Cards in Magic & Conjuring: page 23

This was a favorite effect of Ed Marlo. The performer looks through the cards and selects four random cards which he puts face-down in front of the spectator. However, once the spectator turns those cards over they are now all aces.

runtime: 2min 15s

This is an idea by Steve Mayhew. He turns the classic Triumph effect into something entirely different. A face-up half of a deck is shuffled into the other face-down half. The performer then demonstrates center dealing only the face-up cards. The last face-up cards coming out of the deck are the four aces leaving the performer with only face-down cards.

runtime: 4min 53s

This is a patter line used by Paul LePaul. It can be used in combination with a glide, second deal or double lift. Allan uses here a mechanical second.

runtime: 47s

This is a beautiful Larry Jenning routine where hand progressively gets better and better starting from a simple pair all the way to a straight flush.

runtime: 9min 32s

The 'card to wallet' effect is one of those all-time classic magic effects. It is probably the best application for palming. A spectator freely selects a card, signs it, shuffles the pack, and magically the chosen and signed card ends up in a zippered compartment in your wallet.

runtime: 2min 49s

The 'card under drink' plot was made famous by Heba Haba Al (Al Andrucci) in the 1960s. Ever since it has been a favorite of bar magicians all over the world. Here Allan teaches a version that uses a misdirective idea by John Bannon. The effect is clear and devastating. A chosen card unexpectedly ends up under a drink (glass, can, etc.).

runtime: 2min 11s

Spectator cuts the deck into four piles of approximately the same size. Performer puts one ace on each pile, assembles the piles and without any funny business the aces end up at the very top of the assembled pile.

This is an application of the Benzais cop.

runtime: 59s

Spectator chooses a card, remembers it, and the card is lost in the deck. Then the performer places cards one by one on the table until the spectator says: "Stop!". Magically the spectator has stopped exactly at his chosen card.

This version of the Stop trick uses the Benzais Cop to achieve the effect.

runtime: 1min 49s

The performer hands 6 cards to a spectator who arranges the cards in red-black alternating order. The performer openly counts those six cards to the table. Once the cards are ribbon spread on the table the colors have, like oil and water, separated.

This is a very clean sequence that can be added to most oil & water routines or performed stand-alone. The oil & water effect is an Ed Marlo creation. This version uses the Benzais cop to achieve the effect.

runtime: 1min 28s...

This is a routine Allan Ackerman developed in the early 1970s where he tried to achieve the cards across effect with as little motion as possible. He also added a visual card vanish. Later Paul Harris took this routine and turned it into his famous Sleeper routine.

A spectator picks a card. A second spectator cuts off a small portion of the deck, counts the cards, and puts the counted cards in a safe place. The performer then attempts to magically add as many cards to the second spectator's pack as the value of the card the first spectator chose.

This is the classic travelers plot from Dai Vernon, based on a handling by Jon Racherbaumer with some changes by Allan Ackerman. The four aces are lost in the deck at four different locations. You then pull out one ace from your right jacket pocket, another ace from your breast pocket, the third one from your left jacket pocket and the fourth one is left in your hand while the rest of the packet has magically traveled to your jacket pocket.

runtime: 2min 40s...

A card is chosen and signed and lost in the deck. The card travels repeatedly to the performers pocket in ever cleaner and more unbelievable fashion.

runtime: 4min 12s

These are almost all effects based upon magic that can be performed without faked or gaffed cards.

1st edition 1993; original 60 pages; PDF 48 pages; illustrated

4. Contents
5. Introduction
6. Centre Forward
8. Jointly Does It
11. The Auld Curse
12. I Give Up!
14. Boxed - In
17. Mind Games
21. An Odin Sequel
23. Women
25. Palmed Addition Utility Sleight
27. A Turn - Up For The Book
29. A Curious Incident
30. Collusion
31. Rising Crime
34. Audience Participation
36. Fireside Aces
38. The Scottish Assembly
40. Once Again
42. Duffie On Keyboards
43. A Change In Mood
45. Glasnost
47. Guardian Angels

In this ebook Dariel Fitzkee translates a range of moves and sleights from regular sized cards to jumbo sized cards. You will be surprised how many moves can actually be done with jumbo cards.

