Cards: page 50

False Cut Techniques, Part 1

• An Optical False Cut from the Hand
• The False Swing Cut
• A Simple False Cut
• A Triple False Cut
• The Slip Cut from Dealing Position

  TRICKS WITH FALSE CUTS

• Hat Trick
• Court Card Conclave

The full volume ebooks can be found here: Card College 1 & 2

[Note that to view the embedded video clips on iPad you will need the PDF-Expert app. And to view them on Android tablets use ezPDF. There could be other apps that work but these two have been tested.]

Overhand Shuffle Techniques, Part 1

• The Overhand Shuffle
• Running Single Cards
• Control of the Top and Bottom Cards
• Controlling the Top Stock of the Deck–The Injog Shuffle
• Controlling the Bottom Stock

  TRICKS WITH THE OVER HAND SHUFFLE

• Thought Stealer
• The Spectator Cuts the Aces

The full volume ebooks can be found here: Card College 1 & 2

[Note that to view the embedded video clips on iPad you will need the PDF-Expert app. And to view them on Android tablets use ezPDF. There could be other apps that work but these two have been tested.]

Fundamental Techniques

• Dealing Position
• The End Grip
• Elevated Dealing Position
• Squaring the Deck
• The All-around Square-up
• Giving the Deck a Complete Cut
• Spreading the Cards in the Hands
• Outjogging Cards as They are Spread Between the Hands
• Dribbling Cards
• Dealing Cards
• Dealing Cards Face Down–The Draw Method
• Dealing Cards Face Up–The Stud Method
• The Swing Cut
• The Break
• The Little-finger Break
• Forming a Little-finger Break Under the Top Card–Two-handed Method
• Forming a Little-finger Break Under the Top Card–One-handed Method
• Forming a Little-finger Break Under Multiple...

The magician presents to the spectator a deck of blue backed cards and shows that this is just a regular deck of 52 cards. The magician places the deck, face up, on a table. This is the last time that the magician will touch the deck.

The magician invites the spectator to cut the deck approximately in half and place it next to the original pile. The spectator is then invited to select one of the two piles which is then put to one side.

From the selected pile the magician invites the spectator to deal the cards face-up and to stop at ANY card they wish. This gives them a genuinely free...

Four strong card effects with little or no sleight of hand that practically work themselves. These are not the self working effects you learn from books from a public library; these are all strong, workable, crowd-pleasers!

"I will be using something from this booklet!" - Paul Hallas

"A great ebook, John!" - Kyle MacNeill

"All of these are good for audience involvement and there's lots of impossible magical stuff going on, it's a fun book." - fonda57 (Magic Café user)

"Overall, this is a nicely produced booklet with links to private Youtube performances which is a great service." - Felix Schellenberg...

Natural Scam, by Vittorio Versailles, is an ACAAN effect based on Tommaso (Tommy) Guglielmi's famous Subtle Scam.

Natural Scam represents a significant change to the workings of its predecessor, and will be of great interest to all those interested in the ACAAN plot.

What the new changes do best is they allow you to perform this ACAAN routine in a way that is so completely natural that members of your audience will think they just witnessed a miracle.

Natural Scam is completely impromptu, totally hands off, requires no prior set-up, and it is 100% natural.

Is this the holy grail? You will have to find out for yourself! ...

"The is a stroller / workers dream!! I love the spectators choice of card appearing where the previously blank card was put in their own pocket!! All the displays and moves are justified, there is no counting cards just for the sake of counting cards etc. Rus has stripped back the effect, so it couldn't be any more simple and yet so strong at the same time!! Magic Tao have done another fantastic job on the production of the DVD too. Keep up the good work Rus, I wish you all the best with your other current releases." - Matt Wainwright

"I've been playing with this today. It really is great and I'll be using it at this weeks weddings for sure! Rus has taken the "reversed card match" effect to another level with this. The added kickers of the odd backs followed by a deck of blank cards will fry laymen, and most magicians alike. The quality of the DVD by Magic Tao is first class. A live performance followed my a clear concise explanation. Rus is a clever thinking honest guy, an I can't wait to see what lease he releases for us in the future!!" - Matt Wainwright

"A devious deception …It's all in the hands! Whether it's gambling, influence or magic your number's up with Numbers." - IAIN - themagiccafe

"When it comes to 'card at any number' effects, I've tried most and Rus Andrews' 'Numbers' is the one I always come back to." - Sean Giles - themagiccafe

Imagine placing a prediction, openly in front of your spectator, and handing them a deck of cards. You then ask the spectator to create a 2 digit number. After the spectator has checked that the deck is a normal shuffled deck you ask them to deal...

An ebook of card transpositions featuring the following routines:

Two Card Transpo Jnr – Building from an idea John put in The First Eleven, two cards swap places between the deck and you pocket. Then they transpose again!

One Fech Of A Surprise – Based on an Eddie Fechter effect, two selections are made, with one being placed in your pocket. The second selection is found, which changes into the first selection. The card is brought from the pocket to reveal….it's changed back to the first selection again!

You And I – a transposition trick using only two cards (yes ONLY TWO CARDS – no extra...

Those who have used it agree that it's one of the easiest and potent stacks in the world of stacked decks. A work of over 10 years that finally is seeing light in this ebook.

New properties and deep study about the DaOrtiz stack. Divination, coincidences, exhibitions of skill… all in 134 pages complete with photographs.

