Cards in Magic & Conjuring: page 41

Table of Contents

7. The Principles Of Natural Magic
10. Manner And Gesture
12. The Conjurer's Clothes
13. The Wand
14. The Table

    SLEIGHTS NECESSARY IN CARD CONJURING

15. The Two-Handed Pass
17. The One-Hand Pass
18. The Palm—A New And Perfectly Deceptive Method
22. An Easy Pass
22. To Palm Cards From Bottom Of Pack
23. The Back And Front Of Hand Continuous Palm With Cards
25. To Make A False Shuffle
28. To Force A Card

    SOME SIMPLE CARD TRICKS

29. The Turned Card
29. Catching Two Chosen Cards From A Pack Thrown Into The Air
30. The Unique Card
31. Novel Discovery Of A Chosen Card
32. The Artful Card
33. A Simple Card Discovery
33. To Shake...

Material for parlor and stage, easy to do and very strong. You can create one or two complete acts from this.

• BROKEN HEART (Edwin Hooper): Two selected cards. You reveal one with a plastic heart, then you crack the heart apart to reveal the second one with a card silk.
• STAGE PRESENCE (Aldo Colombini): Uses jumbo cards and with these cards you reveal a mentally selected card.
• JUMBO (Aldo Colombini): You make a kind of airplane with the deck and at the end you reveal a selected card (that falls from the airplane!) and the four Aces.
• WEIGHT GUESS (Tom Hubbard): A spectator cuts a packet of...

Routines performed with a regular deck of cards.

CONTENTS AND CONTRIBUTORS:

• FEELING THE SPOTS (Howard Albright & Ken de Courcy): You reveal a freely selected card from a shuffled deck placed in your pocket.
• TRAMEZZINO (Aldo Colombini): A card is lost in the deck and four Aces are removed. The Ace of the same suit as the selection turns face down. The Ace is now face up in the deck and the face-down card in the Ace packet is the actual selected card.
• THE ULTIMATE GAME (Karl Fulves & Roy Walton): Amazing predictions with all the cards under the spectator's control.
• COMPELLING (Aldo Colombini): A lot of magic...

Table of Contents

4. Tunnel Sandwich
7. Jedi Force
10. Flipover Cut
11. Snapover Flourish
12. Panacea
12. Martinez Display
14. Tell Tale Triumph
14. Zarrow Shuffle
16. Exit Line
20. Add On Finesse
21. Going Under Ground
22. Flesh Eaters
22. - One
24. - Two
25. - Three
27. Any Which Way You Can
31. Fourlorn
33. Double Trouble
34. Cannon Fire
35. Promenade
38. M. C. Switch
40. Spinner

1st edition 1984; original 32 pages; PDF 42 pages.

"A lovely card effect. Highly recommended!" - Andrew Loh

"Double Scam by Mike Daniels is one of the best purchases I have made in the past year. Extremely clever and the ingenious methodology makes it simple to perform and will probably fool most magicians. But will absolutely destroy laymen. Worth every penny and then some. Diabolic!" - Doug Canning

Double Scam is a two-phase ACAAN effect (Any Card At Any Number). A full deck of cards is freely shuffled by the spectator. Both spectator and mentalist choose a two-digit number. Each then secretly selects and remembers a card. The two cards are lost in...

This is the fourth revised treatment that Marlo and Jon worked on during the last year of his life. Their objective back then was to publish a new old-book by expanding the original work to include ideas, finesses, and variations devised after 1962. More important, the revision was to be more organized and cohesive than the original.

The original K.M. MOVE booklet was typed on twenty-three pages. There were only eleven hand-traced, inked drawings [by Marlo]. The material faithfully duplicates Marlo's hand-written notes and was typed by Muriel Marlo. All in all, the finished product had an unpretentious,...

