reviewed by Frank Machniak (confirmed purchase)
Rating: ★★★★★ (Date Added: Tuesday 28 January, 2025)
Jon goes to great lengths to add detail to this classic. Gave me a lot to think about and use. It’s great the younger generations will be able to study these and move the art forward. Great value for the price.
reviewed by Howard Port (confirmed purchase)
Rating: ★★★★★ (Date Added: Wednesday 25 January, 2023)
While I was much more into magic years ago (performing at The Forks Hotel and attending many FFFFs) I haven't performed in years and am now more of a hobbyist. My true love has always been cards and I really enjoy all of James' books. This one is especially good and begins a trend that goes through all of his M.I.N.T. books: effects from Ed Marlo are presented then James gives his take on the effect with perhaps technical variations, different presentation, and/or history. James was lucky enough to have spent a lot of time with Marlo and many other magicians and he has drunk deep from the well. I recommend these books for any thinking card man who wants to learn from Ed Marlo and Wesley James, two magicians with broad knowledge and the ability to take things a step or two further than others. (I never got the chance to see Marlo perform, but Wesley James gave a wonderful performance and lecture at our club years ago. Ever since I have gathered everything I could of his writings.)
reviewed by Sarin Suriyakoon (confirmed purchase)
Rating: ★★★★★ (Date Added: Friday 04 June, 2021)
A great resource to look into and tinkering with riffle forces. It's quite fun to play with all the moves that create the same result and see which one you like. The explanation is clear with some illustrations here that I can follow along with(except the first one). You might find 2-3 riffle forces you like in here.
reviewed by Howard Port (confirmed purchase)
Rating: ★★★★★ (Date Added: Sunday 12 July, 2015)
6 Hallucinations by Marlo is taken from the pages of Ben Harris’ New Directions magazine.
Right on the cover it says “Not for Beginners” and I concur.
Five methods are given for producing the effect in which three spectators are each shown the top card, each one sees a different card, and then the card is shown as a joker. The cards seen are then produced from the pocket.
The methods are more or less graduated in difficulty, starting with gimmicked cards and ending with a method using palms, lapping, and a Curry change.
This is Marlo’s style giving multiple methods for the same effect. Not all the slights are described; one of the suggested palms may be found in Marlo without Tears.
I enjoy reading Marlo, even if I don’t always attempt the effects.