I was asked t review the trick "Instantly Healed" by Ray Hengeveld. I am certainly not a ‘household name’ among magician's. I studied with Slydini for eight years and perform for laymen at private parties, hospitality suites and trade show booths.
If I am going to add a trick to my performance list, the trick must be dependable. It has to be practical ... commercial. While I will occasionally meet a person who is generally interested in the Art of Magic, most laymen simply wanted to be entertained and are not concerned with technique.
So when I see a trick like "Instantly Healed", a trick that enables me to perform a very nice ‘close up illusion’, a trick that is dependable, and workable in a real world circumstance, I appreciate it very much.
Ray has created a trick with a beginning, middle, and an end. The construction is logical and the actions of the magician can be justified in the mind of the spectator.
There are some subtle things going on that will inspire thought and creation in the mind of the magician.
The manuscript is sincere in its effort to provide the reader with complete instructions and offer alternatives of performance and method.
Dennis Barlotta San Francisco, 2009
I had the pleasure of hosting Ben Robinson at our home/theatre last week, to deliver a lecture on the subject of this book, John Mulholland. He enthralled the entire audience for nearly two hours with stories of Mulholland's life as a performer, author, lecturer, editor and consultant to the CIA. As a bonus, he performed several of Mulholland's signature effects and even taught one of them. All in all, a very informative, entertaining and fascinating evening for all. I highly recommend this book to anyone with an interest in magical history and if Robinson is appearing anywhere near your area, do not miss him.
For the price you can not go wrong and the routine is solid worker stuff. My only pet peve here is that the description advertises that this could be done as a street routine. I have to say that unless you have a table you can not do this routine as written in the street (or the author does not describe the differences between doing this routine in the street vs. table hopping).
It did strike my imagination and gave me something to walk away with. You get to see and example of patter and presentation of the effect which I think a lot of books lack. The routine itself, to me, provides something different from standard sponge routines.
I gave it 3 for false advertisement, but that is just my opinion.
Now you can be glad that you are a magic enthusiast and Roberto lets your wish come true! I have subscribed to it immediately and I only can recommend you to do so!
I gave this E-book a rating of 3. I would have rated this a 2 based on the price paid, but bumped it up to a 3 because I know that:
1. You will make your money back on this if you are already a seasoned performer. 2. You get some ideas and help from one of the most generous persons in magic today who will in no doubt help you further in working this venue.
I do not recommend this E-book for the following people:
1. Those who are not seasoned Family/Children entertainers. 2. Those who already work in this market.
This e-book is a small push in the right direction for the seasoned Family/Children entertainer to increase their work by focusing on this market. Besides the lack of edit/proof reading (there are some grammatical and spelling errors), Kyle shares some “ideas” and experiences that has worked for him.
The E-book starts off slow with an introduction and reasons of working and not working this market. I feel a lot of the material in this section could have been minimized or left out. The most interesting part in this section is where he describes how the Scouts began. So the first 9 pages provide a very small value before you start hitting some valuable information. On a scale of 1 to 5 I give this section a 1.
Next is budgets and fees, which is one of the most important subjects that first come to mind in working any venue. This section falls a little short of what I expected because you are only given general guidelines on what to charge and how to figure out what to charge. It leaves the reader to work it out on his own. I expected real world numbers and experience. This should be nothing new for the seasoned performer would naturally do this on his own. I give this section a 2.
Next is about packages to offer and the length of your show. This information sparks the creative juices and provides some ideas on what to offer this market. The details of the venue are broken down and valuable advise is given that will give you a head start on what to expect from this type of venue. I would describe these pages as Kyle's tips and tricks. Good stuff here, I give this section a 4.
After 16 pages, you finally get into the marketing aspects. This is what you are paying for and what this E-book advertises. You get a list of resources, techniques on approaches, and small examples. Overall good material on how to do the leg work and marketing steps to get you moving in the right direction. The thing lacking here is real world examples. There is a sample sales letter and scripts but they leave you short of just having to find your own way on this. Then there is a brief mention about promotional material. I would have expected at least an example on what Kyle's promotional material looked like and details on these items. I give this section a 3.
So now you are up to page 28 and we get into the show aspects. There are some good ideas, some concrete examples, but nothing of any detail. You are not going to get a full act out of this section. This is where the E-book started to fail me because if your going to mention this stuff you might as well go all the way. What does Kyle do at these shows? What is the structure of the show? David Ginn certainly provides that info, why not provide that here since it is brought up. What made up for this, was the ideas provided on back of room sales; marketing yourself at the event; and extending what you learned to make the venue work for you through out the year. I give this section a 3.
In short, you are given a lot of ideas that you are left to sort out yourself. Some of the ideas should be obvious to the seasoned performer; some are specific to this venue; and others are those ideas you know about but might have forgotten.
I hope this review helps.
My one pet peve is where there is an endorsment from Ken Scott, and then in the book there is mention of Ken Scott's product.
This lecture kept me in my seat all the way through. One of the most interesting lectures I have ever seen. Totally fascinating and informative. The three Mulholland effects Ben performed were terrific. I highly recommend that you get this book as it will be extremely enjoyable.
Author Robinson presents an erudite and illuminating read, filled with the wonder of magic and the hard facts of history. He brings to life a fascinating character in John Mulholland, and little known events with wondrous revelations, heretofore hidden from the public at large. The enormity of the the author's research and writing efforts are in evidence throughout.
If anyone thinks government malfeasance began with Nixonian manipulations and reached it's nadir during the recent Bush years, this story must be examined closely! "The MagiCIAn" is a must read page turner.
