
Miku W.
I’ve been a magic enthusiast for 12 years, and card magic is my favorite. I have many new ideas for card magic, and I’m very happy to share them with everyone.
website: www.instagram.com/m1ku84/

I’ve been a magic enthusiast for 12 years, and card magic is my favorite. I have many new ideas for card magic, and I’m very happy to share them with everyone.
website: www.instagram.com/m1ku84/

Adapted from a classic routine by Johann Nepomuk Hofzinser. The spectator deals the cards into three piles on the table. In the end, the magician is left holding ten cards, while the tabled piles reveal four Tens. Finally, the bottom card is turned over to reveal four Kings.
1st edition 2026, video

The spectator selects four cards. The magician then performs a face-up/face-down Slop Shuffle, thoroughly mixing the deck. Despite the chaotic condition, the deck instantly rights itself - returning to face-down - except for the four selections, which remain face-up at four different positions in the deck.
1st edition 2026, video 7:32.

The spectator freely selects a card and it is returned to the deck. The cards are shuffled together. The magician says he will need three chances to locate the selection. He cuts to a 3, deals three cards, and reveals a 7. Then he deals seven cards and reveals a J. Finally, he deals eleven cards and arrives at the spectator's card.
Three cards used to find one card? Not exactly. Those three cards didn't just locate the selection - they also revealed the other three cards of the same value.
1st edition 2026, video 6:49.

A completely open prediction effect. The spectator freely selects a card from 12 cards, then moves the same number of spaces in any direction according to the card's value. The final card matches the value of the original prediction.
Next, the spectator again moves freely according to that value and selects another card with a completely different value - also matching the magician's original prediction.
1st edition 2026, video 9:54.

This is my Ace Assembly sequence: four Aces vanish from three packets and assemble together. In the finale, the Aces are redistributed into four piles. But it doesn't end there - if the performer can truly transpose cards at will, the four Aces can even switch places with the four Aces from another deck.
1st edition 2026, video 11:27.
The spectator freely rolls four dice. The performer deals the corresponding number of cards for each roll, forming four piles. The performer then explains that the top faces give one set of numbers and the bottom faces give another, and has the spectator turn the dice over 180 degrees. The dealing continues according to these new numbers. When all the cards are dealt, the face cards of the four piles are all Kings. The performer asks why we look at both the top and bottom of the dice - because the four piles must also be read both ways. The bottom cards are turned over to reveal four Aces. ...

The spectator freely selects a card and returns it to the deck. The magician inserts two Jokers, and the spectator table-riffle shuffles and cuts the cards. The Jokers progressively close in and finally sandwich the selection. On top of that, during the shuffles the spectator also separates the deck into three piles and locates the other three cards of the same value!
1st edition 2026, video 9:15.

A very direct ACAAN-style effect. The magician places a single card on the table. The spectator freely rolls two dice and chooses how to combine the numbers. A deck is brought out and shown to be all different, with no duplicates. The cards are dealt to the chosen number, and it exactly matches the prediction on the table.
1st edition 2026, video 13 min.

The spectator selects a card and returns it to the deck. The spectator cuts off a packet, then the performer deals left and right. Four consecutive times the dealt cards are not the selection, yet each one precisely names an attribute of the chosen card, and after the elimination, the final remaining card is the original selection. Even more, when the four piles are turned face up, together with the selection they form a Royal Flush.
During the spectator's cut, there is no crimp and no extra handling, yet the selection and the key cards can still be located with precision.
1st edition...

The spectator selects a card and replaces it in the deck. The magician has the spectator cut the deck into three piles and turn over the top card of each pile. None of them is the selection, but the values of the three top cards add up to the exact position of the selected card.
No Crimp - the position is found purely by adding the values of the three cards the spectator cuts to. There is no secret cut involved.
1st edition 2026, video 10:28.

This tutorial teaches three of my palming techniques. Because my hands are relatively small, palming has always been challenging for me, which is why I developed several simpler palming methods.
Crescent Palm: a technique for palming a card quickly during the squaring of the deck.
Pinched Palm: a fast and simple bottom-card palm.
Stealing Palm: my take on the Diagonal Palm Shift, designed to move a center card directly into Classic Palm.
1st edition 2026, video 6:20.

The spectator freely cuts the deck. The performer spreads the cards and claims to mentally influence the spectator to choose a specific card. The spectator then freely selects a card - no force. After the selection, the performer splits the deck at the point of selection and reveals that the cards are in suit-and-value order, except for the one card the performer named at the beginning. The finale reveals the spectator's selection, which turns out to be exactly the card predicted at the start.
1st edition 2026, video 5:52

A completely self-working effect requiring no sleight of hand. The magician introduces a prediction card and has the spectator freely cut a small packet. The deck is then divided into three piles, and cards are dealt down according to a freely chosen number. The four Aces are cleanly located. In addition, the spectator's cut card, the prediction card, and the bottom cards of the three piles combine to form a Royal Flush. For the full procedure, please refer to the video demonstration.
1st edition 2025, video 6:56.

