Theory, Articles & Reviews in Magic & Conjuring: page 2

Dariel Fitzkee authored one of the best trilogies on magic theory. This volume, book one in the trilogy, primarily deals with theoretical aspects of a magic performance. This book has been cited numerous times and is one of the standard works every serious magician should read. Fitzkee has a very analytical mind and describes his thoughts clearly. As with any theory not everyone will agree with every detail and every suggestion. Regardless of if you fully subscribe to Fitzkee's thinking or not, there is plenty to learn from his writings.

Paul Fleming wrote:

This volume, book three in the trilogy, is all about the psychology in magic. Mechanics alone, a sleight or move, are not sufficient to produce a strong magic effect. Dexterity by itself is more like juggling. Only if misdirection, the psychological aspect of deception, is added into the mix, will one be able to create a truly magic experience.

There aren't many good works on misdirection. This is one of the must read ebooks, a classic in the theory of magic. A shorter but modern discussion of misdirection can be read in Pocket Power by Jarle Leirpoll.

Paul Fleming wrote:

This is book two from Fitzkee's trilogy and is unlike any other book ever written on magic. It was the first book (and to my knowledge the only book) to attack magic methods from a scientific standpoint. Fitzkee develops here a classification of effects, from appearances to vanishes, and then describes a system to invent or develop new trick plots. This is an invention system. I would say it is one way to invent new trick plots. But even if you are not of the scientific sort, the classification and discussion of magic effects and methods is a tremendous resource to expand your horizon and think...

As the title suggests, this is a pure work about theory, but not old and dusty thoughts, instead a fresh and new look by Daniel Tyler. Certainly you will find topics which are as old as magic, such as 'the merit of gimmicks' and 'misdirection', but you will also find a chapter dealing with 'where to shop', which is up-to-date and includes places on the internet. This chapter alone can save you a multiple of the price of this ebook. Or what about 'getting the girl' or 'how to admire Blaine, but be yourself' - all topics that Daniel discusses. You might be shocked to hear that Daniel is just eighteen...

This ebook addresses in a fairly comprehensive and very thoughtful way, how should one approach a stranger with magic. I have not seen any other work which addresses this issue in such detail and with such practical advice. If you are looking to do some 'street magic', this is an ebook you should not ignore.

1st edition, 2005; 140 pages.

• Why the Public Approach?
• Reversing the Perspective
• Fundamental Human Nature
• People are Bored
• Personal Confidence
• The Freedom of Indifference
• Reframing Limiting Beliefs
• Performance Anxiety
• Practice Makes Perfect
• Testing the Waters
• It's Nothin' Personal ...

So, you want to be a good magician? Get these performance, routining, and creativity notes, which detail step-by-step instructions to make your magic better. Packed with time saving tips and techniques that you can use to quickly elevate your routines to a professional level. Learn how to use the Triple-Trilogy Structure and the powerful Series of Three Principle to plan your entire show. Then, you'll learn how to fully script your routines (forget about "patter"), organize your props, practice and rehearse (yes, they are different!), and conduct your business professionally.

Plus, you'll...

I believe that Dennis Barlotta will soon be known as the foremost teacher of Slydini's system of misdirection. There have been others before that have tried to explain and teach Slydini routines, but nobody could capture the essence of what made Slydini the master of misdirection the way Barlotta has been able to.

Dennis has studied eight years under Slydini and has spent a lifetime mastering the Slydini method. Dennis told me: "While many magicians admire Slydini, they don't understand what made him unique or how his approach can be employed by them." This is the ebook that will help you...

This is a nice and sweet introduction to the concepts of misdirection and how you can apply them to your own performance.

1st edition 2012, 12 pages.

Table of Contents

4. Introduction
4. What is Misdirection?
6. The 4 Principles of Misdirection
6. Principle 1: The Off-Beat
7. Principle 2: The Eyes
9. Principle 3: Use Your Natural Style
10. Principle 4: Justification of Moves
10. Putting It All Together
11. Final Thoughts
11. Credits & Useful Resources

Compiled and edited by Neil Foster. Illustrated by Sid Lorraine with an introduction by Robert Lund who says, "in his field, as the professional dissenter and commentator on the foibles of magicians, he is the most original entertaining writer on conjuring today." He was talking about Clarke "The Senator" Crandall and his ebook contains the following chapters:

• INTRODUCTION
• DEDICATION
• It's a Mystery to Me ...
• Let him who is without sin ...
• Panties, Falsies and Lolly-pops
• The Egg and I
• Criticism should be a reward
• ... and with much less effort
• Those who watched ... saw an artist
• Barbecueitis...

In 1997 The Art of Deception - The Affinity between Conjuring and Art was published. The 407-page, hardbound book was a limited edition of 500 signed and numbered copies. It was well-received and quickly went out of print. The book has never been reprinted, and probably never will be, because the cost would be too great. The Art of Deception originally sold for $110. Now you can have a copy of this fascinating book for a fraction of the original price. An errata page and addendum are also included in this ebook.

The book contains hundreds of illustrations, with many of them in full color....

A primer on when, what, where and why a magician would keep a series of personal journals.

• Journals
• Magicians Journal
• Daily Planners
• Daily Journal
• Creative Journal
• Magic Files
• Dreams
• Inspiration
• Wrapping it Up

1st edition 2016, 25 pages.

