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". . . I have found most uses of billets that I've seen to be painful exercises in self-deception on the part of the performer, as to what the audience finds convincing or entertaining. But when I saw Bob Cassidy do his billet routine for an audience of more than a thousand, those silly bits of paper were reduced to virtual non-entities. By the time the routine reached its conclusion he was on stage, standing back-to-back with a spectator, engaged in what was apparently a full scale drawing duplication - with no billets or envelopes anywhere in sight or awareness." - Jamie Ian Swiss, Genii, The Conjurors' Magazine, January 2005
1st edition 2006; 21 pages plus 3 video clips.
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