This book is amazing! It helped me so much in playing online poker. I've read a few books on poker strategy, but this one definitely broke it down and was easy to understand. I definitely would recommend it to beginners and intermediate poker players.
The Author should have put at the start on how to stack the pack in one string, then in simple words on how to locate cards etc. and then continue to explain the mathematics behind it and formulas in algebraic notation. The history and background of the Si Stebbins should also be in the back for those who are interested.
All in all, I find it rather difficult to work out on how to set the stack and how to work with it based on the description in the text. You really have to sit down and work through the material to work it out.
Conclusion: Once you have figured it out, it is certainly worthwhile, but it reads more like a scientific dossier. I find it rather complicated.
I really love Grants method for the floating lightbulb. It is simple, precise, beautiful, and simple to accomplish. As the manuscript says you can in fact very easily do this close-up for people. Even though the description of this effect says it is only for stage the original manuscript's claim is right. I would definitely recommend this to any magician... wait no I take that back I want it all for myself!
This is the way linking rings (cards) would look if the magic were real. I've provided a more complete review on the Magic Cafe when this first came out, and I still believe it can't get any more visual than this. It is exactly the way it appears in the video.
If you are interested in adding more comedy to your act, or just want to make your presentations your own, this recording and its sequel are must-haves. There are several books and courses available right now about comedy magic and writing comedy, and they may be very good indeed. But for $18.00 you can have approximately two hours of Terry Seabrooke's tips, pointers, and routines at your disposal. A great value.
Ok, I admit the demo made me order this "routine". The demo looks great but all video demos look great; don't they? I always look at these things from a spectators point of view so it looks great from the demo.
The reason I say "routine" because you are paying for the routine, idea, concept and the handling that you see on the demo. There is nothing earth shattering here and I suspect that you if you saw the whole "routine" that you would think twice about ordering. But, with that said...I still give this a good mark...read on....
I am please with this download because of the detail and video instruction covered. Also in reading the download you have an idea/concept that is thought provoking to the point that you will come up with potentially your own idea and/or handlings of this routine.
The practicality of this routine for workers is good, but probably even better for the hobbiest.
For the price it is not bad, but if you get the transfer as seen in the video you have potentially a strong effect on your hands.
If bridge is going to survive as a recreational activity, it will be saved by Chris Hasney and visionaries like him. Chris successfully teaches someone who literally does not know the difference between a spade and a heart how to play winning bridge in one hundred sixty-three pages. He uses language a non-bridge player can understand. He instills a sense of fun into the entire process by using terms such as "Monster Mash" to describe hands with freak distribution. He lists and elaborates on almost every element of bidding, declarer play and defense that a new player will need to master in order to be successful and does so efficiently and with flair. Not only that, but, at the end of each chapter, he suggests a bibliography which is divided by tiers of difficulty and sophistication.
Chris' target audience is the non-bridge player who wants to learn how to play bridge. This hypothetical player could be young or old. He could have interest in tournament play or his interest could be limited to home or club play. Chris is not trying to save tournament duplicate bridge. He is attempting to save the game of bridge itself, without the trappings of master points or trophies.
This no-nonsense and simplistic (hence the name) approach to teaching the game is just what the doctor ordered. But don't think Chris' discussions of vital subjects such as slam bidding, defensive carding and declarer plays such as squeezes are cursory. Although they may not be able to immediately completely comprehend them, he is able to delve into the finer points of the game in a way that enables novices to appreciate their beauty and availability.
I'm not greatly familiar with e-books and their format, but Simplicity Bridge could have been aided by improved graphics. Chris uses several tables which help explain concepts, but they are somewhat stark and geeky at times.
If your life depended on teaching someone how to be a good bridge player within a limited amount of time, Chris Hasney's Simplicity Bridge would be your magic bullet.
The scripts are written for a particular type of puppet such as a cow or chicken and not adaptable to other characters. The jokes are not very funny. A ventriloquist would be better off in finding a good joke book and working the jokes into a routine.
I very rarely offer reviews on a product or book as I very rarely find something that delivers more than my money's worth. However, Mind Blasters is definitely in the category of "more than your money's worth". I found several items which I feel are each worth at least the price of the e-book . Many of these items could be sold individually for the cost of the whole collection. Some examples: AAA Serial Number Divination, Back to the Future, Still Battling Along, Con-Flatulation, just to name a few.
After almost 30 years of mentalism and magic I am quite critical when an item sounds too good to be true. None of the items in this collection fit that category. Although not all of the items fit my performance style, there is enough material here which I will use, that I feel as though I got the better end of the deal!!
A very interesting ebook, a mixture of mentalist effects, dodges / subtleties to enhance various effects (Sean mentions the effects that he 'adds' them on to, but they are also things you can take and make applicable to your own work), and essays. This gains more depth on each read-through, and the contents overall have lots to commend them. The effects are very good ('Beyond Touch' is particularly impressive in my opinion, but it is by no means the only good one), the mechanisms are well thought out and not hard technically, everything is explained well. The style of writing is fluid and clear. Bought at the end of the 2008, it is definitely one of the best things I bought all year. A really good read, and lots of thought-provoking ideas.
If you don't know OOTW, this is a great (not to mention great value) version and well worth getting. If you already are well aware of the basic trick and the many variants around, this is still excellent.
As one who also performs ventriloquism and magic, I found this recording a delightful memoir. Mr. Blake does not teach any vent here, but he does share some good tricks and performance tips. He also has some great stories about his performing days. Recommended.