But what properties comprise the DaOrtiz stack? In addition to the properties of all stacks, like how to find and control cards, this stack supports the abilities to:

• Get to stack from a new deck
• Show it to the spectators
• Ability to move to red-black alternating...

This is the first monographic study by Dani DaOrtiz. Dedicated to the torn and restored cards. Eleven fascinating routines, for all levels; as well as a theoretic study on the torn cards, which deepens the necessity of using signatures. Duplicate cards without duplicates, signed cards secretly, or duplicate signatures in front of the spectators.

In addition, you can find the following tricks

• Flash pocket restoration
• Flash card box restoration
• Matrix restored
• Not another torn and restored
• Back in time
• "Plas!"
• The one
• Gag, the strongest magician!
• Restored in the shoe
• Instant restoration ...

The "Acrobatic Cards" captured Marlo's imagination - a brand new concept in a mechanical changing card. Now with this big ebook by Ed Marlo, the card trick is changed into a miracle...or a whole series of miracles! Plus an innovation called Marlo's secret Gimmick, which carries you even farther into the world of Acrobatic Cards. Contents include: six methods for handling the gaffed card, three methods for placing the selection, fifteen effects with Acrobatic Cards, Secret Gimmick, with ten effects, and a dozen inspired tricks including some by Jon Racherbaumer. Fully illustrated by Nelson Hahne. You will need...

This ebook is for the advanced student of cards. Russel T. Barnhart teaches two second deals. One he calls the 'Thumb Second' and the other the 'Little Finger Second'. Both are described with words and photos.

1st edition 1974, 16 pages; 1st digital edition 2012, 12 pages.

An entertaining routine on the Cannibal Card theme. Several effects tied together to create the perfect 'cannibal card' routine ever. The cannibals appear, change 'clothes', capture victims, eat victims, eat each other and reappear!

Requires a double-backed card.

You show five cards completely blank on both sides. A card is selected from a regular deck (say the QH). The same card appears on the face of every blank card. Then all the cards are blank again including the spectator’s selection; this card now re-appears face up in the middle of the deck!

Requires four cards blank on both sides, a blank-backed card and a blank-faced card.

This is an amazing close-up trick which is a mystery to any audience. Two cards are selected from a deck of cards. You show several Jokers. One at a time, the Jokers turn over and during this process change one by one into duplicates of the first card. Then, all together they change into duplicates of the second selected card!

Requires two double faced cards.

More great magic of Nick Trost. All the routines are performed with a regular deck of cards.

CONTENTS:

• FOUR-WAY MATCH-UP: You lay four cards on the table. The spectator separates the deck into four packets and at the face of each packet he finds the matching cards of the previous four.
• THREE MATCHED PAIRS: A spectator picks three pairs while you deal cards and they are the only matching pairs of the packet.
• SUITS OF SYMPATHY: A stunning routine. You place the hearts cards in a glass. The Diamonds cards are shuffled by a spectator and they match the Hearts cards. Stunning.
• REPEAT ROYAL MARRIAGES:...

The routine is based on Frank Garcia's "Five-Card Stunner" but also on handlings by Ken de Courcy and Herb Rungay. It is perfect for stand-up performers (parlor or stage) with no table required. You show a black card (say the 9C) and four red cards. When the cards are fanned, there are only four and they are all red; the black card has vanished. You eliminate one red card and then you remove the missing black card from the pocket. Again the cards are shown and then fanned. There are three red cards; the black card vanishes for the second time. You eliminate another red card and remove the black...

An uncanny demonstration of apparent thought-reading.

THREE SMASH HITS: You show a packet of cards (saying that it contains the four Queens) and leave it aside. You also show another packet of four cards and they are seen to be the four Queens. A spectator FREELY touches any card and this is revealed to be, say, the QC.

FIRST EFFECT: The QC is seen to be the only reversed card in the other packet.

SECOND EFFECT: This card has a red back, while the other three are blue-backed cards.

THIRD EFFECT: The three blue-backed cards are seen to have blank faces.

Easy to do. At the...

In the late twenties Larsen & Wright (William Larsen, Sr. and T. Page Wright) were prominent names in magic. They produced a flood of contributions to magic magazines, over one hundred in The Sphinx alone in 1927-28 (so many in fact that The Sphinx felt compelled to publish much of it under a variety of pseudonyms). But in addition there were the Larsen & Wright publications, a large series of printed books and manuscripts offering a mass of original material not appearing in the periodicals.

When T. Page Wright died tragically in 1930, he left behind the finished manuscript for a mooted book. Incredibly,...

"I haven't purchased magic for myself in years. Thunderbird was my first online purchase, and all I can say is WOW!" - Dan M.

EFFECT #1: The magician opens up a card wallet displaying some playing cards torn in four pieces, each of them held by a rubber band. He explains, "Those are a few of the wrong predictions I've made in the past. Since then, I've learnt to keep being positive. For example, this one was wrong at the time it was made, but what if it was just right today?" You move this one aside and pocket the rest.

A spectator selects any two-digit number up to 50. The deck is dealt accordingly to make up a card, selecting a value and a suit. Despite the huge range of possible outcomes, the prediction that...

A deck is shuffled. While the performer's back is turned, one spectator selects and remembers a card, which he then loses into the deck. No one knows where this card is. Its identity is known only to the spectator. Now, a second spectator merely thinks of a number. The performer mixes the cards further, and spreads them face up to show the cards to be completely mixed. The second spectator now, for the 1st time, reveals her thought of number. The spectator is handed the deck. She deals the cards one at a time until she reaches her thought of number. The card arrived at is the card being thought...