with Demo Video in Magic & Mentalism: page 44

The spectator freely selects a card and returns it to the deck. The magician inserts two Jokers, and the spectator table-riffle shuffles and cuts the cards. The Jokers progressively close in and finally sandwich the selection. On top of that, during the shuffles the spectator also separates the deck into three piles and locates the other three cards of the same value!

Performance transcript:

• This routine uses two Jokers.
• Have the spectator point to a card at random.
• Assume this is the selection.
• Have them note the card.
• Return the selection to the center.
• Give the deck a shuffle. ...

You show four jokers and they all have the same back. The spectator picks a joker, and it has a different back to what was shown before. You will receive three variations of the same theme.

1st edition 2026, video 7:57.

This is a wonderfully simple plot that creates a really puzzling effect. A regular, ungimmicked coffee cup is shown and a large sponge ball is tipped out from inside. The cup is clearly shown to be otherwise empty and both of the performer's hands also have genuinely nothing in them.

The ball is placed into a pocket, both hands again being shown to be empty. The inside of the coffee cup is displayed and then inverted mouth down onto the magician's hand. A snap of the fingers and when the cup is tipped backwards, the ball is found impossibly to be back underneath.

[Note that this is not...

A very direct ACAAN-style effect. The magician places a single card on the table. The spectator freely rolls two dice and chooses how to combine the numbers. A deck is brought out and shown to be all different, with no duplicates. The cards are dealt to the chosen number, and it exactly matches the prediction on the table.

• No force
• No gimmicks - a completely ordinary deck

Performance transcript:

• The next effect is my ACAAN-style routine.
• First, there are no gimmicks.
• Just a regular deck straight from the card case, and one ordinary card set aside, plus two standard dice.
• The dice...

You start out showing four blue cards. One by one, they turn red, and they have a big hole cut in the middle. This hole is not a fake. You can put your finger through it.

1st edition 2026, video 2:07

My Jazz Aces routine differs from the classic handling in both procedure and display, and it finishes with my own handling for a different ending.

Performance transcript:

• Next, this routine uses 4 Aces and 4 indifferent cards.
• Turn 3 of the Aces face down.
• On top of the Ace of Spades, I place the 6 of Spades.
• This is the 6 of Spades.
• Insert one Ace into the packet of indifferent cards.
• Just to confirm.
• With a turnover, the 6 of Spades and the Ace transpose positions.
• The second one is the Ace of Clubs; I place it here.
• Then place the 8 of Clubs on top of these two Aces.
• 1...

Two sets of 7 cards are shown. One pile has pictures of the logos of 7 of the most common social media platforms. The other set has the names of these platforms written in words on the cards.

Two spectators who do not know each other are invited to see whether they can connect via the same social media platform. The pile of cards with names on them are shuffled and spread face down. Spectator 1 can touch the back of any one of the cards – it is a genuinely free choice. The selection is placed aside unseen but in view.

The pile of logo cards is shuffled and spectator 2 names any number...

Six cards, three have a large red dot on their face, and the other three are jokers. The red dot cards change their backs multiple times.

1st edition 2026, video 2:35

A deck is shuffled and placed squared face down on the table. A spectator is invited to cut off a block of cards from the pack and to look at and remember the face card of the cut-away section.

The helper is now asked to cut his block of cards to lose the selection in the centre of the pile, and then he is requested to slip his pile somewhere into the middle of the cards still on the table, squaring the pack at the finish.

The magician has had no opportunity to catch even a glimpse of the chosen card, and in fact, the deck itself is put away in the box to preclude that possibility. Despite...

The spectator selects a card and returns it to the deck. The spectator cuts off a packet, then the performer deals left and right. Four consecutive times the dealt cards are not the selection, yet each one precisely names an attribute of the chosen card, and after the elimination, the final remaining card is the original selection. Even more, when the four piles are turned face up, together with the selection they form a Royal Flush.

During the spectator's cut, there is no crimp and no extra handling, yet the selection and the key cards can still be located with precision.

Performance...

8 cards and a bewildering number of changing faces and backs. Watch the demo video below.

1st edition 2026, video 5:32

A quick, convincing, smart version of this classic. No heavy lifting here. The vanish is clean, the action deliberate, few if any angle concerns, little skill required. Can you afford not to invest the minimal effort required to include this startling vanish/production among your surprises? You have nothing to lose and everything to gain.

