
Four methods of this classic illusion, suitable for close-up, parlour or stage. Both DIY and sleight of hand to suit your needs and desires. Can be done surrounded. No threads, magnets, or hookups. Simple construction. Add the effect of giving life to an inanimate object to your performances for a real crowd-pleaser. Highly recommended for children.
Cover art: House of Horrors, Coney Island, 1961, Diane Arbus
1st edition 2025, video 1:57.

A fully impromptu performance: you borrow a deck, let the spectator give it a thorough shuffle, no cull, no crimp, then claim you'll memorize the positions of the four Aces. You riffle down the deck and ultimately cut cleanly to all four Aces. A full performance is shown in the demo video.
Before you purchase this tutorial, here are a few things to help you decide whether it suits you.
1. Effects of this nature require a lot of practice. My handling strips away unnecessary difficulty and simplifies moves that are normally quite demanding, but it still requires solid work. This is definitely...

This is my adaptation of Marlo's A Number for Fast Company. I've reworked it to be completely impromptu, finishing with a clean, accurate cut to the spectator's selection.
The spectator shuffles the deck freely, chooses any card, and returns it before shuffling again. The performer then names the exact position of the selection and says, "If I know the position of your card, I should be able to cut straight to it." He then lifts off a packet - matching the number just named - and the final card of that packet is the spectator's selection. Full performance in the demo video. ...

Minimal Colossal is one of my favorite approaches from the neoclassic Kolossal Killer from Kenton Knepper.
In this video you will learn the basic secrets, a simple and effective use of the classic OBO principle (thanks Kenton for your permission and blessing), the construction of the special envelope (DIY, very simple to make) and much more. You will learn variations and extra uses and ideas using the methods at play.

An adaptation of a classic card routine - the Spades 1, 2, 3, and 4 travel between the top and bottom of the deck, finally gathering together on top. Just when you think it's over - no, the magic has only begun. The Spades 5, 6, 7, and 8 appear on top of the deck, the Spades 9, 10, J, and Q appear on the bottom, and the final Spade King rises to the very top of the deck. For full details, see the performance video.
1st edition 2025, video 8:00.

Imagine a meaningful and memorable piece of mentalism using just a deck of cards.
Welcome to Autumn Leaves, a piece that I originally released at the Emergency Act, part of my professional repertoire that can serve you well as a fascinating card prediction and a reminder of the power of child-like awe.
Every magician and mentalist can predict a card, but be the one who creates a beautiful precognition.
1st edition 2025, video 15:15.

Sandwich and Collectors are two of my favorite card effects and the ones I've studied the most. This is my original routine combining both effects.
The spectator selects a card, returns it to the deck, and the deck is shuffled. The magician cuts the two Jokers and four Aces into the center. When the deck is spread again, the two Jokers are found sandwiching the spectator's selection, while the four Aces have collected the other three cards of the same value. A pure sleight-of-hand routine with no difficult moves.
1st edition 2025, video 6:59.

This is my control system, which allows you to cleanly push the card into the deck with no visible break, and still maintain control.
The system can control the card to four common positions: the top, the bottom, the second from the top, and the second from the bottom. It can be applied flexibly in many card routines, taking your sleight of hand to the next level. For the detailed controls, please watch the performance video.
1st edition 2025, video 4:11
This is a trick for quickly locating four selections.
During an overhand shuffle, four cards are freely chosen, with no control involved. The spectators clearly see the cards lost in four different positions. Yet in the end, the magician can still locate all four selections with precision. For the full routine and effect, see the video demonstration.
1st edition 2025, video 6:42.

Dennis Barlotta, aka D. Angelo Ferri, studied with Slydini for 8 years. In this video, he is not teaching any tricks but explains the psychology and thinking behind Slydini's method of deception. How did Sldyini use his eyes? How did he involve spectators in a non-threatening way? Why did Slydini do the things he did? This video is intended to give magicians who are curious about Slydini a closer look at how he thought. Dennis will break it down and explain the thinking behind Slydini's system of misdirection and deception.
This video is a good introduction to the other instructional...

The magician begins by taking out four Aces. The spectator selects one red card and one black card, which are then returned to the deck and shuffled. The spectator is asked to cut the deck randomly into four packets. The four Aces are placed on top of each packet. The packets are reassembled. When the deck is spread, the four Aces not only gather together, but the red Aces sandwich the spectator’s red selection, and the black Aces sandwich the spectator’s black selection.
1st edition 2025, video 5:08

This count has one of the highest hide-to-show ratios of any false count. You are using four different cards, yet you can show each one three times in a row to credibly demonstrate you have a packet of three identical cards. Doing this four times with four different cards looks incredible on its own. Nevertheless, you would use this as part of a larger routine.
1st edition 2025, video 1:43.

A rubber band is stretched across your open palm. You insert a pen under the rubber band and slowly start to stretch the rubber band further away from the palm. Everything looks fair and as it should be. Suddenly, the rubber band has melted through the pen without any apparent motion.
The rubber band and pen can be handed out for inspection. They are completely ungimmicked.
1st edition 2025, video 4 min.

In the early '70's Jon Racherbaumer received 8 mm color footage of Chuck Smith executing a five-card poker hand switch. This was featured in the short film Lookout, Cleveland, now on YouTube. An excerpt is shown below. A letter from Smith is included here describing how he used it during WWII while in the military. This unique technique has been kept hidden until now. It is not easy, as many things are happening at once. This takes skill and nerve. The price is designed to keep it out of the hands of the curious. While we don't condone cheating, it is time this was recorded for posterity. ...