Video clips (download) in Magic & Conjuring: page 25

This is another Ed Marlo creation - a stud bottom deal.

runtime: 1min 47s

This is a very effective and very easy card rise developed by David Regal. Any card is selected and shuffled into the deck. The selection now inexplicably rises out of the deck. New method, easy to do.

No threads, rubber bands, magnets or other contraptions. The gimmick is simple and right there invisible in the deck. Spectators can stare right at it and not see it. Very clever and very practical.

Recorded live at the Convention at the Capital 2001.

runtime: 3min 57s

The heirophant change is a color change that happens while a card is snapped to the table. It was developed by Ed Marlo.

runtime: 1min 4s

Capture all four aces, one by one, between two spectator selected cards - a repeat sandwich effect.

1st edition 2017, length 6 min 6 s

Essentially this is a reverse Biddle action where the Biddle move is used as a force. This idea was developed by Ed Marlo. (If anybody knows why this is called "Here's Hockley" please email us.)

runtime: 1min 45s

This double lift does not need a 'get ready'.

runtime: 1min 8s

This is similar to the Hofzinser Force with the difference that we are now forcing the bottom card versus a card close to the top.

runtime: 1min 2s

This is also often called the Hofzinser Cull or Spread Cull, developed by Johann Nepomuk Hofzinser. It is a very versatile move and the grandfather of the Convincing Control.

runtime: 1min 27s

Use a Hofzinser Card Control type action to control a card to the top.

runtime: 54s

This is a very clean force of a card close to the top. Allan also shares a subtlety by Jimmy Grippo to make this force look even more convincing and fair.

runtime: 1min 44s

Use the Hofzinser cull action to switch a block of cards for another set of cards.

runtime: 2 min

A visual stunner with hole cards.

You will need:

• hole cards that you can make yourself
• Pelli Spread (briefly explained)

length 3min 56s

You will learn two versions for the classic Homing Card effect. The first one uses only one palm and is for the beginner and the second version uses two palms.

runtime 6min

One can, two different drinks.

Hospitality in a can: You pour the complete contents of a can into a glass; the can is now empty. You then place a straw inside the can, and take a sip, just to make sure. In fact, the can is not empty, it now contains a completely different liquid! Pour this 'new' liquid into a glass to amaze spectators.

BONUS EFFECT

Cocktail: You turn a cocktail shaker upside down to show that it is empty. Place the lid on the shaker and start to shake it as you would if you were mixing a cocktail. You then take the cap off and start pouring two glasses of cocktail....

Most magicians are aware of the classic "Jumping Rubber Band Trick." However, here's a script and easy method for a full story routine about the exploits and escapades of that world famous escape artist Harry Houdini who in this case completely disappears from your fingers and reappears where least expected. Included with this routine is the more deceptive technique where the rubber band is "set" using only one hand rather than the customary two-handed "get ready."

1st edition 2018, length 5 min

The best way to practice your false deals is to do it in front of spectators. However, until you have mastered the deal you can't really use it. Allan shows you how you can practice dealing while performing for the public.

runtime: 2min 16s

A classic move developed by two great magicians, Jean Hugard and Fred Braue.

runtime: 2min 57s

A card is selected and signed by the audience and is lost back in the deck. A coin is signed by the audience and placed on top of the deck. With a wave of your hand and the coin vanishes from the top and appears above their signed card in the middle of the deck.

1st edition 2023, video 4:49, PDF 1 page.

This is the G. W. Hunter False Shuffle, an overhand false shuffle, that leaves the entire deck in order.

runtime: 1min 34s

This is Alan Rorrison's semi-sarcastic reply to the dreaded request: "Can you pull a rabbit out of a hat?" This question has plagued close-up magicians for decades. Suffer no more. This effect is the appropriate answer and will silence your pesky spectators.

The effect is lovely. Get a card selected and signed (a truly free selection - no force), draw a top hat on it and have rabbit appear in it. Then you use a rubber band as lasso to catch the rabbit.

1st edition 2009; runtime: 16min

Another stunning sleight-of-hand version of oil and water without any secret additional cards or gaffed cards. You start with four red cards and four black cards. You fairly mix them and they immediately unmix. Do this multiple times in quick succession.

1st edition 2022, video 5:04

Effect: You show a deck of playing cards - they're blank on the back and on the face you have written all the letters of the alphabet, one letter on each card. The spectator shuffles the deck and selects any four cards. He is then asked to form a word from the four cards chosen. If it so happens that he can make more than one word - he is allowed a COMPLETELY FREE CHOICE of which word he would like to settle on. A prediction that has been in full view throughout is then shown to accuratley match the freely chosen word!

Idiom truly is an audience pleaser. The organic props are genuinely interesting...

A genuinely freely selected card is signed and then the rest of the deck is returned to the card box which is placed on the palm up left hand. The chosen card is now slid under the sealed box and the right hand is slapped firmly on top of the case. With his empty right hand, the performer lifts the card box to reveal that the signed selection has vanished, the box itself being shown freely from all sides.

The box is now opened and the deck slid out and spread across the table to reveal that there is one card reversed in the pack's centre - it's the signed chosen card!

No palming or sleight...

Years ago Robert E. Neale came up with his method on how the make an impossible gift out of a borrowed banknote using three strips and a few folds. Now it's time to bring this idea to the next level by using four strips! This makes the braided bill look even more impossible then before!

1. You could use almost any borrowed banknote or paper. (It does not work with Euros.)
2. Totaly impromptu.
3. No glue or hidden cuts. Make this impossible object right under the nose of the audience. Even if they look very close, they can't rebuild it.