1st edition 1996, 35 pages.
This issue of Facsimile includes the complete contents of the first two (and only) issues of Jon Racherbaumer's periodical Marlophile. Jon has reformatted Marlophile, and added some additional routines.
1st edition 1995, 50 pages; 1st digital edition 2020, PDF 50 pages.
1st edition 1994, 50 pages; 1st digital edition 2020, PDF 55 pages.
1st edition 1983, 2nd edition 1994, 50 pages; 1st digital edition 2020, PDF 52 pages.
A startling series of visual card changes created by Didier Dupre and performed by Aldo Colombini. The routine is based on the Paul Gordon trick called "Spectrum." This is an amazing card trick which is fun to do and has a stunning climax. You show four cards which are mis-printed, in fact they have faces on both sides (the cards are clearly shown on each side). One card is placed in the pocket but it comes back to the packet in hand and this time it has a back. The other cards develop a back as well and you now show four cards with different colored backs and all can be examined!
A second...
Three great effects combined into a stunning routine.
HEAVY TRAFFIC: You place a prediction face down between two face-down Jacks. The prediction disappears. You try again placing the prediction face up between the two face-down Jacks and the prediction card vanishes once again. You place an 'invisible' prediction between the two Jacks. A spectator chooses a card, say the 7D. The Jacks are fanned and the invisible prediction has become visible. It is indeed the 7D!
SEIZE THE NIGHT: The two black Jacks capture the same amount of cards cut by a spectator and then capture a previously freely...
You ask the spectator to blindfold you, or you turn around so that you can't see anything that the spectator is doing. You really do not see anything! You ask the spectator to create 5 piles of 10 cards each, so that 50 cards are in play. You tell her to make sure that there are 5 cards face-up and 5 cards face-down in each of those 10 piles. They can be in ANY order, and she is to do all of this ordering in ANY way she wants, without telling you (and, of course, you can't see anything that she is doing).
You then let her know that you are going to separate each pile of 10 cards blindfolded...
Two outstanding effects. The first effect is totally impromptu and can be done with a borrowed shuffled deck. It is completely hands-off. This is an impossible location that will fool even fellow magicians. You will get phenomenal reactions from your spectators.
The second effect is called the spectator's revenge because he will find his own card. This is a really fun and surprising routine.
Everything is explained in detail. You may need to buy something extra in order to perform the second effect - Spectator's revenge.
1st edition 2021, video 19:24
An interesting evolution of the classic "card to ceiling effect". Two cards are involved.
The first card appears on the ceiling as in the classic card to ceiling effect. A little later, a second card is selected from which a corner is torn off. This card is now suddenly on the ceiling where the first card was before. Alternatively, you could use a wall or a pane of glass.
1st edition 2022, video 38:38.
Using only one card, this is probably the easiest and most deceptive Torn & Restored Card ever created. The ingenious creator of this is Ben Harris and he calls it Hoodwink. One could call this self-working, because all you do is fold, tear and open an ungimmicked card. It can't get any simpler and the effect is amazing.
Kenton adds his clever suggestive words that let the spectator dig his own hole of astonishment.
Recorded live at the Convention at the Capital 1998.
runtime: 6min 48s
You, a spectator, a deck of cards, a miracle!
A spectator shuffles a deck of cards, you instruct them to hold the cards face up, under the table, so that only they can see them. Despite these test conditions, you apparently display a genuine feat of 'remote viewing' by attempting to name each card in turn, as if you are somehow able to 'see through the table'. With an accuracy way beyond the odds you are able to prove to your audience that they are witnessing a real demonstration of 'psychic' ability and what you claim to be true, must be possible.
This effect will completely 'blow away'...
An exceedingly clever location of two cards using the Free Cut Principle by the inventor of this beautiful principle.
Effect: The performer hands a deck of cards to one of two spectators with the request that he shuffle it, and then divide it equally with a second spectator. While this is being done, the performer turns his back.
Now each spectator is instructed to select a card from his respective half. Next they each exchange a number of cards so that the performer doesn't know how many cards each man holds, or which cards were selected (and he doesn't). Now the performer tells them...
This is an ACAAN effect using two decks.
The performer shows two decks closed within their boxes. A spectator selects one of them and puts it aside (This deck will be used later). The perfomer asks the spectator to remove the second deck from his box and to check if the deck is a regular deck. At this point the performer instructs the spectator to select a number and a playing card using a very clean procedure with this deck. The spectator for example chooses 31 and Ace of Spades. Now, without the performer touching the decks, the second spector removes the first deck from its box and counts...
