Beginning with the story of her mother's wedding dress, a perfect black French cocktail dress bought in 1960, writer and former Vogue editor Justine Picardie affirms what all of us may have suspected: that the real value of our wardrobes lies in the
Daphne is a marvelous story of literary fascination and possession; of stolen manuscripts and forged signatures; of love lost, and love found; of the way into imaginary worlds, and the way out again. The book is written in three entwined parts, which
