Larry Brodahl

For all performing venues.

Most mathematical tricks suffer from a multitude of challenges, and the Gilbreath principle is no different.

Issues include:

• why you can't examine the deck/packet
• why the cards aren't shuffled
• what the point of the trick is
• how to hide when the cards change columns

A STUDY IN SCARLET AND SABLE: The magician proves the spectator is well-adjusted. ...

Two tricks in one. Each with nearly identical handling but widely different effects.

In ZODIAC, you show a spectator pictures, one at a time, letting the spectator say "stop" whenever they wish. Their selection turns out to have been predicted in a message hanging in full view of the audience.

In MOM'S FAVORITE, you show the spectators playing cards, one at a time, again letting a spectator say "stop". Their selection turns out to have been predicted in a message hanging in full view of the audience the entire show.

Two separate scripts, all pictures and predictions...

The spectator grabs one of the knots. The magician now pulls on the ends of the rope, and every knot dissolves - except - the knot the spectator selected. That knot proves to be a common overhand knot.

The Penrose knot was published in Karl Fulves' Self Working Rope Tricks, but the description was less-than-clear, and the effect is quite strange.

Well, the author of How To Write A Script shows how he used his methodology to write a script that successfully explains and entertains with the Penrose knot. He's even worked out a "in-the-hands"...

One of the more difficult tasks facing magicians is coming up with scripts – of any sort. And the color changing silks, using the hand dye tube, makes it even more intimidating since there are multiple steals, hand to hand transfers to make, etc. All without getting caught!

But, coming up with a script that makes sense of the handling, preserves the mystery, gets laughs, and is a perfect opener...well, that's really difficult.

This ebook gives you every line, joke, piece of timing, setup, move, rationale and nuance of the routine. The ebook also takes...

The effect is that the magician shuffles and then hands the spectator the deck of cards, while explaining that he's going to do a trick onehanded. The spectator HIMSELF removes one card and puts it face down on the table, and then gives the cards back to the magician. The magician fans the deck, inserts the chosen card into the middle of the deck, and then holds the deck perfectly squared in one hand.

He holds the deck...

The magician removes a BLUE backed card from his pocket as he talks about coincidence, and how coincidence is decided by two factors: physical proximity and time. He has someone sit on the card. He then removes a RED backed deck from his pocket, and spreads the cards out front and back for the audience to see. Holding the deck in front of his face so that the audience cannot see the faces, he chooses two people that are sitting far apart to select cards....

Because let's face it, the story is silly, doesn't have any spectator 'hook' nor does it have a recognizable climax beyond the weak ending of "And I still don't know how he did it."

Well, the author of How To Write A Script shows you how he used his methodology to adapt a script that has laughter, interests the audience, and shows just how magical this trick can be. It also uses no gaffed cards and can be done in parlor as...

One of the more difficult tasks facing magicians is coming up with scripts - of any sort. How do you explain to an audience in a reasonable manner how and why a deck of cards can detect and correct lies? Well, the author of How To Write a Script shows you how he used his methodology to write a script that successfully explains the power of Nick Trost's Automatic Lie Speller.

There are actually two scripts given. One is for groups where you want to involve more than one person, and whispering would be appropriate. The second script is expressly for a...

Well, the author of How To Write A Script shows you how he used his methodology to write a script that successfully explains...in a bare minimum of script...the Sympathetic Silks.

Part of the scripts' charm is that the audience sees a trick performed in just FOUR words.

This ebook and the video of a live performance gives you every line, joke, piece of timing, setup and nuance of the routine. The ebook also takes...

One of the more difficult tasks facing magicians is coming up with scripts - of any sort. But it's even harder for tricks that have no preset routine - such as the Professors Nightmare and Fiber Optics. How do you explain to an audience in a reasonable manner how and why this fabulous visual magic is happening?

Well, the author of How To Write A Script shows you how he used his methodology to write a script that successfully blends the Professors Nightmare with the moves from Fiber Optics Extended. [It even uses the Boomerang Illusion!]

Please note that this manuscript DOES NOT teach how to do...