1st edition 2026, video 38s.

This project introduces three of my secret single-card reversal techniques. You can present them as a sleight demonstration or apply them within other card routines to achieve greater impact and utility. These three techniques have not been named yet.

1st edition 2026, video 7:43

Four cards are shown and counted repeatedly. Every time through the count, one card suddenly has a big hole through its center. These are real holes you can put your finger through. This goes on until all four cards have holes.

1st edition 2026, video 2:13.

The spectator selects a card and replaces it in the deck. The magician has the spectator cut the deck into three piles and turn over the top card of each pile. None of them is the selection, but the values of the three top cards add up to the exact position of the selected card.

No Crimp - the position is found purely by adding the values of the three cards the spectator cuts to. There is no secret cut involved.

Performance transcript:

• Start by having the spectator freely select a card.
• Have the spectator remember the selected card.
• The spectator may choose any card in the deck. ...

A very simple way to cut to the desired cards, ideal as an opening effect. A detailed application of a classic principle, ending with an unexpected kicker.

1st edition 2026, video 4:10.

This tutorial teaches three of my palming techniques. Because my hands are relatively small, palming has always been challenging for me, which is why I developed several simpler palming methods.

Crescent Palm: a technique for palming a card quickly during the squaring of the deck.

Pinched Palm: a fast and simple bottom-card palm.

Stealing Palm: my take on the Diagonal Palm Shift, designed to move a center card directly into Classic Palm.

1st edition 2026, video 6:20.

In this PDF, I am publishing a very strong variant of my effect The Gift. I call this variant The Gift 3 - I've already published another effect called The Gift 2, hence this is the third effect in the series.

If you first watch the performance video of The Gift (using the aforementioned link) and then you watch the performance video of The Gift 3 (below), you will notice a crucial difference that makes this variant more impossible-looking. Thus, this variant is a good performance piece for those magicians who are aware of the workings behind the original The Gift...

The spectator freely cuts the deck. The performer spreads the cards and claims to mentally influence the spectator to choose a specific card. The spectator then freely selects a card - no force. After the selection, the performer splits the deck at the point of selection and reveals that the cards are in suit-and-value order, except for the one card the performer named at the beginning. The finale reveals the spectator's selection, which turns out to be exactly the card predicted at the start.

• No force
• No gimmick
• Only a regular deck

Performance transcript:

• To begin, the spectator...

A variation of a classic routine: the four Aces are turned face down one by one. The performer openly changes the orientation of all the cards, and after the audience confirms the backs are the same color, all four cards change to different colors.

1st edition 2025, video 7:39.

A completely self-working effect requiring no sleight of hand. The magician introduces a prediction card and has the spectator freely cut a small packet. The deck is then divided into three piles, and cards are dealt down according to a freely chosen number. The four Aces are cleanly located. In addition, the spectator's cut card, the prediction card, and the bottom cards of the three piles combine to form a Royal Flush. For the full procedure, please refer to the video demonstration.

Performance transcript:

• For this routine, I begin by taking out a prediction card.
• I place the prediction...

A new method for a simple oil-and-water type of routine. Nothing is gimmicked. There isn't any complicated sleight-of-hand either.

1st edition 2025, video 1:20.

The magician begins by taking out 9 cards. A spectator then freely cuts off a packet, counts the cards, and remembers the card at that corresponding number. After that, the spectator freely selects 3 cards from the 9, and the sum of those values not only locates the original selection but also reveals the other three cards of the same value.

A classic principle reworked with a special setup turns this into a much stronger ACAAN-style routine.

Full effect shown in the performance video.

Performance transcript:

• Here I have nine prediction cards.
• I won't need them yet, so I'll...

A spectator freely selects a card and returns it to the middle of the deck. The cards are split into two packets and interlaced face-up into face-down. In an instant, every card turns face-up except the selection - still face-down. And it's not over. Why can the magician locate the selection so cleanly? Because it's the only card in the deck that's different from all the others.

Bottom Fan Control: This routine also teaches my bottom control: the spectator's card is openly placed into the middle of the deck, the magician squares the pack, and the selection is controlled straight to the...