The magician begins by taking out 9 cards. A spectator then freely cuts off a packet, counts the cards, and remembers the card at that corresponding number. After that, the spectator freely selects 3 cards from the 9, and the sum of those values not only locates the original selection but also reveals the other three cards of the same value.
A classic principle reworked with a special setup turns this into a much stronger ACAAN-style routine.
Full effect shown in the performance video.
1st edition 2025, video 8:10

A spectator freely selects a card and returns it to the middle of the deck. The cards are split into two packets and interlaced face-up into face-down. In an instant, every card turns face-up except the selection - still face-down. And it's not over. Why can the magician locate the selection so cleanly? Because it's the only card in the deck that's different from all the others.
Bottom Fan Control: This routine also teaches my bottom control: the spectator's card is openly placed into the middle of the deck, the magician squares the pack, and the selection is controlled straight to the...

A multi-phase ACAAN routine with a completely unexpected ending.
A very unusual selection-finding sequence: after a freely chosen card is returned to the deck, the performer claims to give the spectator four chances to locate it. The spectator cuts the deck into four piles, but none of the top cards are the selection. Just as it seems the magician has failed, the plot turns - each of the four cards not only indicates the exact position of the selection, but also reveals the mates of the chosen value. See the full routine in the performance video.
1st edition 2025, video 6:29.

A near-impromptu routine with surprisingly strong impact. The spectator shuffles, and the magician removes a prediction card and sets it aside. The spectator freely cuts the deck into three piles, shuffles, remembers any card, and gives the deck a random cut. The magician says the spectator will help locate the selection, then has them lift a small packet and perform a faro shuffle with the rest, which naturally re-forms the deck into three packets. Taking the third packet, the magician deals pairs from the top and bottom, and the last card remaining in the hand is the selection. But it's...

A fully impromptu performance: you borrow a deck, let the spectator give it a thorough shuffle, no cull, no crimp, then claim you'll memorize the positions of the four Aces. You riffle down the deck and ultimately cut cleanly to all four Aces. A full performance is shown in the demo video.
Before you purchase this tutorial, here are a few things to help you decide whether it suits you.
1. Effects of this nature require a lot of practice. My handling strips away unnecessary difficulty and simplifies moves that are normally quite demanding, but it still requires solid work. This is definitely...

This is my adaptation of Marlo's A Number for Fast Company. I've reworked it to be completely impromptu, finishing with a clean, accurate cut to the spectator's selection.
The spectator shuffles the deck freely, chooses any card, and returns it before shuffling again. The performer then names the exact position of the selection and says, "If I know the position of your card, I should be able to cut straight to it." He then lifts off a packet - matching the number just named - and the final card of that packet is the spectator's selection. Full performance in the demo video. ...

An adaptation of a classic card routine - the Spades 1, 2, 3, and 4 travel between the top and bottom of the deck, finally gathering together on top. Just when you think it's over - no, the magic has only begun. The Spades 5, 6, 7, and 8 appear on top of the deck, the Spades 9, 10, J, and Q appear on the bottom, and the final Spade King rises to the very top of the deck. For full details, see the performance video.
1st edition 2025, video 8:00.

Sandwich and Collectors are two of my favorite card effects and the ones I've studied the most. This is my original routine combining both effects.
The spectator selects a card, returns it to the deck, and the deck is shuffled. The magician cuts the two Jokers and four Aces into the center. When the deck is spread again, the two Jokers are found sandwiching the spectator's selection, while the four Aces have collected the other three cards of the same value. A pure sleight-of-hand routine with no difficult moves.
1st edition 2025, video 6:59.

This is my control system, which allows you to cleanly push the card into the deck with no visible break, and still maintain control.
The system can control the card to four common positions: the top, the bottom, the second from the top, and the second from the bottom. It can be applied flexibly in many card routines, taking your sleight of hand to the next level. For the detailed controls, please watch the performance video.
1st edition 2025, video 4:11
This is a trick for quickly locating four selections.
During an overhand shuffle, four cards are freely chosen, with no control involved. The spectators clearly see the cards lost in four different positions. Yet in the end, the magician can still locate all four selections with precision. For the full routine and effect, see the video demonstration.
1st edition 2025, video 6:42.

The magician begins by taking out four Aces. The spectator selects one red card and one black card, which are then returned to the deck and shuffled. The spectator is asked to cut the deck randomly into four packets. The four Aces are placed on top of each packet. The packets are reassembled. When the deck is spread, the four Aces not only gather together, but the red Aces sandwich the spectator’s red selection, and the black Aces sandwich the spectator’s black selection.
1st edition 2025, video 5:08