Magic & Conjuring: page 50

Ackerman marries the Kelly Bottom Replacement with the Convincing Control to eliminate the telltale front finger movement of the Kelly Bottom Replacement.

runtime: 2min 9s

Use the Hofzinser cull action to switch a block of cards for another set of cards.

runtime: 2 min

This is similar to the Hofzinser Force with the difference that we are now forcing the bottom card versus a card close to the top.

runtime: 1min 2s

This is a very clean force of a card close to the top. Allan also shares a subtlety by Jimmy Grippo to make this force look even more convincing and fair.

runtime: 1min 44s

Use a Hofzinser Card Control type action to control a card to the top.

runtime: 54s

This is also often called the Hofzinser Cull or Spread Cull, developed by Johann Nepomuk Hofzinser. It is a very versatile move and the grandfather of the Convincing Control.

runtime: 1min 27s

Frank Simon and Don England independently came up with this variation on the Convincing Control.

runtime: 1min 9s

This is Ackerman's variation of the Convincing Control.

runtime: 1min 45s

This is a very deceptive and very popular control attributed to both Ed Marlo and Larry Jennings.

runtime: 1min 58s

This is similar to a riffle force but in fingertip control position. You riffle while the spectator says stop.

runtime: 1min 8s

Allan teaches two fingertip controls, one by Charlie Miller from Expert Card Technique and the other by Ed Marlo from his Fingertip Control book.

runtime: 3min 36s

This is a basic card control - easy to do, but also easy to mess up. It allows you to control the top half of the deck. Allan teaches several fine points and variations, including the slip shuffle where the bottom card is maintained during an overhand shuffle.

runtime: 3min 57s

A terrific control from a fan, created by Paul LePaul. You insert a selected card into a pressure fan. After closing the fan you have the selected card jogged, which allows you to take a break above or below.

runtime: 1min 16s

A jogged card can be seen by a spectator if the pack is placed on the table. Allan teaches you how to use a dribble to disguise the jog, but at the same time allows you to maintain the jogged card.

runtime: 54s

This is a Paul LePaul control, one of the classic, easy, but wonderfully deceptive techniques to get a break above a selected card.

runtime: 49s

Use a Kick Count to crimp a peeked at card.

runtime: 53s

This Steve Draun idea allows you to peek the card while you do fan cards using a pressure fan. This is in contrast to techniques where you glimpse at or after closing the fan.

runtime: 1min 8s

Once you have mastered the Maintain Break With Fan technique you can use this idea to rather glimpse a card than keep the break.

runtime: 44s

This is a glimpse Johnny Thompson liked to do. It is a very deceptive glimpse, executed at an off-beat moment and literally undetectable.

runtime: 1min 5s

Once you hold a break, this technique allows you to peek the card while you square up the deck.

runtime: 51s

This is a very deceptive technique. It allows you to keep a break while doing a pressure fan.

runtime: 2min 13s

Here you will learn a couple of ways to cut cards to the top or bottom. Allan also demonstrates the Kick Count which is used to change the break from under the card you want to control to above the card.

runtime: 3min 3s

This is a wonderful Roger Klause idea to openly display a deck merely resting on your fingers while maintaining a break.

runtime: 59s

Once you have a break you want to handle and display the deck such that it appears to be impossible to hold a break. Here is one sequence of bends and riffles developed by Ed Marlo and published in his Card Control Series from the 1950s.

runtime: 53s