1st edition 1929, PDF 31 pages; illustrated

3. Contents
4. Preface
5. Giant Cards
6. My Own Pass
7. My Own Pass
8. The Pack
8. A Stripper Principle
9. An Added Feature
10. Two Reversing Ideas
10. Handling The Giant Cards
10. Shuffling Giant Cards
11. The Riffle Shuffle
11. A Reversing Principal
12. Riffle Shuffle
12. Springing The Cards
13. Other Flourishes
14. The Snap
14. Other Sleights
15. Another Pass
15. The Screened Vanish
17. To Regain Card
17. The...

This work has become a classic among card magicians. Alternative Card Magic was the first book for Peter Duffie and Jerry Sadowitz, two creative card men. Jeff Busby called it "the card magic book of the decade".

In the foreword Roy Walton writes:

Cluster Bomb is a new card effect that hits spectators hard. Watch the demo below. The routine is fully explained in a 25 minute video presentation that you can download to your computer.

Note that only three blanks are used and nothing is added or palmed away. This is not self-working but only basic card skills are required. There are no assumptions of knowledge - everything is explained.

A simple gimmick is required and you will see Peter make one on the video in one minute.

Video Content:

• Performance
• Getting Started
• Introductory Phase
• Mid-phase
• End Phase
• Credits

1st...

Tear off a corner of a signed card and restore it instantly. This is a very visual torn and restored card effect. There is no unnecessary folding of the card or other funny business.

Ray teaches you in detail how the gimmick has to be constructed. You probably do not have all the materials lying around on your table, but all components are readily available.

You will learn five ways to perform this restoration effect. Can be adopted to business cards.

1st edition 2009; 18 pages.

Cameron Francis presents five 100% completely impromptu card effects. This is commercial, easy card magic. No set-ups and no extra props. All you need is a deck, two hands, an interested spectator and you are set to amaze! Here's what you'll find beyond the cover:

Elevation: Four phases of sandwich/elevator/twisting/transpo madness that will make you look like a sleight of hand god. But it's all oh, so easy to do! (See the demo video below.)

Spin Cycle: Twisting the Aces meets Hofzinser with a powerful in-the-spectator's-hands ending!

Emergency! A super convincing in the hands Triumph...

This recording gives all the secrets of grafting or pitching. Walt reveals the secrets that enabled him to earn a handsome living pitching such items as Svengali decks, the coin and glass, three card trick, and other tricks of the grafter's trade. You will find everything from the grafter's own language and terminology, to the pitches, and how to make the products.

Walt Lees is a born pitchman. His voice draws you in. It plays with your mind, you are getting interested, intrigued, fascinated, excited, until you can't hold it anymore - you must have this trick - you buy it, and the pitchman...

This is Alan Rorrison's semi-sarcastic reply to the dreaded request: "Can you pull a rabbit out of a hat?" This question has plagued close-up magicians for decades. Suffer no more. This effect is the appropriate answer and will silence your pesky spectators.

The effect is lovely. Get a card selected and signed (a truly free selection - no force), draw a top hat on it and have rabbit appear in it. Then you use a rubber band as lasso to catch the rabbit.

1st edition 2009; runtime: 16min

Allan Ackerman explains the Al Baker version of the classic force, the Hofzinser force and fine points of the Hofzinser force.

runtime: 3min 17s

The Tilt or Depth Illusion was developed by Dai Vernon. It is a great move, wonderfully deceptive and not at all difficult to do. Allan teaches a couple of ways to prepare for the tilt and a few fine points.

runtime: 2min 45s

This is a method by Paul Curry to change a tabled card during a turnover.

runtime: 2min 47s

The Ultra Move was created by Arthur Buckley and first published in Card Control. It was popularized by Harry Lorayne. It is a very deceptive card switch and can also be used as card vanish.

runtime: 3min 42s