Video clips (download) in Magic & Conjuring: page 20

This is a very deceptive technique. It allows you to keep a break while doing a pressure fan.

runtime: 2min 13s

A new permanent tactile marking method, which is easier to feel and less visually noticeable compared to a punch.

Boss work is a marking system that you read by touch, and is designed primarily for use with the punch deal. It is easy to put in and the items required are not too expensive. When compared to the punch, boss work is much easier to feel and more durable. The markings are almost impossible to see on the backs of the cards, and there is nothing to see on the fronts. This video will take you through putting in the work, teaching you the best way to mark the cards, and also showing...

This is a wonderful version of the classic matrix effect - four coins and four cards. Each coin starts under one card in 4 different places. Eventually all coins assemble magically one by one under one card. The description includes a beautiful display move which allows you to show a card in one hand while you hide a coin in the same.

length 5 min

This is a silent film produced by Harry Stanley's Unique Magic Studio. It features Marconick performing some of his feature items with silks and rope. Marconick was primarily known for his creative work with silks. His vanish of silks from a cage ball is very pretty.

• Silk to cane
• Several silks vanish from a cage ball (Silken Bombshell, see Gen Volume 21 page 322)
• Cup of water from silk
• Water from paper cone to glass
• Selected card appears knotted on rope
• Rope through neck
• Rope and ring
• Silk production from larger silk
• Silk to rope
• Another silk production where the silks change how they are knotted...

Developed by Ed Marlo, it is a well-covered method to palm one or several cards from the bottom into a left-hand magician's palm.

runtime: 1min 53s

Once you have a break you want to handle and display the deck such that it appears to be impossible to hold a break. Here is one sequence of bends and riffles developed by Ed Marlo and published in his Card Control Series from the 1950s.

runtime: 53s

This is a very subtle way to place a key card. It is essentially self-working and wonderfully deceptive.

runtime: 1min 1s

This multiple shift is by Ed Marlo. It operates in two phases where in the first phase you bring the cards together that were inserted in different positions in the deck. And in the second phase, you bring these cards to the top.

runtime: 1min 50s

This employs the Biddle move to switch out a packet of cards while showing them one at a time.

runtime: 1 min 49 s

By simply dropping and turning a deck, you change the face card twice.

runtime: 2min 16s

The deck is shuffled. Spectator cuts off a small packet and sets it aside. The performer selects one card from the remaining cards. It turns out that this is the mate card to the card on the bottom of the spectator cut packet. The same procedure is repeated and again the performer is able to pick the mate card. In ever more impossible ways the spectator selects cards which turn out to be located next to their mates.

This routine was first published in Faro Control Miracles. It uses the stay stack principle.

runtime: 16min 52s...

A card is chosen and signed and lost in the deck. The card travels repeatedly to the performers pocket in ever cleaner and more unbelievable fashion.

runtime: 4min 12s

A deck is riffle shuffled. Spectator cuts off a portion and performer can tell by the weight of the packet how many cards were cut. Performer quickly glances through the deck. Spectator calls out a number and performer knows immediately the card at that position in the deck. Then a poker hand is dealt with the magician dealing himself a straight flush. And the routine ends with a game of bridge where the performer receives all 13 spades, the best hand you can have in a game of bridge.

This is a routine Ed Marlo published in the 1940s in his book Spades - that is where the name of the routine comes...

Here you learn how to replace a card you hold out in Tenkai palm on the top of the deck.

runtime: 49s

This technique is an application of the Vernon Push Off and allows you to table a double.

runtime: 36s

This is a move Ackerman developed himself. While riffle shuffling you palm the bottom card into a gambler's flat palm using a Kelly-type movement.

runtime: 1min 27s

Mathematical Fooler is in fact an impossible location effect. It really is a fooler. The principle appears as already known but will succeed in deceiving even fellow magicians.

First of all, it is possible to proceed with a borrowed deck, a real selling point. The magician borrows a deck. He looks through the deck with faces up and inquires if it is a full deck. Then he asks the spectator to cut a third of the deck and count how many cards he has in his hand. It will certainly have a two-digit number. The spectator adds the two digits together and looks at the card that corresponds to that...

A clever routine with two dice. Make the spots change in ways unimaginable.

[Note: This is Dr. Theodore Sack's exact routine and can be found for example in Bruce Elliott's book Classic Secrets of Magic (1963, pp. 52-60).]

Determine the card selected and the sum cast with two dice in a novel and very deceptive way.

You show a deck of cards, shuffle it and while you look away the spectator throws the two dice, adds the points shown, removes that many cards and remembers the lowest card in the removed packet. The dice are covered so that the performer can't see them. Now comes the unusual thing. The removed packet is inserted by the spectator somewhere in the middle of the pack. Then the spectator cuts and with a rosetta shuffle the cards are shuffled. This is immediately followed by any number of riffle and...

This is an idea by Steve Mayhew. He turns the classic Triumph effect into something entirely different. A face-up half of a deck is shuffled into the other face-down half. The performer then demonstrates center dealing only the face-up cards. The last face-up cards coming out of the deck are the four aces leaving the performer with only face-down cards.

runtime: 4min 53s

This was a favorite effect of Ed Marlo. The performer looks through the cards and selects four random cards which he puts face-down in front of the spectator. However, once the spectator turns those cards over they are now all aces.

runtime: 2min 15s

This is Ed Marlo's mechanical second deal.

runtime: 1min 13s

Medium can be made with any deck of cards. The spectator thinks any card and the magician will be able to find it. The conditions are impossible. Medium is a real pearl to add to your repertoire. Easy to do. Not only will you be able to amaze laymen, but you will be able to fool fellow magicians, too. Requires no memory or sleight-of-hand.

• No gimmick
• Easy to do
• No memory work
• Normal deck of cards

1st edition 2021, video 9:11.

1st edition 2021, video 9 min 9 s.