Search Results: page 15

This move displays one card three times such that it looks like you have three identical cards. It uses the Christ-Annemann alignment move.

runtime: 2min 20s

This move allows you to show any number of cards as two in a deceptive way.

runtime: 1min 52s

A nice switch by Ed Marlo. You switch out three cards from a set of four.

runtime: 1min 28s

A wonderful way to reverse one or several cards during a riffle shuffle, developed by Dai Vernon.

runtime: 1min 11s

A very deceptive technique developed by Carmen D'Amico and Ed Marlo to switch out cards using a laping technique.

runtime: 1min 5s

Spectator chooses a card, remembers it, and the card is lost in the deck. Then the performer places cards one by one on the table until the spectator says: "Stop!". Magically the spectator has stopped exactly at his chosen card.

This version of the Stop trick uses the Benzais Cop to achieve the effect.

runtime: 1min 49s

Spectator selects and remembers a card that is lost back into the deck. Another spectator deals cards into the performer's hand and stops anytime they want. The card stopped at is the first spectator's chosen card.

This version uses the Havana Bottom Deal. This video does not include a detailed explanation of the Havana bottom deal.

runtime: 3min 1s

This is a neat little ace revelation using three bottom deals. Performer deals cards to the table until spectator says: "Stop." Another packet is dealt until spectator says: "Stop." This is done for another two times until a total of four packets are on the table. The bottom most card of all those four packets is an ace.

runtime: 1min 23s

This is Jack Merlin's Order trick from And a Pack of Cards. The performer and spectator each give the deck a legitimate riffle shuffle. Then all the Spades are removed from the deck, shown in a ribbon spread, counted to be 13, and magically end up in order from ace to king.

runtime: 4min 16s

This trick can be found in Charlie Miller's book An Evening with Charlie Miller. The performer deals cards face-up on the table until a spectator says stop. The deck is ribbon spread face-down and one card has a different colored back. It turns out the only one card with the differently colored back is the one card the spectator stopped at.

runtime: 2min 20s

This is a neat ambitious type card routine where it appears that the deck consists of all the same cards because the same card can be found on the top, center and bottom.

It is assumed that you know the Ultra Move, Double Deal and a double lift.

runtime: 2min 13s

The performer fans a deck of cards which are all blank. Spectator merely thinks of a card. Performer removes the thought of card, which is naturally again a blank card. Magically the blank card turns into the thought of card and as a climax the whole blank deck turns into a regular deck.

runtime: 3min 31s

A deck is riffle shuffled. Spectator cuts off a portion and performer can tell by the weight of the packet how many cards were cut. Performer quickly glances through the deck. Spectator calls out a number and performer knows immediately the card at that position in the deck. Then a poker hand is dealt with the magician dealing himself a straight flush. And the routine ends with a game of bridge where the performer receives all 13 spades, the best hand you can have in a game of bridge.

This is a routine Ed Marlo published in the 1940s in his book Spades - that is where the name of the routine comes...

Technically, it must be referred to as a book on "general magic," as it contains material on cards, thimbles, cigarettes and mentalism. But, cards dominate the content so completely that for all practical purposes this must inevitably be thought of as a book on card magic.

This would have been an influential book, an important book, had it been released in 1930 as planned and it remains a valuable text today. Many seminal ideas first appear (or would have) here. But it is perhaps even more exciting to unearth less well known but equally deserving items....

This is a fascinating PDF that should be in every magician’s reference library. This contains new material never revealed before by Devin Knight. Imagine that you can create effects so impossible, that the only solution that an audience could have is that the person is a stooge.

Imagine, that you point out to an audience, that the effect you are about to try appears so impossible, that you will take some measures to ensure that the people who come on stage are completely at random, not stooges or confederates and beyond your control. Yet, meeting these conditions, the people who come on...

1. ...
   1. ... Carter
   25. Simplisissimus - T. Ellrock
   30. Perfection Living and Dead Test - J. A. Esler
   31. Mental Mendacity - Robert Fairthorne
       • Sympathy
       • The Malkin [entry #1]
       • A Billet Switcher [entry #2]
       • Divination
   34. A Giant Memory Test with Cards - Robert A. Ingle
       • The Card System
   37. A Hand of Cards - Robert A. Ingle
   38. Calling Long Distance - George Joyce
   41. Basic English Mental Test - M. Thesscroft
44. Melange - notes and comments from George Johnson
    • Size and Scale
    • Publishing Troubles
    • Predictions
    • Illuminating
    • Inspiration
45. Competition - The Best Effect for Entertaining Children - announcement
46. Pronto Card Appear...

This is a very efficient and deceptive move by Steve Draun. A card that is inserted into the deck automatically ends up in the gambler's cop.

Chris Wasshuber independently developed this move in 1993 during his stay in Japan including an important visual convincer. If you want to learn this improved variation email him. He might be talked into releasing it. If you can't get Chris to talk then check out the Huot/Duperre control from Magic Menu volume 10. It is very similar to what Chris is doing.

runtime: 33s...

This move was developed by Allan Ackerman. You start out with a convincing type of control. By angling the card correctly you can have it automatically end up in a left-hand magician's palm.

runtime: 2min

The Charlier cut is a very easy and good-looking cut. Allan also shows you how to turn it into a card control in combination with a bridge.

runtime: 1min 32s

The Ultra Move was created by Arthur Buckley and first published in Card Control. It was popularized by Harry Lorayne. It is a very deceptive card switch and can also be used as card vanish.

runtime: 3min 42s

This is one of Ed Marlo's best routines also sometimes called "Miracle Ace Cutting" and was first published in Faro Control Miracles. The patter Allan uses is from Dai Vernon and tells the story of a one handed gambler who miraculously can cut to the aces.

runtime: 6min 52s

Effect:

The spectator selects a card from the performer’s deck and does not reveal it to the performer until requested to do so. The performer then shows a packet of four Jokers to the spectator, displaying the faces and backs of all four cards. He then asks the spectator to wave his selected card over the Jokers he is holding in his hand. When the performer turns the packet face up and displays the cards, they are no longer Jokers! Instead, all four cards are now identical to the spectator’s selected card!

But that’s not all! When the performer squares the four cards back together,...

This impromptu semi-automatic effect can be immediately performed in any situation in which a simple deck of cards is available. After having a spectator shuffle the deck, the magician will have her choose a number and a card in the most casual manner possible (by randomly raising two small packs of cards), have the viewer shuffle again and cut the deck several times, reassemble it, and propose to find her chosen card. But, after practically proving its impossibility by relying solely on chance or luck, he will remember that the spectator also secretly keeps a number in her mind and challenge...