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Gerald Edmundson

Gerald Edmundson

Gerald got his first glimpse of great magic shows from Virgil and Julie and Willard the Wizard. He would watch The Ed Sullivan Show on television every week, waiting for Richiardi to appear. The images of those great performers remained in Gerald’s memory. He was lucky to have Robert Rowntree, a fine magician from Abilene, Texas for his first mentor. Gerald worked with Bob, Bob’s son and daughter on their stage show “The Amazing Robert”. He got a taste of real show business working on the show.

Gerald was fifteen years old when he made his first professional appearance as an entertainer. In both solo and ensembles, he has appeared from Los Angeles to Washington DC, Las Vegas to the Foro Cultural Azcapotzalco in Mexico City. He has seven published works on the art of sleight-of-hand including The Ostrich Factor and Wisdom of the Cups and Balls, was a columnist for MUM magazine, is a past President of the Texas Association of Magicians and twice received the Ren Clark Award. In 1996, his one man parade for the Linking Ring magazine won both first and second prize awards. Gerald considers himself fortunate to have worked with many talented and well-known artists of the past, including Dai Vernon, J.B. Bobo and Lee Grabel.

Gerald holds a Master's degree from Texas Tech University and studied at the University of the Americas in Mexico City. The Fort Worth Star Telegram described him as, “one of the top sleight-of-hand experts . . . a phenomenal artist . . . a sleight-of-hand virtuoso.” He retired from full-time performing in 2015 and moved to Arkansas to be near his family.

website: geraldedmundson.com/

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Gerald Edmundson
The Ostrich Factor by Gerald Edmundson

A practice guide for magicians.

"As fine an exposition of this kind of material as I have ever read . . ." - Mike Close

"Fifty years from now this might be right on that shelf next to 'Magic and Showmanship'." - David Goodsell

"It will turn you into a better magician." - David Regal

What is the Ostrich Factor? As well-versed, conscientious amateurs and professionals, we know the accepted axioms of the art. But when practicing to perform, we sometimes inadvertently overlook or ignore one or more of these well-known rules. The oversight keeps our performances from being as good as they could be. We make an assumption:...

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Gerald Edmundson
Power of the Svengali by Gerald Edmundson

The Svengali deck has been a pitchman item for years. Gerald admires the skill of the Svengali pitchman. They handle the deck and do amazing tricks to sell the deck to bystanders. But Gerald's writing is not a treatise on "pitching" the Svengali. His purpose in using the Svengali is different from the pitchman's.

In Power of the Svengali, Gerald explores how to handle the Svengali as an ordinary deck, not as a special gaffed deck to sell. The power of the Svengali comes from its ability to produce tricks not possible except by advanced sleight of hand. Even skillful sleight of hand can...

★★★★★ $15
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Gerald Edmundson
Two Vernon Classics & Revisiting the Overhand Lift Shuffle by Gerald Edmundson

Some aficionados consider Dai Vernon's "Out of Sight-Out of Mind" from More Inner Secrets of Card Magic the best mindreading trick with an ordinary deck of cards. They may be right. Since the spectator does not remove a card from the deck but only thinks of a card, it makes a terrific mindreading trick. Erdnase explores the principle in "A Mindreading Trick" in Expert at the Card Table. Vernon used the principle to construct his trick.

Gerald keeps the exact effect of Vernon's original trick. In "Only in Your Mind", he uses adaptations of the Overhand Lift Shuffle and constructs a completely different handling of the trick. In keeping with the...

★★★★ $15
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Gerald Edmundson
Revisiting Bill Simon's Prophecy Move by Gerald Edmundson

The original Prophecy Move in Bill Simon's book Effective Card Magic has been a favorite with magicians since its publication. The spectator places a business card or playing card between two cards at a random position somewhere in the middle of the deck. The move forces the top and bottom cards of the deck. A myriad of variations and tricks with the sleight have surfaced through the years.

The author first describes his version of the move. This in-the-hands handling accomplishes the move using natural movements in spreading the cards. Neither hand turns over when performing the sleight as in the original version. Gerald...

★★★★★ $15
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