Theory, Articles & Reviews in Magic & Conjuring: page 3

This ebook addresses in a fairly comprehensive and very thoughtful way, how should one approach a stranger with magic. I have not seen any other work which addresses this issue in such detail and with such practical advice. If you are looking to do some 'street magic', this is an ebook you should not ignore.

1st edition, 2005; 140 pages.

• Why the Public Approach?
• Reversing the Perspective
• Fundamental Human Nature
• People are Bored
• Personal Confidence
• The Freedom of Indifference
• Reframing Limiting Beliefs
• Performance Anxiety
• Practice Makes Perfect
• Testing the Waters
• It's Nothin' Personal ...

A thoroughly understandable explanation about how to create new magic and the techniques for improving the magic that you already do. De-mystify the creative process and open up your mind to simple yet effective ways to improve your magic.

Over the years there have been a number of books which have sought to create some sort of ‘system’ to explain and to formalize the process of magical creation. The problem is that in seeking to explain and elucidate the process so much jargon and complex theorizing takes place that the average reader is left with little that is understandable to work...

In this book about all of Dr. John Nicholls Booth's (1912 - 2009) books the reader is treated to find information on many topics of interest written between 1929 and 2009 - 80 years! Ben Robinson and Dr. Booth worked on four books together from 1985 to 2009. Robinson indexed the first twenty-five years of Booth's celebrated Memoirs (the index published in 1990). The John Booth Reader gives a wonderful insight into Booth's multifaceted life of Unitarianism, preaching, stage and close-up magic, mountaineering, adventuring, filmmaking and travel to one hundred and forty six countries. The personalities...

So, you want to be a good magician? Get these performance, routining, and creativity notes, which detail step-by-step instructions to make your magic better. Packed with time saving tips and techniques that you can use to quickly elevate your routines to a professional level. Learn how to use the Triple-Trilogy Structure and the powerful Series of Three Principle to plan your entire show. Then, you'll learn how to fully script your routines (forget about "patter"), organize your props, practice and rehearse (yes, they are different!), and conduct your business professionally.

Plus, you'll...

This is a very in depth work on The Gozinta Boxes. This is not just a little eBook that teaches a single effect. It is a book on theories, philosophies, and thoughts on the effect; however, the thoughts on the effect itself that David discusses can be applied to all magic. This eBook really lets you in on the mind of David Devlin, how he thinks, how he puts routines together, and his feelings about magic as an art and the performance of magic. So, even if you do not use the illusion that is discussed you will learn ways of creating and improving routines of your own. The effect of the Gozinta...

Whether you spend an hour a day, or a few hours before your performance this ebook helps you get the most out of the time spent.

The materials in this ebook help you identify dead spots, problems with angles, poor manipulation and other elements that directly impact your performance. Materials are included that help you prepare for the unexpected. The performance factor rests entirely on the audience. This ebook helps sharpen your performance skills.

• What is rehearsal
• Tools
• Evaluation
• Documentation
• Sample documentation forms
• Trick/Routine form
• Train wreck rehearsal
• Wrapping it...

"I used to do that trick many years ago. I just cannot remember how it went but the audience loved it." Have you heard that before? Everyone has files. We keep records of bill payments, taxes, bank statements and a bunch of other important information. Why would your magic be any different?

This ebook identifies the importance of keeping back up information on your magic. It offers suggestions on a file system that includes text, binders and DVD sources. Armed with this system you could bring back any magic that you have done in the past. Use your files to determine what has changed, what...

From the Preface:

A primer to help organize clusters of magic into a professional show. Rate your magic in terms of entertainment factor and establish a flow that moves your performance from show opening to close. Learn the reasons larger and smaller magic are blended into a performance. Then learn how to use these various waves to slowly build your audience to that big "wow" finish successful magicians close with.

• Show Components
• Mechanics
• Inventory
• Flow
• Music
• Produce Your Show
• Specialty Shows
• Documentation/Backup
• Wrapping It Up

1st edition 2016, 27 pages.

Bringing on an assistant to work with you does not have to be expensive. But it does need to be planned out. From adding the employee, to work costumes and through performance this ebook sets the foundation to get started. Begin with the magic you already own and with increased marketing watch your shows evolve to larger venues/audiences.

• Selection
• Payroll
• Sources
• Appearance
• Performance
• After the Show
• Train Wreck Performance
• Wrapping it Up

1st edition 2016, 23 pages.

Now for my next trick..... Ladies and gentlemen watch as I take this silk...... And now, right before your eyes I will...... For my next trick......

Announcing each and every trick you do during your show gets boring to the audience. Nothing makes you sound more generic then constant repetition. For that reason, magicians have come up with methods to create flow through their performance. The methods they use between their magic is referred to as transitions.

The three basic transition tools are: announce, lead and connect. This text identifies the three transitions and helps you use...

A primer for working with a partner. This text addresses such questions as: why work with a partner, what do look for in a magician you want to work with, documents that both partners need to consider, the basics of putting a performance together and other information.

• Why a partnership
• What to look for In partner
• The partner agreement
• Partnered performance
• Transitioning
• Accent the positive
• Wrapping it up

1st edition 2016, 21 pages.

Two magicians do a show. At the end one audience leaves the show walking out like students changing classes at high school. The other comes out excited, talking about some of the "WOW" moments of the show. The difference between the two magicians is the entertainment factor.

You can have the best equipment, do the latest/greatest magic and still fail. The true unit of measure for magicians is the entertainment factor. That factor is controlled entirely by the audience. This text identifies elements that impact the entertainment factor.