Gene Castillon presented this lecture at a meeting of Ring #27 IBM in the early 70’s, calling it "The Double Undercut Routine". This routine was designed to feature only one sleight or move—the Double Undercut. To prove the versatility and usefulness of this one move, Gene incorporated into one routine a series of different effects all accomplished by this one move. As you will discover, there are magic appearances, a simple sandwich prediction, several Ace tricks, a poker deal, and a simple triumph trick.

When recently asked to lecture again, Gene pulled out his old lecture notes and was surprised...

So you want more card tricks with a regular deck of cards? Here we go!

• ISOLATION (Aldo Colombini): The deck is cut into two. A card is selected from one half. A spectator finds it by picking two cards from the other half.
• 52-CARD MONTE (Karl Fulves): An entertaining, unique three-card Monte routine using the entire deck where at the end the deck changes color. Self working.
• UNBEATABLE (Aldo Colombini): You leave one card aside. Two indifferent cards placed face down in the deck, capture a Jack. Your card is turned and it is seen to be the other Jack. Then the two cards change into the other Jacks. ...

This is a unique download DVD assembling an incredible collection of routines on gambling and poker demonstrations, using just a regular deck of cards and virtually no set-up.

• AMNESIA ACES (Karl Fulves): An amusing routine involving an absent-minded gambler where, at the end, he deals himself the four Aces apparently forgotten… somewhere else.
• CHEATING JACKS (Aldo Colombini): The four Jacks are dealt between you and a spectator and you always get the four Jacks and at the end you get the four Aces.
• STRATHJACK (Roy Walton): Three in-complete pairs for a Black Jack deal give just eleven. The spectator...

These are all self-working or very easy to perform effects.

One item that I would like to highlight is the Klutz Force, because it is on the same skill level as the popular Criss-Cross force, which is frequently used in self-working effects. With the Klutz Force you have an alternative that has a different feel and procedure.

• Simplex Physical & Mental
• Telephenomenal
• 21 And Then Some
• Guesstimation City
• Marked Calculation
• What Is the Question?
• Easy Prefiguration
• Klutzy Forces
• Hobson Chooses Again
• Punch-Line Division
• Simple Sync
• Is Your Pants On Fire?
• Made In the Shade
• No-Clue ...

Every card magician will know the Triumph effect:

The most famous routine is Dai Vernon's "Triumph" originally published in Stars of Magic. However, he probably was influenced by other similar effects that came before. One such routine is Sid Lorraine's "Slop Shuffle".

Jon Racherbaumer will take you through the history of this wonderfully visual effect and will explain and discuss the many...

Now, one of the mentalism's greatest "self-working" effects has been simplified to the point where it really is self-working! One early reviewer referred to Mirabill as "Miraskill minus the skill."

Ten more amazing routines with a regular deck of cards.

• VALUE/SUIT PREDICTION (Nick Trost): A spectator shuffles the deck, yet you reveal a selected card.
• FATE IN NUMBERS (Karl Fulves): A die and a deck of cards. A spectator picks two sides of the die and you deal two packets. The top cards reveal the numbers of the die.
• VANTAGE POINT (Rachel Colombini): A FREELY selected card is revealed with a comedy spelling (or, in a second routine, with an elimination process). Clever method.
• SUNRISE (Aldo Colombini): Two Kings are left on the table. The other two find two selections and they turn out to be the other...

This DVD with exciting and outstanding card magic contains:

• MOUSE TRAP (Aldo Colombini): A funny trick involving the capture of a ‘mouse’ (Ace of Spades) who leaves a card (cheese) full of holes.
• UNIVERSALS (Roy Walton): A clever version of the standard plot, where a Joker takes the identity of three freely selected cards.
• THE SHOOTIST (Radagast): A versatile manipulation where a card is shot from the deck and caught in mid air with the hand.
• TELL ME WHEN TO STOP (Brian Berry): You reveal a selected card at the ‘stop’ of a spectator.
• UNBEATABLE (Aldo Colombini): A clever...

