Magic & Conjuring: page 404

This is a very rare and seldom seen release of U. F. Grant. It was released in 1934 by Nelmar and was only available from him. In this short release Grant explains several methods for creating the effect of an invisible man on stage. The invisible man is heard walking out on stage and wearing a hat, but no visible body; which the performer removes. He is heard to converse with the performer and even rock in a rocking chair. The invisible man goes out into the audience and looks at cards selected by spectators and returns to the stage and whispers them in the performer's ear so the performer...

Here's an ebook of clever and original ideas and routines for standard parlor and club effects.

Originally published as a limited edition booklet by the manufacturer of the Mysto Magic Set, the authors have contributed several excellent performance ideas that will delight your audience.

In addition, the authors have supplied instructions for creating updated fekes and gimmics to perform popular tricks, such as producing a rabbit from an empty hat or performing the Aerial Treasury effect. An excellent ebook of audience-tested magic.

Here's an example. Imagine if a magician walks up to you and asks...

This is the review of Robert-Houdin's The Sharper Detected and Exposed that appeared in Saturday Review on May 9th, 1863.

1st edition 1863; PDF 5 pages.

Just a gag! But with all those which hand tricks, it's a change. It can be an opener or a closer to a more serious which hand routine, or in case somebody asks you to redo a which hand trick, or if somebody is giving you a hard time with methods that are not 100% safe.

Effect:

You ask a spectator to put a small ball in any hand while your back is turned, and then, to put their hands on each side of your head, behind your back. You will guess in which hand they hold the ball.

• Very direct
• No question asked
• You see nothing, You can be blind-folded
• 100% hands off
• No accomplice
• You...

This trick starts out as a display of the power of chance. A card is selected by the roll of dice. The magician doesn't know what the card even is. He spreads the cards and picks four random cards face down. One of the four cards is picked randomly, and the magician declares that it will be the card the spectator picked. When its not the right card, the magician makes up for it by making the card first disappear from the deck entirely, and reappear in his shoe.

Note that you will need to purchase a gimmick for under $10. Ryan provides a link where you can buy this particular gimmick.

...

This is included in Grant's Lost Illusion Secrets.

At last, anyone can own a floating lamp. You can have one right in your living room or den with no special lamp to buy. Yes, one of the lamps sitting around your home now can be made into a floating lamp for a few dollars.

EFFECT: Spectators see an ordinary lamp sitting on a table. You produce a covering cloth and place it over the lamp. The lamp then seems to float right up into space, high over their heads or down near the floor in a very strange manner. After its flight, it glides back to the table and once again comes to rest. This is actually what they see,...

Le belle routines per bambini piccoli non sono molte . In questo introvabile e raro libretto che risale agli albori della sua vita artistica il grande Aldo ci mostra l’Arte di prendere un vecchio classico trucco e trasformarlo in un eccellente routine per bambini. Si tratta del classico gioco delle tre corde disuguali che divengono uguali e viceversa.

La routine, adatta ad un pubblico di scuola materna e scuola elementare, è completa di tutto lo svolgimento e della divertente presentazione che ne fa, come Aldo stesso dice, oro puro nelle mani di un artista. Poche pagine ma di grande valore....

You place a prediction in view. A spectator names any number between 1 and 50. You show a deck of cards and (without cutting or any moves) you count to that number. That card matches the prediction! Easy to do. No rough and smooth. [Note: These are merely the instructions that came with the prepared deck. You will not receive any cards. But it is easy to make up your own from a couple of duplicate cards.]

1st edition 1998; PDF 1 page.

One of the cleanest procedures imaginable at the service of a very fair impromptu prediction effect.

A spectator picks four cards from a shuffled deck and rearranges their order. (Free choices.) The magician correctly predicts if one of them matches his favorite card - on the table from the start - and its position in the packet.

Impromptu. Easy to do. Instant reset.

1st edition 2019, 4 pages.

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A very direct divination and prediction effect with two selected cards.

Two spectators freely cut to two cards. Both selections are remembered and buried into the deck. The magician points to a pair of odd-backed cards (on the table from the start) before he correctly guesses the identity of each selection and to which spectator they belong to. Finally, he turns over the pair of cards: They are a perfect match.

Easy to do. Instant reset. Can be performed before or after any other card trick. At the beginning, the spectators can freely shuffle and inspect the deck. Uses regular cards with...

You will get two wonderful effects which are almost self-working because all the things you do seem so natural and imperceptible. The effects will require almost no effort on your part. These are effects that require nothing more than a good presentation and to be able to use your sense of touch. That's it! You don't need more than that because the clever thinking behind the principles that make the effects work every time will do all the work for you and also you can use the patter given for each of the effects.

The following effects are described:

Influential Coincidence: A spectator...

The basic effect as seen by your spectators is that you can read minds and see through the cards as if you had X-ray eyes.

• The deck can be shuffled
• You never know the spectator's card
• You never look at the faces of the cards after the selection is made
• No multiple outs
• No special decks or props required

Harry Houdini spent a good part of his life exposing mediums and 'unexplainable' phenomena. In this booklet he describes the case of the Boston "Margery" and the prize the Scientific American put up for true paranormal effects. He not only clearly describes and demonstrates the tricks of this very clever medium but also tells the difficulties surrounding the actual exposure. Houdini was world class in the role of the detective. It is fascinating to read how he sensitised his leg to be able to feel the slightest movement the medium made.

Margery or Mina Stinson (1888–1941) was born in Canada...

Houdini shines in this book. Handcuffs are his passion. He knows every little detail about them and every nuance in their mechanism. Houdini was not a particular good magician, but as an escape artist he is still unsurpassed. Thus, if you would like to know more about handcuffs and their inner workings, this book is for you.

1st edition, 1909, George Routledge & Sons, London; later reprinted by Magico Magazine, New York; 110 pages.

9. Preface
1. I.Introductory
8. II.Opening Sealed Handcuffs
13. III.Blunders of some Handcuff Exposers
25. IV.Fake or Spoof Manacle
33. V.American Manacles
42. VI.French Letter...

Learn how to move from one palm to another, for example, how does one go from a magician's palm to a gambler's flat palm.

runtime: 1min 8s

This is another technique to palm several cards at once from the top of the deck. Here a special little finger break enables the move.

runtime: 1min 2s

This is a move Ackerman developed himself. While riffle shuffling you palm the bottom card into a gambler's flat palm using a Kelly-type movement.

runtime: 1min 27s

This is an idea by John Cornelius where a card is pushed into a fan and during closing the fan the card is stolen into a Tenkai palm.

runtime: 1min 17s

Learn how to go from an overhand shuffle directly into the gambler's cop.

runtime: 1min 54s

Developed by Ed Marlo, it is a well-covered method to palm one or several cards from the bottom into a left-hand magician's palm.

runtime: 1min 53s

While you perform a double cut you palm off the bottom cards. This move was developed by Art Altman.

runtime: 1min 15s

This move was developed by Allan Ackerman. You start out with a convincing type of control. By angling the card correctly you can have it automatically end up in a left-hand magician's palm.

runtime: 2min