant's number and name is on this card. I'm giving this information to you now because if I gave it to you after the selection, you might think I have 52 numbers or 52 names prepared, one for each possible outcome." With this said, he promises never to touch the business card again.

The magician then introduces a deck of cards, spreading it face up in front of the spectator. The spectator can see that all cards are present and that there are no duplicates.

The magician invites the spectator to...

This incredible routine is pretty much a card act all by itself. There are several mind-blowing phases, and it is all done with a normal deck of cards. There are absolutely no gaffs whatsoever. The deck and the card box are the only "props" used, so you can have this on your person at all times, and be completely prepared to blow 'em away!

What began as a simple single-phase effect by Aldo Colombini, David expanded and added to it with inspirations from Aldo, Paul Harris, and Max Maven.

The aspect of this routine that David likes most is the "hands-off" nature of it. The spectator does pretty much all of the work....