Slip Cuts play a vital role in "Cutting to the Aces," a presentation auspiciously introduced in Stars of Magic (1946). Dai Vernon's handling sparked lots of interest when it first appeared, providing strong incentive to master the Slip Cut. Cardini, who also knew a great trick when he saw one, strongly endorsed Vernon's presentation:

"To lovers of outstanding card magic I heartily recommend 'Cutting the Aces.' It is showy and mystifying, more so than you would think a card trick could possibly be."

Therefore, this treatise begins with explanations of three versions of Ace-Cutting. This may induce...

On the Clock Effect

The clock effect/principle is a variant of the automatic placement principle. It allows you to force a card. The procedure typically is that the spectator freely selects any full hour on the clock (1-12). Cards are then dealt into a clock pattern where one card takes the place of each hour. The card at the spectator's freely chosen hour is the force card, which for example could have been predicted beforehand.

The Clock Effect using playing cards originated at the turn of the century. Potter's Index subsequently listed thirty-eight (38) references—one of the earliest...

Even though the small packet card trick goes at least back to Hofzinser's times Jon argues that the modern small packet trick started in the 1940s when the Buckle Count was introduced by Dai Vernon and got into full swing when the Ghost Count (Elmsley Count) entered the stage.

Jon writes:

A great piece of entertainment. Almost an act in itself. Ten cards are freely selected. You reveal them one at a time with different methods and sleights (uses any deck of cards). The routine is performed entirely in your hands. No table required. With a Multiple Card Control that will blow your head off.

Bonus effect included: BAND-IT (a rubber band wrapped around the deck disappears and then reappears in the middle of the deck encircling the selected card.)

From creative magician Kyle MacNeill comes a completely hands off Hofzinser Ace trick, and much, much more!

From the Introduction:

Personally I find any trick using a swastica not a particularly good idea today, because the swastica is loaded with meaning not necessarily appropriate for entertainment. But we should not forget that this manuscript was originally written in the 1940s.

The gem in my opinion is the last effect, "The All Clear Card Transformation."

Here are the effect descriptions as they were originally written by Stewart James.

Karl Fulves published in Pallbearers Review an unsolved card problem wherein an Ace having the same suit of a previously selected card changes into that selection. The puzzling aspect of this problem was this: The four Aces are shown, mixed, and tabled face down. Nobody knows the order or disposition of the Aces, not even the spectator.

Jon describes eight solutions each with its own trade-offs, strengths and weaknesses.

Jon concludes his manuscript with:

This routine was inspired by a magician’s challenge that it was unfeasible and unadvisable to perform several Ace Assemblies in a row for lay audiences. In fact, he argued that most Four-Ace Assemblies are neither entertaining nor interesting to layman because they are essentially magician’s exercises. This synergism is an exercise based on an opposite view; however, a key lies in presentation. The performer ostensibly is relating a bit of history regarding how a card trick was performed in the 16th century. In the course of the explanation, he acts as a proxy for skeptical spectators who...

Dr. Brent Morris covers the faro shuffle in minute detail from a mathematical analysis, to the history, applications, tricks with the faro shuffle and variations of the faro. If you want to become an expert on the faro shuffle this is a must have. Any card expert will cherish these notes because they are authoritative and exhaustive.

All ACAAN fans rejoice. You will find in this ebook the first ever published solution to this effect with faros. The effect is as follows:

The basic plot of the "Chamele Aces" was developed in the late 40s by Edward Marlo, who shared ideas about this motif with Neal Elias in 1949. Elias wrote notes regarding the methods they explored, which he and Marlo then filed away. Neither published the "work;" however, Marlo performed an impromptu version at a Pittsburgh magic convention in 1955. Earlier the same year, Roy Walton published his version of "Chamele Aces" in The Gen (February-1955: Volume 10 - Number 10).

The basic Chamele Aces plot is four red-back and four blue-back Aces transpose one at a time.

1st edition 2008; 80 pages.

Table of Contents

5. Introduction
8. A World About Problemists ...