• The Entertainment Factor
• Entertainment Factor Impacts ...

A major portion of the audience's experience involves the environment. Their enjoyment can be pleasurable or highly distracted by the area they are given to watch you. This text covers the importance of the performing environment from both the stage and audience perspectives. It goes into details that need to be discussed before the room is set up. It covers many areas most magicians take for granted.

• Seating
• Staff
• Performance Area
• Sound
• Flow Path
• Emergencies
• Get Ahead of Set Up
• Meet and Greet
• Wrapping it Up

1st edition 2016, 20 pages.

A call comes in and their magician cancelled. They need a magic show in the next half hour. Can you be packed and ready to go? Maybe you are at an event and one of the sponsors comes up to you and says they need to fill a thirty-minute gap in their schedule. Are you ready to step on stage and go to work? The answer rests in what this text refers to as a tool box show. When the phone rings, if the money is right, all you need to do is grab your tool box and go to work. This ebook will help you take advantage of those "short notice" performance opportunities.

• Real world
• Tool box show purpose ...

Magicians do the same basic show over and over. This text will help you prepare for a second, third or fourth show that same day. It covers the need to decompress from the first performance, relax, and reset. Then it identifies ways to pump yourself back up.

Every time you step on stage the audience should feel they are experiencing a premier performance. They don't care if we have done the same magic 100 times already. They want to see a fresh, energetic show each and every time.

This text will cover some of the things professionals do between shows. They follow steps that help them...

When watching a magician the question that is most pressing on people's minds is how did he do it?

This is not the only question that can be asked of a magic performance. A psychologists might ask why it is possible that the mind can be deceived, occupational therapists are interested in how performing magic tricks can help people with physical disabilities and sociologists research the subculture of magicians.

This ebook explores some answers to the questions that scholars from different fields of science have asked about the performances of magicians. For magicians this ebook provides...

Illustrated with nostalgic, rare photographs by Irving Desfor. Not to be read just once, but to keep as a reference ebook in your library.

• Great Writers Discuss Books, by John Braun
• Buy Lines, by Jimmy Findlay
• Quest for Magic Books, by George Jenness
• The Magician and Comedy, by Bob Orben
• The Magical Bookie, by S. R. Patrick
• Calculated Risk, by Dr. Edwin A. Dawes
• Pleasures of Reviewing Books, by Sid Lorraine
• Are Magic Books Worthwhile?, by John Mulholland
• Books About Books, by Robert Lund
• Magic Catalogues; Exciting Reading, by Dr. Grossman
• Rarities, by Edgar Heyl
• Thoughts on Lecture Notes, by Gary Bontjes ...

Compiled and edited by Neil Foster. Illustrated by Sid Lorraine with an introduction by Robert Lund who says, "in his field, as the professional dissenter and commentator on the foibles of magicians, he is the most original entertaining writer on conjuring today." He was talking about Clarke "The Senator" Crandall and his ebook contains the following chapters:

• INTRODUCTION
• DEDICATION
• It's a Mystery to Me ...
• Let him who is without sin ...
• Panties, Falsies and Lolly-pops
• The Egg and I
• Criticism should be a reward
• ... and with much less effort
• Those who watched ... saw an artist
• Barbecueitis...

Dariel Fitzkee authored one of the best trilogies on magic theory. This volume, book one in the trilogy, primarily deals with theoretical aspects of a magic performance. This book has been cited numerous times and is one of the standard works every serious magician should read. Fitzkee has a very analytical mind and describes his thoughts clearly. As with any theory not everyone will agree with every detail and every suggestion. Regardless of if you fully subscribe to Fitzkee's thinking or not, there is plenty to learn from his writings.

Paul Fleming wrote:

This volume, book three in the trilogy, is all about the psychology in magic. Mechanics alone, a sleight or move, are not sufficient to produce a strong magic effect. Dexterity by itself is more like juggling. Only if misdirection, the psychological aspect of deception, is added into the mix, will one be able to create a truly magic experience.

There aren't many good works on misdirection. This is one of the must read ebooks, a classic in the theory of magic. A shorter but modern discussion of misdirection can be read in Pocket Power by Jarle Leirpoll.

Paul Fleming wrote:

This is book two from Fitzkee's trilogy and is unlike any other book ever written on magic. It was the first book (and to my knowledge the only book) to attack magic methods from a scientific standpoint. Fitzkee develops here a classification of effects, from appearances to vanishes, and then describes a system to invent or develop new trick plots. This is an invention system. I would say it is one way to invent new trick plots. But even if you are not of the scientific sort, the classification and discussion of magic effects and methods is a tremendous resource to expand your horizon and think...

Terry Seabrooke is a genius at comedy. He has only to walk out in front of an audience and they begin to laugh. In these recordings Terry explains how you take a standard prop and turn it into a comedy item.

Who would have thought of cutting a piece of wallpaper by getting a lady assistant to lie on it while he saws through her and the sheet of paper? Only Terry Seabrooke. Here in this master class he teaches you how to develop your own comedy magic routines and explains the essence of building comedy situations that will make your audience laugh. If you are thinking of creating your comedy...

This is volume two of Terry Seabrook's comedy masterclass. How do you take any object and turn it into a comedy item?

Terry is one of the funniest magicians. He has entertained lay audiences and magicians and they all fall under his spell. It is all here. It looks so easy but it requires careful planning and a lot of hard work and the inside info that you will find here.

And even if you are not planning to put together a comedy magic show, it is extremely helpful to understand how comedy works. How do get somebody to laugh and laugh at the right moment? It puts you, the performer, in charge...