Abhinav Bothra

• Transposition #1 is for you to pump up your social media.
• Transposition #2 is simply an everyday miracle.

1st edition 2020, length 5:30

AMBIENCE // A multi utility card move that can be used both as a control to the top or as a reversal at the bottom.

DYAD // An in-hand Card At Any Number.

DYAD 2.0 // An in-hand two card transposition ending with a surreal ending.

DYAD 3.0 // An unusual card trick based on the idea of an in-hand triumph with a colour changing deck finale.

Honest Note :: Each of the 3 clips in the demo video was shot in one single take to let you see how it'll look in real time.

1st edition 2020, length 20 min

An in-hand two card transposition with a surreal ending.

In the demo video I am simply using two cards, these can very well be selected (forced) cards, the explanation video has a couple of methods for it. In this download you'll also learn the Ambience Control. It is an essential move for the in-hand two card transposition.

1st edition 2020, length 13 min

While the performer is looking away, three borrowed objects - 2 currency notes and a coin, are hidden one under each hand and one inside a card box or a match box. The performer turns back and deduces the location of each of those objects based on the vibe the participant emits and what a stranger (performer) would think of him/her.

• Easy to do
• Uses borrowed objects
• Allows you to hand out business cards
• It is the reading that hits the ball home
• A standard reading is...

Note : This download consists of only the marking systems and does not come with any tricks with a marked deck.

1st edition 2020, 9 pages.

An effortless CAAN that the audience performs for themselves.

Features:

• You never touch the deck of cards.
• Can be done Close-up, Parlour or on Stage

Honest Note: While you don't touch...

An effortless ACAAN that the audience performs for themselves.

Features:

• Completely self-working
• Can be done Close-up, Parlour or On-Stage
• Uses a regular pack of cards
• No memorisation, mathematics or improvisation

Participant 1 deals down one of the halves and stops anywhere he/she desires, the card gets turned over. To make things random, the participant again deals down to the value of the turned over card. Now that...

An ACAAN for stage and parlor performers.

In short: The performer asks 3 participants to name a suit, a number and a value. Next invites one of the participants to deal down the cards. And like it should be, the named card lies at the named number.

Here are the details:

1. The performer asks an audience member (1st participant) to name a suit. The participant does so.

2. Next, the performer moves towards the 2nd participant to name a number (value) between 1 and 10 he unboxes the deck. But then he suddenly remembers that he needs to give out a notepad and pen to record the choices...

The performer caught without props picks up a piece of paper and writes his prediction. The prediction is given to an audience member to keep secure. The performer explains that he is prepared for moments like these. He further explains - A few weeks ago I shuffled up a deck of cards, once done I dropped them one by one a table and asked a friend to film it. Let me show you...

He then plays a video and demonstrates how the video can be paused and played. Next, the video gets played once...

A virtually self-working ACAAN with plenty of audience involvement.

We all know whenever the audience tries to reverse engineer or recreate a trick and fail at it; they conclude with a common statement - He must have done something sneaky.

The Fortuitous ACAAN works to counter just that. It brings wonder out of the hands of the performer at the same time ensures that the control always rests with him. Here is how it goes:

A deck gets shuffled by 4 people while 3 other people decide on the Number, Value and Suit. The shuffled deck gets collected and the cards get dealt face-up and the...

Phase I (CAAN on Steroids) :: A crossbreed of 'Do As I Do' and 'Card At Any Number'. CAAN not just once but twice - once in the hands of the performer and the other time in the hands of the participant with zero sleights involved. Each time all the decisions are made by the participant.

Phase II (Remote Viewing) :: With your...

The problem is that Card At Any Number when presented as a one-time feat can be mistaken as a co-incidence or the skill of the performer which takes away the feeling of it being pure magic. Caantastic counters just that by creating a mother of all co-incidences moment for the audience. Card At Any Number not just once or twice but thrice and when it happens the third time it dilutes any skepticism and evokes the...

With only 2 basic sleights and your script you're able to make people feel that they're watching an expert at work. You tell a short essay on time and magic happens almost by itself while the essay is being narrated.

Each action and revelation is perfectly supported by the script. Here are the opening lines - "If there is one thing no-one can escape from – it is time. In fact even if you go out into the space or deep under water, you’re still dominated by time because your oxygen...

THE MOVES // by AJ: Topsy is a single card force utilizing no breaks whatsoever and Turvy is a single / multiple card control to the bottom. They both are easy and fun to learn. You'll be doing these in no time.

THE ROUTINES // by Abhinav:

SATELLITE SIGNAL: 3 spectators stop at three random cards (no forces) and send their thoughts to the performer (all at once) the performer receives the thoughts and finds the cards and figures out which card belongs to which of the 3 spectators.

Mr. MIRACLE: A selection gets...

It only needs:

• A deck of cards, a marker and 2 extra jokers
• An envelope with 3 minutes of preparation (no arts and crafts)
• A close-up pad
• A table and 3 chairs

ATCC :: A hybrid of a card trick and the plot spectator as mind reader dressed in the clothes of...

What’s great is that 70% of the times you'll have a hands-off / clean ACAAN and for the rest 30% you have to do something logical which is covered by the presentation to make it look like a hands-off...

Inspired from Millard Longman's Acidus Novus, Nucleus is a center tear that is simple to learn, easy to master and looks dead clean.

Features of Nucleus:

• Nucleus always opens to the correct side and in the correct orientation.
• It has a built in feature that tells you whether the paper is right side up or up side down, which is really helpful...

This is what happens: You introduce 3 cards with 3 simple questions:

• Q1. Name a number
• Q2. Name a suit
• Q3. Name a value

Features:

• no forces
• no pre-show
• no dual reality ...

There are a lot of popular sources on stage/street hypnosis and all of them teach you what you need to know to be a successful hypnotist but miss out/under explore certain WHATs and WHYs like –

• What is the difference between conscious and sub-conscious mind?
• Why do hypnotists often change their pace of speech?
• Why is it difficult to hypnotise children?
• Why should we dress well when Hypnosis is all verbal?
• What effect does fractionation have on our mind?
• and many more..

AMBIENCE CONTROL : A single card control from the middle of the deck to the top. Originally put out in The Blind Faith Collection (2015). It can also be used as a phase in an Ambitious Card Routine.

SAY STOP : A Selected Card At Any Number where you don't really need to know the number before hand. Originally put out in Audacious (2013) and as a bonus in C.I.A (2015).

Notes and Credits: Do not confuse Ambience Control to be same as Bizau Christian's Blind Square. They both are different. Say Stop was inspired from Paul Wilson's Yamfacaan. However...