Audience is on the edge of their seats. Every trick is working fantastic. Getting more applause then ever before on your routines. Then BOOM!!! Music cuts out, microphone starts to feedback and the mechanism on the change bag broke while you were trying to use it. Now you are front stage holding a bag you cannot manipulate with no music or microphone ... Now what?

This ebook helps you identify potential problems. A different form of rehearsal is introduced to help you work through these situations. Good magicians smooth over problems, work through situations and still leave their audience...

One of the most important elements of a performance. Without allowing time for the audience to comprehend the magician is doing nothing more than running through a series of instruction steps. Time adds drama, energy and the sizzle needed to enhance magic.

Timing is a hard subject to cover. One does not learn from books or lectures. Those sources, like this text, help identify the value of time. The magician must acquire his/her own skills with the use of time.

This text will help identify how it is used, provide examples you can relate to, and get you started. Armed with this knowledge...

Audiences rate magicians based on their entertainment experience. One can have the best of everything: magic, manipulation, etc. and still fail in front of an audience. This material is not new. It has been taught in the theater industry and at schools for a very long time. However, there are not that many materials written to bring these skills into the hands of a magician.

This ebook will identify key elements that the magician must follow, and be aware of as he/she performs. Suggested materials might seem unimportant or a waist of time. But those same elements could be the factors that...

I remember reading an article about a magic trick. Not sure which magazine or issue it was in. But I want to read it again. I have two choices:

1. I can start the magazine shuffle. Issue by issue looking for the article.
2. Open a file folder on my computer. Then open the category folder and find the article.

An article written two months ago, or one that was published a few years ago can be found within...

You do not have to hire a director, choreographer and technical designer to produce your own professional show. This ebook covers the environment, building your outline of magic, using music, and developing your show. Learn how to fine tune your performance through rehearsal, problem area recognition and the flow from opening to your finale. A high-quality professional production is within your grasp using a lot of materials you may already own.

1. Set the stage
   • Backdrop
   • Sound, P/A System
   • Music
   • Lights
   • Working tables, etc.
   • Transporting
   • Cases, boxes, bags trunks and carts.
2. Show components ...

The two most important elements of a performance are the opening and close. The opening sets the environment for the audience to be entertained. The close is the magician's last chance to leave a lasting impression on the audience. To be effective, the opening must meet specific goals. This text identifies them and provides ideas, samples and recommendations to help the magician attain them.

• Show Structure
• Primary Opening Goals
• Types of Opening
• Opener Planning
• Sample Openings
• Document
• Wrapping It Up

The close of your performance is your last chance to make a lasting impression on your audience. It should bring the audience to the peak of excitement, energize them and leave them talking about your magic. This text identifies the goals of the close. It provides examples and suggestions to help you develop a strong, effective close. Future performances often depend on the posture you leave your audience. Pull out all the stops, use all your tools to make your close one to be remembered.

• Basic Show Composition
• The Build Up
• Close Goals
• Tools for The Close
• Sample Closes
• Document
• Wrapping...

Magicians are exposed to all kinds of magic. Illusions, card, coin, close-up, and other types of magic pass through our hands/eyes almost on a daily basis. There is no way a magician can remember them all. But with a good backup system, bringing them back into your performance can be easy as read/follow instructions.

• Preface
• What is backup and purpose?
• Where do I start?
• Time to input information
• Cross reference sheets
• Keep it up
• Wrapping it up

1st edition 2020, PDF 16 pages.

Everyone has creativity. When you select the color to paint a room, pick out an outfit to wear or the wrapping on a present you are exercising a form of creativity. One only has to recognize that, and learn to develop it. New magic is the result of someone coming up with an idea and developing it into a trick/routine. This ebook identifies creativity and the creative process. I have included a step by step narration of one of my signature tricks "the magical egg tray". The process begins with an initial idea and works through sequential steps to bring the routine to the finish. Creativity, like...

The difference between an average and great magician is the audience connection. Audience members text, talk with their neighbors and do other things because they are not tuned in, connected, with the performance. This ebook identifies the connection, points out the importance, and covers a few tools magicians can use to capture and strengthen that connection.

• The Audience Connection
• Capturing the Audience
• Different Connection Tools
• Working the Connection
• Wrapping it Up

1st edition 2021; PDF 17 pages.

Out with your friends just to enjoy the evening. The manager comes up to you and says one of the acts did not show up. He asks you to do a 20-minute set. You didn't bring anything with you. All you can work with is what you can find on hand. Could you do it? This ebook offers some ideas you could use.

• Real events
• Don't panic
• Relax, take your time
• Audience must believe this is natural
• Look around
• Wrapping it up

1st edition 2021, PDF 16 pages.

Is she part of the show? Or is she eye candy for the audience? There is a difference between a cosmetic and functional assistant. This text identifies the difference and helps you get started searching for, and working with an assistant.

• Assistant Profile
• Business Considerations
• Assistant Functionality
• Team Profile
• Finding an Assistant
• Assistant/Magician Relationship
• Production with Assistant
• Wrapping it Up

1st edition 2021, PDF 25 pages.

Do not stall and draw out your magic waiting for the end of your music. Do not rush your magic cutting corners and hurrying to fit the music. This text introduces you to the basic functions of music editing. Using music as background, or choreographing a routine to music is possible through editing. Take your show up to the next level using music you edit, to fit your manipulations and performance.

• Types of music
• Create your own music
• Advantages of editing
• Music editing software
• Basic overview
• Cuts, copies, and other editing
• Wrapping it up

1st edition 2021, PDF