The spectator selects, remembers, and returns a card to the deck. Without any unnecessary handling the performer counts down to its value, then spells the suit. The selected card is turned over at the end of this counting/spelling sequence.
Based on a trick by Frederick Mosteller in 1943 that used two decks. This is a streamlined and more commercial one deck version.
1st edition 2016, 4 pages.
Pluck a selected card from within a shuffled deck inside a closed card box in the spectators jacket pocket! In less of a second!
Detailed Effect:
The spectator selects a card and shows it to the audience and memorizes it, the spectator puts it back anywhere in the deck and then shuffles the cards, then the spectator slides the complete deck into the card case, closes the flap. The spectator puts the card case with the deck in his own outer/external pocket on his jacket. The magician shows his hands empty (the magician can roll up his sleeves, more convincing) and he pulls the correct card...
The three mates to a selected card pop out of the deck all at once. (Also part of Move Mastery 1.)
runtime: 2min 53s
This ebook explores three mathematical principles of card magic.
The Gordon Principle which was inspired by the Eddie Joseph/Ed Marlo Automatic Placement.
STuDFuTS is an idea, inspired by Henry Christ's thinking.
The Free-Cut Principle is an idea by Gene Finnell.
Lewis Ganson, mostly known as author of magic books, was also himself an expert stage card manipulator. This ebook is a complete course in the art of manipulating playing cards, from back palms, to catching cards, card fans, flourishes, gimmicks and holders, and how to put it all together into a routine.
Paul Fleming wrote:
This recent work on card manipulation is divided into four sections which deal with (1) the back-palming of cards, (2) card fans, (3) card flourishes, and (4) suggestions for routines. Since we have no special knowledge of card fanning or card flourishes - and, because they lack...
This is the 3rd edition which includes an additional chapter by Dai Vernon and another one by Dr. Daley. (The popular Dover version is a reprint of the 2nd edition and is lacking these two interesting chapters.) This book describes serious stuff. Card moves and tricks for the advanced card man. (For an excellent introduction to card magic see The Royal Road to Card Magic or the Card College series.) Expert Card Technique lists and explains in detail a large quantity of card moves. Card moves are abundant and any good card man will come up with his own variations and twists due to his constant use of cards and tireless perfection of...
From the introduction by Robert Parrish:
Although much of the material in this book comes from advanced current contributors to card magic, Al has included some fascinating lore from the past. There is, for example, the first printed information on Eddie Fay's glimmer technique. I recall that the late Rufus Steele, an informed man of gamblers' dodges, simply refused to believe that Fay was using a reflector. He thought it was a put-on and that Fay was probably using a stack or a pack of marked cards. Then there is Paul LePaul's wonderful transportation of cards into a sealed envelope. Although he explained the trick...
From the introduction by Robert Parrish:
This book contains a remarkably select collection of sophisticated means for increasing and deepening the potential for "pleasant illusion" that resides in a pack of cards. These contributions range from presentation ideas such as Fred Lowe's "Second Deal Sam" to the technical refinement of standard effects, as, for example, in Ed Marlo’s "Approach to the ‘Stop’ Trick."
From the Preface:
This booklet, like our other Expert Series, is not designed to be either a reference or an authority in the ordinary sense. Perhaps, at best, it might be called a tickler, a reminder, or a check list, although none of these terms would be exact. It was written and compiled to stimulate one's "thought processes" and to instill creative activity within those who have a fondness for the pasteboards.
"A beautifully realized moment of astonishment ... the new gimmick is very clever indeed!" - Paul Harris
"A stunning vanishing deck that takes an original idea by Paul Harris and sends it to the moon." - Richard Kaufman
The remarkable effect shifts "the moment" in Paul Harris' amazing Vanishing Deck allowing for a card to be selected and signed.
This selected card is shuffled back into the deck which is then held in full view.
Upon command, the entire deck visually vanishes (that's right - it just blinks out of being) leaving only the chosen card as a poignant applause cue.
Exit 51...
One of the best forcing decks in the world, designed to fool both lay people and magicians alike.
Make impossible card predictions with Devin Knight's Excalibur Deck. Mail a VIP a registered letter and never touch it again. Have him bring it to the show. Show the deck of cards to be different and hand them to any spectator (no stooge). Have him deal the cards face down on the table, while holding the deck in his hands. He stops anywhere during the deal and sets the card aside. Magician tells him to check the cards before and after in the deck. This allows the participant to see if he had...